空间的一半依赖于设计，另一半则源于存在与精神。 — 安藤忠雄

Half of space depends on design, the other half derives from the presence and spirit. — Tadao Ando

当晨光在混凝土墙面刻下流动的五线谱，空间便开始了它的日常叙事。我们试图在粗粝与精致、秩序与自由之间，寻找设计最本真的呼吸节奏。

When the morning light carves flowing staves on the concrete wall, the studio begins its daily narrative. We try to find the most authentic breathing rhythm of design between roughness and refinement, order and freedom.

白色的盒子空间中摒弃繁琐的符号化装饰，专注于展现利落线条、简约构架的精髓，从而深入挖掘空间的最佳形态，以简单质朴的材料赋予其独特而专有的气质。

In the white box space, we cast aside intricate symbolic ornamentation, focusing instead on revealing the quintessence of clean lines and minimalist structures. This approach delves into the optimal form of space, endowing it with a unique and proprietary character through the use of simple, raw materials.

艺术张力隐藏于空间，是一种美学方式，是一种可视化的“力”，在某种程度上来说，亦是一种感染力。它将艺术与生活、工作场景结合起来，使得在具象化的时空里，与人产生情感共鸣。

Artistic tension is hidden in space. It is an aesthetic method, a visual force, and to some extent, an infectious force. It combines art with life and work scenes, creating emotional resonance with people in a concrete space and time

“建筑不该征服自然，而应成为自然的褶皱。”我们刻意保留这“非设计”的生命力。工作感到疲惫时，望向室外便能看到这些植物那静谧而充满生机的样子。“声喧乱石中，色静深松里。”对于自然的向往，是每个都市自由人的眷恋。

Architecture should not conquer nature, but become the folds of nature. We deliberately retain the vitality of this non-design. When you feel tired at work, you can look outside and see the quiet and vibrant appearance of these plants. The sound is noisy among the rocks, and the color is quiet in the deep pines. The yearning for nature is the attachment of every urban free man.

百叶窗栅是光的囚笼也是解放者，在书脊上切割出明暗的时令。光带沿纸页迁徙，从《营造法式》到《阴翳礼赞》，知识在光斑炙烤下卷曲又舒展。此刻的光是盗火者，偷走线性时间，将晨昏封存于同一截面。

The shutters are both the prisoner and the liberator of light, cutting out the seasons of light and dark on the spine of the book. The light band migrates along the pages, from Yingzaofashi to In Praise of Shadows, and knowledge curls and stretches under the scorching light spots. The light at this moment is a fire thief, stealing linear time and sealing the morning and evening in the same section.

空间并非全为容器，而是存在的涌流现场：混凝土在呼吸中剥落时间碎屑，光在移动中篡改空间边界，绿植根系在看不见处瓦解地基。当人类在此测量、绘制、沉思，建筑报以温柔的背叛——它用裂缝收藏我们的局限，用阴影供奉未完成的可能性。

Space is not entirely a container, but a flowing scene of existence: concrete peels off the debris of time in its breathing, light tampers with the boundaries of space in its movement, and the roots of green plants disintegrate the foundation in invisible places. When humans measure, draw, and meditate here, architecture responds with gentle betrayal - it uses cracks to store our limitations and shadows to worship unfinished possibilities.

设计是向虚空投掷的锚，而美是锚链绷紧时的颤音。

一半素心以清简，一半寂静许清欢。

Design is an anchor thrown into the void, and beauty is the vibration of the anchor chain when it is taut.

Half of the heart is pure and simple, and half of the heart is quiet and happy.

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孙大为 | SUNDAWEI

点石无界总经理 - 设计总监

鲁迅美术学院副教授

一级注册工程师

DS.DESIGN点石设计，由鲁迅美术学院副教授孙大为先生创立，多年来，以中国传统文化为土壤、立足当下，致力于生活观念的启迪，以及对未来的洞察与尝试，由此开创出独一无二的设计语言。点石设计愿做时代的思考者，以自迭代和再创新的源生力量，深远影响中国设计与国际生活方式。

成立于2007年，坐落宁沈阳，是集设计、施工、软装为一体的綜合性商业设计公司。致力于通过专业的股计服務为客户提供高水准的商业设计作品，并通过高溢价的空间作品也給客户带来高回报的商业价值。我们不止是呈现独到设计，更是结合品牌、商业、人群及定位需求，提供全考量、定制化的解决方案。