© Simon Parent

西蒙父母

架构师提供的文本描述。该项目旨在质疑魁北克人与他们的建筑遗产之间的关系。我们试图创造一个独特的元素，与它所质疑的高度旅游环境形成鲜明对比。粉红色的整体通道产生了交叉的错觉；它为游客提供了一种丰富多彩的身临其境的体验，将他们带入了另一个穿越历史建筑的宇宙。

Text description provided by the architects. The project aimed to question the relationship that Quebeckers have with their built heritage. We were trying to create a distinctive element, in contrast to the highly touristic environment it’s questioning. The pink monolithic passage generates the illusion of a crossing; It offers visitors a colorful and immersive experience that plunges them into another universe that passes through a historical piece of architecture.

 Implantation Plan

植入计划

射孔使数百束光束在遵循太阳周期的过程中穿透。在通道的末尾，倾斜的镜子返回以另一种颜色绘制的帧的背面，以提供连续性的错觉。我们似乎能够穿越这一不可逾越的防御工事，因为镜子的角度隐藏了我们的反射，并显示出一条不同的道路。

The perforation lets hundreds of light beams penetrate as they follow the sun's cycles. At the end of the passage, an inclined mirror returns the back of the frames that are painted in another color in order to give the illusion of a continuity. We seem to be able to cross this impassable fortification as the angle of the mirror hides our reflexion and shows a different path.

 © Simon Parent

西蒙父母

皇家炮台最初是圣劳伦斯河的前线。该防御工事建于17世纪末，旨在保护领土及其资源免受入侵。

The royal battery was originally a front in the St. Lawrence River. Built at the end of the 17th century, the fortification was designed to protect the territory and its resources against invasion.

 © Simon Parent

西蒙父母

 © Simon Parent

西蒙父母

然而，多年来，魁北克市滨水区的结构已经消失。然后过时和完全废弃，它恶化，并被埋在连续的沥青层。直到1977年，鼓才完全出土和重建。今天，水再次周期性地接触到防御工事的脚，然后，历史的残余物零星地恢复了它的意义。

However, over the years, the structure has disappeared from the Québec City waterfront. Then obsolete and completely abandoned, it deteriorated and was buried under successive layers of bitumen. It was only in 1977 that the drum was completely unearthed and rebuilt. Today, the water again cyclically touches the foot of the fortification; It is then that the residue of history regains sporadically its meaning.

 © Simon Parent

西蒙父母

为什么我们要重建我们自己抛弃的东西？具有讽刺意味的是，这条不可逾越的护城河已不复存在。那么，他在当代城市中的角色又变成了什么呢？冒名顶替者试图通过在一个虚假的皇家电池中创建一个假通道来质疑该地区的真实性；两个相互相遇的假片段。

Why have we rebuilt what we ourselves have forsaken? Ironically, the impassable moat is no longer. What then becomes of his role in the contemporary city? Impostor seeks to question the authenticity of the area by creating a false passage in a false royal battery; Two fake pieces that meet each other.

 © Simon Parent

西蒙父母

假护城河，假吊桥。谁是真正的冒名顶替者？在这一领域，还有什么是真实的？电池？通道？我们的形象.？

False moat, false drawbridge. Who is the true impostor? What remains of authenticity in this sector? The battery? The passage? Our image ...?

 © Simon Parent

西蒙父母

Architects Les Malcommodes

Location Québec City, Quebec, Canada

Lead Architects Marie-Jeanne Allaire-Côté, Alexandre Morin, Simon Parent

Area 19.0 m2

Project Year 2017

Photographs Simon Parent

Category Renovation

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