NOT A HOTEL系列酒店分布地图 ©NOT A HOTEL

“近几十年来，日本一直以其令人惊叹的自然景观、高端设计、创新建筑和前卫艺术吸引着世界的目光。NOT A HOTEL SETOUCHI即将落成的濑户内海区域，将这些日本旅游的各个方面融为一体。通过与BIG的合作，我们将在萨吉岛打造日本最奢华的别墅之一，使其成为更多人体验濑户内海地区魅力的门户。”

——NOT A HOTEL首席执行官兼创始人

Shinji Hamauzu

“In the last few decades, Japan has been attracting attention as a place to experience stunning natural landscapes as well as high-end design, innovative architecture, and cutting-edge art. The Seto Inland Sea area, where NOT A HOTEL SETOUCHI will be built, brings together all of these aspects of Japanese tourism into a single site. In partnering with BIG, we are creating one of Japan’s most luxurious villas on Sagi Island, which will be a gateway for more people to experience the charm of the Setouchi region.”

— Shinji Hamauzu, CEO - Founder, NOT A HOTEL

斯堪的纳维亚与日本设计之间的渊源可追溯至19世纪，当时日本向国际旅行者敞开了国门。不久之后，斯堪的纳维亚设计师开始造访日本，并迅速被日本风格的简约之美、对天然材质的运用以及与自然的紧密联系所吸引——这些原则同样指引着NOT A HOTEL Setouchi的设计理念。NOT A HOTEL Setouchi的总体规划以恢复其起伏的地形为首要任务，在施工开始前将收割当地草木，并重新引入橄榄树、柠檬树及其他本土植被，以进一步提升场地的自然之美。三座别墅——根据位置和相应景观分别命名为“360”、“270”和“180”——巧妙地融入自然景观的自然轮廓之中，与现有道路和基础设施相协调。

he relationship between Scandinavian and Japanese design began in the 19th century, when Japan opened their borders to international travellers. Soon after, Scandinavian designers began visiting the country and quickly became fascinated by the Japanese style for its simplicity, use of natural materials and connection to nature – the same principles that guided the design ethos for NOT A HOTEL Setouchi.The masterplan for NOT A HOTEL Setouchi prioritises restoration of the undulating terrain, where grass will be harvested before construction begins, while olive trees, lemon trees and other native vegetation will be reintroduced to further enhance the site’s natural beauty. The three villas – named ‘360,’‘270′ and ‘180’depending on location and corresponding views – intentionally blend into the landscape’s natural contours, aligning with existing roads and infrastructure.Spread across varying elevations, the resort appears like a ribbon winding through the site.

“我们在设计NOT A HOTEL Setouchi时，并非要在场地上强加我们的想法；相反，我们致力于探索、观察并理解这片景观。我们设想如何最大限度地利用这片独特而显著的地形，并最终确定了一种能够映射出传统日本建筑优雅之美的设计方案。日本是世界上少数几个仍然坚守工匠精神与品质追求的文化之一。建筑结构的质朴诚实与材料的精心选择，可以说对日本传统建筑和丹麦现代建筑都产生了深远影响。也许正因如此，每当我前往日本时，都仿佛有一种回家的感觉。NOTA HOTEL Setouchi将是一次试验，探索当丹麦的简约追求与日本的精致完美相遇时，会碰撞出怎样的火花。”

——Bjarke Ingels，BIG创始人

“Our design approach for NOT A HOTEL Setouchi wasn’t about imposing our ideas on the site; instead, it involved exploring, observing and understanding the landscape. We envisioned how to best leverage this distinctive and remarkable terrain and fixed upon a design that mirrors the elegance of traditional Japanese architecture. Japan is one of the cultures in the world where commitment to craft and care for quality remains intact. The honesty and simplicity of the structure and careful choice of materials can be said to have greatly influenced the traditional architecture of Japan and the modern architecture of Denmark. Maybe that’s why when I go to Japan, I always feel like I’m coming home. NOTA HOTEL Setouchi will be an experiment in what happens when the sensibilities of both countries come together – the Danish desire for simplicity and the care and perfection of Japan.”— Bjarke Ingels, Founder - Creative Director, BIG

创始人Bjarke Ingels与NOT A HOTEL设计过程

这些三居室和四居室的别墅借鉴了日本传统单层住宅的设计，并融入了日本当地的材料。别墅的基本元素——立面、屋顶、墙壁和地板——均保留了日本传统建筑元素，同时进行了现代化改造以适应现代使用需求。

The three- and four-bedroom villas reference the design of traditional Japanese single-story houses, incorporating materials local to Japan. The essential elements of the homes – the facade, roof, walls and floor – all preserve traditional Japanese architectural elements while being reimagined for modern-day use.

位于半岛尖端的别墅是距离大海最近的别墅，其曲线设计顺应了海岸景观。别墅内设有带平缓斜坡的内庭，铺设着青苔小径，还有随季节变换色彩的树木。

‘180’ is the closest to the sea, whose curvature follows the coastal landscape. The home includes an inner courtyard with gentle slopes, mossy pathways and trees that change colour with the seasons.

连接室内外的玻璃立面是日本手工纸品的障子（shoji screens：一种在日式房屋之中作为隔间使用的可拉式糊纸木制窗门）。的现代诠释，而Genshoseki天然板岩地板的图案则灵感来源于日本传统榻榻米的布局。

Glass facades that connect the interior and exterior are a modern interpretation of shoji screens, while the pattern of the Genshoseki natural slate floors is inspired by the layout of traditional Japanese tatami mats.

别墅则可欣赏到周围群岛的270度全景，其特色在于泳池周边的浴室空间如同漂浮的岛屿般排列，并配有桑拿房和露天火坑。

‘270′ captures a 270- degree panorama of the surrounding archipelago, featuring bathing spaces arranged like floating islands around the pool alongside a sauna and open firepit. At the peninsula’s tip,

承载重量的弧形土墙采用了传统的夯土技术，土壤直接取自现场。每栋别墅都通向一个宽敞统一的空间，而浴室和储藏室等功能区域则被整合到独立的体块或舱体中。天窗被设置在这些更为私密的舱体顶部，从建筑内的任何位置都能欣赏到窗外的景色，实现了开放性与私密性的平衡。

The load bearing curved clay walls are achieved using the traditional rammed earth technique, incorporating soil directly from the site.Each villa opens into a large, unified space, with areas of functionality such as bathrooms and storage rooms consolidated into separate volumes, or pods. Skylights are placed atop these more private pods to provide views from any point within the buildings – balancing openness with solitude.

360，

环形设计的别墅坐落于最高海拔处，从中央庭院可享隐私保护的同时，还能一览濑户内海的土地与海景，实现真正的360度视野。

.Each villa has distinct design characteristics that fit into their specific location onsite. The ring-shaped ‘360’ is perched at the highest altitude, offering literal 360-degree views of Setouchi’s land and seascape with a central courtyard for privacy.

这些别墅均配备了日本传统浴池、舒缓的色调搭配、户外火坑和加热式无边泳池，模糊了别墅与周围自然环境的界限。

在NOT A HOTEL Setouchi，屋顶四面都铺设了太阳能瓦片，这是对日本传统屋顶的科技化与现代化诠释。

屋顶收集的雨水用于灌溉景观，而可操作的立面和悬挑结构则有助于春夏季的被动降温。

The villas all feature traditional Japanese baths, calming colour palettes, outdoor firepits and heated infinity pools that blur the boundaries between the properties and the surrounding nature.The roofs at NOT A HOTEL Setouchi are covered on all sides with solar tiles, representing a technological and modern interpretation of a traditional Japanese roof. Rainwater collected by the elevated roofs is used to irrigate the landscaping, while the operable facades and overhangs promote passive cooling in spring and summer.

平面布置图 ©BIG