La Lobera WMR arquitectos
2016-11-13 13:00
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_286.jpg)
![](/Public/Home/images/caiji.png)
架构师提供的文本描述。该委员会是一个会议地点,帆船,风筝和风帆冲浪,在一个地点,为这些运动的完美条件。
Text description provided by the architects. The commission is for a meeting place, for sailing, and kite and wind surf, on a site with perfect conditions for these sports.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_533.jpg)
![](/Public/Home/images/caiji.png)
这个想法寻求在这样一个非常严峻,极端,强风,冷风的气候下的庇护。该项目实现了三个气候:内部100%封闭,另一个中间和另一个开放。
The idea seeks a shelter in this climate that is very austere, extreme, with strong, cold winds. The project achieved three climates: inside it is 100% closed, another intermediate and another open.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_501.jpg)
![](/Public/Home/images/caiji.png)
这是一个滨水休息,产生了一个后院连接到前面,多亏了骨架般的结构,允许庇护。允许有空间的人谁陪伴和不参加风电运动。
It is a waterfront retreat generating a backyard connected to the front thanks to the skeleton-like structure which allows shelter. Allowing to have a space for people who accompany and do not participate in the wind sport.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_484.jpg)
![](/Public/Home/images/caiji.png)
船坞类似的循环实现了海洋(风)和后院之间的旅行,这是受保护的风(室外庇护所),允许有一个火坑区域外。
The dock like circulation achieves the travel between the sea (wind) and the backyard, which is protected from the wind (outdoor shelter), allowing to have a fire pit area outside.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_068.jpg)
![](/Public/Home/images/caiji.png)
木结构作为骨架是支持不同的皮肤,纹理,阴影和灯光。
The wooden structure as a skeleton is the support for different skins, textures, shadows and lights.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_261.jpg)
![](/Public/Home/images/caiji.png)
它是在一个3米×3米的木模设计的,其中的结构(支柱和梁)是暴露的。在结构的外面浸渍了卡波林(黑色)和墙壁衬里的深棕色。天花板是用桉树杆做成的,把木梁暴露在黑色的外面。
It was designed in a 3m x 3m wood module where the structure (pillars and beams) are exposed. The structure was impregnated on the outside with carbolineum (black color) and wall linings in dark brown. The ceiling is made with eucalyptus poles, exposing the wooden beams in black.
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_499.jpg)
![](/Public/Home/images/caiji.png)
内墙和地板是用松木制成的,在天然底漆中完成。
The interior walls and floors were made with pine wood finished in natural primer.
![](works/201611/lobera_planta_techos.jpg)
![](/Public/Home/images/caiji.png)
考虑到一种简单的物质(木材、林区)和当地劳动力(非常便宜)。
A simple materiality was considered (wood, forest area) and local labor (very cheap).
© Sergio Pirrone
c.塞尔吉奥·皮尔龙
![](works/201611/wmr_lavpup_418.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/portada_wmr_lavpup_011.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_464.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_533.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_286.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_384.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_525.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_233.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_362.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_499.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_068.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_501.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_484.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_418.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/wmr_lavpup_261.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/lobera_planta_principal.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/lobera_planta_techos.jpg)
![](/Public/Home/images/caiji.png)
![](works/201611/lobera_elevaciones.jpg)
![](/Public/Home/images/caiji.png)
Architects WMR arquitectos
Location Pupuya, Navidad, VI Región, Chile
Category Community Center
Project Architects Felipe Wedeles, Jorge Manieu, Macarena Rabat
Project Area 165.0 m2
Photographs Sergio Pirrone
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