架构师提供的文本描述。Skandiascenen是斯德哥尔摩历史悠久的Cirkus剧院的现代补充，创建于1892年。新的建筑是在非常有限的场地上建造的固体岩石的利基，并容纳了一个新的门厅，舞台和沙龙容纳800名剧院的客人。White Arkitekter的创造性解决方案是将房子的大部分置于地下，允许将门厅放置在两个不同的水平上。

Text description provided by the architects. Skandiascenen is a modern addition to the historic Cirkus theatre, in Stockholm, founded in 1892. The new construction was built into a niche of solid rock on very limited grounds and houses a new foyer, stage and salon seating 800 theatre guests. White Arkitekter’s creative solution was to place large portion of the house below ground allowing the foyers to be placed on two different levels.

扩建的设计有一种形式，故意并列，现有的历史剧场建筑；因此，有意识地设计拥有自己的形式和特征-同样反映了自己的时代。不锈钢优雅地包裹在一个重叠的鱼鳞片样的外观。在现代的狂欢中，光滑的冰面增加了节日的气氛。轻柔弯曲的金属立面，其高弯曲的玻璃隔板，提供了一种动力感时，与毗邻的黑兹利乌斯背脊山坡行驶。与文化上具有历史意义的灰泥和砖块的建筑形成鲜明对比的是，Skandiascenen的圆形金属外墙为另一个时代的表达提供了条件。

The extension is designed with a form that deliberately juxtaposes Cirkus, the existing historical theatre building; hence, consciously designed to possess a form and character of its own – equally reflective of its own period in time. Stainless steel gracefully clads the façade in an overlapping fish scale-like pattern. In its modern ornateness, the silky matte facade adds to the aura of festivity. The gently curved metal façade, with its high curved glass partitions, provides a dynamic sense of momentum when travelling alongside the adjacent Hazeliusbacken hillside. Starkly contrasting the culturally historic main building of stucco and brick, Skandiascenen’s round metal façade allows for the expression of another era.

 © Åke E:son Lindman

C.E：Son Lindman

无论这两种外立面的外观有多么不同，新剧院的内部和最初的马戏团一样亲密。新的沙龙有一个红色色调的调色板，与传统的剧院观众席相同。黑兹利乌本山坡和建筑前部新的外部地面之间的水平差异，创造了一个入口区域，可以用来在夏季用餐壁画。

However different the two exteriors may be in appearance, the interiors of the new theatre are equally as intimate as the original Cirkus. The new salon has a colour palette in shades of red in the same vein as traditional theatre auditoriums. The difference in level between Hazeliusbacken hillside and the new exterior ground at the building front, creates an entrance area that can be used for dining al fresco during the summer.

 © Åke E:son Lindman

C.E：Son Lindman

 © Åke E:son Lindman

C.E：Son Lindman

一种先进的承重结构，带有玻璃梁和柱子，标志着进入大楼。在具有历史意义的广场前面放置一个全玻璃的入口背后的理由是，这样的一卷书将尽可能地低调、轻盈和透明。黄昏时分，老建筑的内部立面出现在光学玻璃的后面，而玻璃则连接到新剧院前一个天然的石板入口区域。

An advanced load-bearing structure with beams and columns of glass functions marks the entry building. The reasoning behind the placement of a fully glazed entrance at the front of the historic Cirkus was that such a volume would be as unobtrusive, light and transparent as possible. At twilight and evening hours, the older building’s interior facade appears behind the light glass volume while the glass connects down to a natural stone clad entrance area in front of the new theatre.

 © Åke E:son Lindman

C.E：Son Lindman

 © Åke E:son Lindman

C.E：Son Lindman

Architects White Arkitekter

Location Djurgårdsslätten 43, 115 21 Stockholm, Sweden

Category Extension

Lead Architect Anders Arfvidsson

Design competition Anders Arfvidsson, Per-Mats Nilsson, Håkan Langseth

Area 2000.0 sqm

Project Year 2015

Photographs Åke E:son Lindman, Anders Bobert

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