All three of Galerie Perrotin's Parisian spaces are currently given over to the group exhibition '¿Cómo te voy a Olvidar?' – an ode to the variety and vitality of contemporary Mexican art. Pictured: a room by abstractionist José Léon Cerrillo. Courtesy the artist and José García

加莱丽·佩罗廷(GaleriePerrotin)大胆地表达了对墨西哥的热爱，推出了一场新的团体展览，涵盖了它在巴黎的所有三个

冠以“科莫·特沃伊奥维达尔？”(“我怎么可能忘记你？”)展览是画廊主任佩吉·莱博夫的创意。画廊老板埃曼纽尔·佩罗廷邀请莱博夫在画廊举办一场她自己选择的展览，以庆祝她的20周年。2014年10月，在访问塔马约博物馆时，莱博夫被墨西哥城的经历迷住了，于是她决定向墨西哥致敬。

LeBoeuf和联合策展人Anissa Touati花了两年的时间在全国各地了解当代的艺术场景，会见了馆长、评论家、博物馆和艺术学校的主管等等。他们还参观了16位艺术家的作品，他们的作品现在都出现在展览中。它们是新兴人才和老牌名字的混合体，代表着广泛的风格。

充满色彩的艳丽的雅恩·格斯特伯格的挂毯是由棉纱和回收的乙烯基横幅制成的，这是一个同时具有现代感和充满历史的国家的完美比喻。

另一方面，安娜·比达特的作品更沉闷，在我们发现的物品中发现了美，这些东西通常不为我们所注意-其中包括墨水井和护照。

曲线和诱人，拉长的紧身衣马丁Soto Climent站在鲜明的对比，崎岖，建筑组合的格拉迪斯阿隆佐。

梅恩德斯·布莱克(Méndez Blake)用雕塑赞美文学的灵感力量，这些雕塑向法国小说家乔治·佩雷克(Georges Perec)致敬，而何塞·达维拉(JoséDavila)则敬畏那些显示出对物理学深刻欣赏的极具吸引力的组合。

有几件事倾向于悲观。观众的目光不可避免地被弗里齐亚·艾尔·朱扎尔(Fritzia irμzar)的弗里格·弗里格(Phryges)帽子所吸引-这是拉丁美洲反殖民主义运动的象征-作为对一个健忘的社会中自由的短暂性的一种评论。同样，在纪录片式的视频中，埃德加多阿拉贡(edgardo argón)悲叹土著人民的命运，思考意识形态冲突，哀悼上世纪70年代墨西哥政府失踪的政见异见者。

尽管如此，这场展览还是以一种欢快的气氛结束，有两幅名为YYTEAmmás的油画(“我更爱你”)。阿里尔·奥罗斯科(ArielOrozco)拿出两幅油画，一幅是金色的，一幅是银色的，然后面对面地粘在一起，两周后把它们撕成碎片。金色的斑点被层叠在银色的帆布上，反之亦然-就像墨西哥内外的艺术世界彼此发现了彼此一样，两者都变得更有活力和更迷人。

The exhibition includes 16 artists with varying connections to Mexico – some were born and raised, others have chosen it as a place to live and work. Pictured: Fritzia Irízar’s room references the Phyrgian cap, an anti-colonial symbol in Latin America. Rendered in chainmail and iron, their rigid forms suggest the fossilisation of democratic ideals in contemporary society. Photography: Claire Dorn. Courtesy Galerie Perrotin

For two years, gallery director Peggy Lebeouf and curator Anissa Touati travelled through Mexico to meet with each of the 16 artists exhibited, including the Uruguayan-Mexican Ana Bidart, whose work incorporates found objects that usually play an invisible role in our lives. Pictured left: Pasaporte: white on blue. Right: Pasaporte: fold. Courtesy Josée Bienvenu Gallery and Galerie Perrotin

A mix of established and emerging artists feature in the exhibition – among the former is Martin Soto Climent, known for exploring the allusive potential of day-to-day objects. Pictured: a view of Soto Climent’s room at the exhibition. Courtesy Galerie Perrotin

Video artist Edgardo Aragón depicts scenes that are simultaneously serene and sinister, and in doing so invites reflection on violent episodes of history. Pictured: a still from El paso, hombre invisible, a portrait of bison in a North American national park and a meditation on the invisible, indigenous peoples who have ceased to live with them. Courtesy the artist and Galerie Perrotin

A still from Aragón’s Exterminio, in which floating detritus alludes to disappeared political dissenters whose corpses were dropped into the Pacific in the 1970s. Courtesy the artist and Galerie Perrotin

Dr Lakra’s art is imbued with nostalgia for the relative political innocence of 1950s Mexico. Pictured left: Sin título / Untitled (Midlands sun maid), a pin-up that the artist has graffitied with a menacing skeleton. Right: Untitled. Courtesy the artist and kurimanzutto, Mexico City

In the foreground, sculptures by Pia Camil, who appropriates small segments of abandoned billboards as a critique of consumerism. Flanked in the background by Drawing the national emblem erased, by artist collective Tercerunquinto. Courtesy Galerie Perrotin

Two works, both entitled Yo te amo más, by the Cuban-born Ariel Orozco. A canvas of silver and one of gold were stuck together for several weeks and then torn apart to create this mesmerising pair of paintings. Courtesy the artist and Galerie Perrotin

José Davila’s assemblages are a feat of physics as well as aesthetic composition. Pictured: Untitled, which has a mirror, boulder, rock and concrete blocks balanced precariously on top of each other and held together by a ratchet strap. Courtesy the artist and Galerie Perrotin

The exhibition is the brainchild of gallery director Peggy Leboeuf, who was given free rein by owner Emmanuel Perrotin to create any show in gratitude for her 20 years of service. Pictured: an installation view with pieces by Yann Gerstberger, Gabriel Rico and Gwladys Alonzo. Courtesy Galerie Perrotin

One of the best known artists to feature in the show, Jorge Méndez Blake’s sculpture examines the way in which we construct our cultural heritage, by way of forging connections between literature and architecture. Courtesy Galerie Perrotin

Juxtaposing natural objects with neon lights in geometric or mathematical forms, Gabriel Rico’s work ponders our relationship with nature. Pictured: Reduccion objetiva orquestada, in which a stone is capped by a luminous square-root symbol. Courtesy Studio Gabriel Rico and Galerie Perrotin

Detail from Gonzalo Lebrija’s The Distance between You and Me – a series of four videos showing the artist running away from the camera in various landscapes, tempting the viewer to follow him and breach the distance. Courtesy Galerie Laurent Godin, Travesía Cuatro, and Galerie Perrotin

keywords:Paris, Mexico, Galerie Perrotin, Exhibitions

关键词：巴黎、墨西哥、Galerie Perrotin、展览