Project: Studio Apartment Vilamoura Architects: Corpo Atelier Design Team: Filipe Paixão, Rui Martins, Susana Café Constructor: Window to the Future Location: Vilamoura, 8125 Quarteira, Portugal Area 30.0 m2 Project Year 2018 Photographer: Alexander Bogorodskiy

项目：Vilamoura建筑事务所公寓：Corpo Atelier设计团队：Filipe Paix o，Rui Martins，Susana CaféConstructor：通向未来位置的窗口：Vilamoura，8125 Quarteira，葡萄牙地区30.0平方米2018年项目摄影师：Alexander Bogorodskiy

Corpo Atelier has renovated a Vilamoura studio apartment in Portugal, nearly dissipating the line between architecture and sculpture. Inside a white box of 7.6 x 3.9 x 2.55m, three differently configured yellow objects are individually placed. As an immediate consequence, one´s physical experience of the previously empty white box has been dramatically altered. The perception of one´s movement, of the box´s limits and of the position of the yellow objects is now inevitably intertwined. The significance of such objects, however, remains subjective and unclear.

Corpo Atelier翻修了葡萄牙的Vilamoura工作室公寓，几乎消除了建筑和雕塑之间的界限。在7.6x3.9x2.55m的白色盒子内，分别放置了三个配置不同的黄色对象。作为一个直接的结果，一个人对以前空白盒子的物理体验已经发生了巨大的改变。对一个人的运动、盒子的极限和黄色物体的位置的感知现在不可避免地交织在一起。然而，这些对象的意义仍然是主观的和不明确的。

Under closer inspection, their shape might resemble an abstraction of the classical architectural elements: an architrave, a fallen column and a plinth, arranged separately as a puzzle, only to be revealed when mentally placed together, evoking the experience of a (possible) site specific sculptural piece that engages with the containing space of a (possible) gallery room.

如果仔细观察，它们的形状可能类似于对古典建筑元素的抽象：一个建筑设计、一个倒下的柱子和一个柱体，分别作为一个谜题排列在一起，只有在精神上放在一起时才能被展示出来，这让人想起了(可能的)特定地点雕塑作品的体验，它与一个(可能的)画廊房间的容纳空间相结合。

Or perhaps, these yellow objects only hold objectual value as (possible) pieces of furniture, produced to store other smaller objects both inside and atop of them. In such scenario, their arraignment might be justifiable simply as a naive attempt to create some kind of spatial hierarchy in a (possible) wall-less apartment, marking and defining different areas according to a specific domestic use: an entrance hall, a central living room and a bedroom with a panoramic view.

或者，这些黄色的物体只具有客观价值，就像(可能的)家具一样，这些家具是为了存储其他较小的物体而生产的，无论是在它们的内部还是顶部。在这种情况下，他们的传讯可能仅仅是一种天真的尝试，试图在一套(可能的)无墙公寓中创造某种空间等级，根据特定的家庭用途来标识和界定不同的区域：一个门厅、一个中央客厅和一个可以看到全景的卧室。

It´s never truly clear which of these possibilities might be accurate, or, if any actually is. Maybe both might be.

这些可能性中的哪一种可能是准确的，或者，如果真的是这样的话，这一点从来都不清楚。也许两者都是。