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该项目占地3300平方英尺，是马萨诸塞州佛罗伦萨社区娱乐场地的展馆。该项目包括储藏室、洗手间、会议室和特许展位。

 This 3,300 sqft project serves as a pavilion for community recreation fields in Florence, Massachusetts. The program includes storage, restrooms, a meeting room and a concession booth.

这些建筑物没有隔热，只有在一年中温暖的月份才断断续续地开放。屋顶的设计是为了容纳未来的光伏阵列，这将为现场提供电力。

The structures are uninsulated, and only open intermittently during the warmer months of the year. The roof was designed to accommodate a future photovoltaic array, which will provide power to the site.

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这些建筑为球场上的活动提供了一个安静的背景，并为聚集在那里的运动员和观众提供了庇护所。连接在每个结构模块之间的是一个内置的长凳，邀请游客停下来休息，欣赏风景。

The buildings provide a quiet backdrop to the activity on the fields, and offer shelter for the players and spectators gathered there. Strung between each structural module is a built-in bench, inviting visitors to stop, rest, and enjoy the views. 

尽管预算非常紧张，但该项目提供了一个机会来创造不仅仅是所需的功能流。它提供了真正的公共建筑，拥有丰富的空间体验，人人都能享受。

Although the budget was very tight, the project presented an opportunity to create more than just the functional shed the program required. It is an offering of truly public architecture, with a rich spatial experience that can be enjoyed by all.

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农业启示

AGRICULTURAL INSPIRATION

在城镇购买土地供公众娱乐之前，这片土地已经是农田了一个多世纪。展馆的形式参照了该遗址的农业历史，对典型的新英格兰谷仓采取了现代化的做法，特别是该地区的烟草谷仓。

Prior to the town purchasing the land for public recreation, the fields had been farmland for over a century.  The form of the pavilion references the agricultural history of the site by taking a modern approach to the classic New England barn, in general, and to the tobacco barns of the area, in particular.

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比例：住宅与。娱乐

SCALE: RESIDENTIAL VS. RECREATION

场地的一边是单层的牧场房屋，另一边是两层高的棒球围栏，这些建筑便于在鳞片之间过渡，向居民区倾斜，向游憩区上升-以及远处的篱笆、田野和森林。

On one side of the site are single-story ranch houses, while on the other side are two-story high baseball fences.  The buildings facilitate the transition between scales, sloping lower toward the residential area, and rising higher toward the recreation area—and the fences, fields, and forest beyond.

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建筑物作为网关

BUILDING AS GATEWAY

而不是创造一个单一的质量，这将终止意见和行动，两座独立的建筑物，作为一个门户的整体网站。

Rather than create a singular mass, which would terminate views and movement, two separate buildings were formed to act as a gateway to the overall site.

从固体向空洞的转变

TRANSITION FROM SOLID  TO VOID

当建筑物向操场、主要车辆通道和社区花园移动时，它们从实心过渡到虚空，作为一种进入这些公共空间的方式。

As the buildings move toward the playground, main vehicular access, and community gardens, they transition from solid to void, as a way to engage these public spaces.

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建筑为长凳

BUILDING AS BENCH

挑战：如何让一座封闭的建筑感觉仍然是开放的。回应：使整个建筑成为座位，在任何时候都可以使用。

CHALLENGE: How to make a closed building still feel open. REPONSE: Make the entire building act as seating, available at all times.

该项目最大的挑战是让这些建筑继续受到公众的邀请和吸引，即使内部已经关闭，因为这将是一年中的大部分时间。虽然这不是项目的要求，但人们认识到，这对项目的成功至关重要。

The biggest challenge of the project was to have the buildings continue to be inviting and engaging to the public, even when the interior is closed, as it will be much of the year.  Although this was not a requirement of the program, it was recognized to be critical to the project’s success.

设计的解决方案是把整个建筑的功能作为座椅，在每个模块之间架设长凳。在两边都开放的长凳上，它们特别深-24“宽-是为了舒适。在娱乐方面，他们可以充当观众席，而在停车场边，他们可以充当一个孩子们可以等待回家的地方。在有盖的地方，有优惠的长椅作为额外的座位，以补充未来的流动野餐桌。当大楼被租出去举行派对和特别活动时，一些座位已经建好了。

The design solution was to make the entire building function as seating, by stringing benches between each module. Where the benches are open on both sides, they are particularly deep—24” wide—for comfort. On the recreation side, they can function as spectator seating, and on the parking lot side, they can function as a place where kids can wait for their rides home. In the covered area by concessions, the benches serve as additional seating, to supplement future mobile picnic tables. And when the building is rented out for parties, and special events, some of the seating is already built right in.

Architects Morgan Studio Architecture & Interiors, Kuhn Riddle Architects

Location Florence, Northampton, MA, United States

Category Community

Architect in Charge Elizabeth Morgan, AIA

Area 3300.0 ft2

Project Year 2016

Photographs JS Photo

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