空间的一半依赖于设计

另一半则源自于存在与精神

“Half of space depends on design the other half is derived from presence and spirit.”

——安藤忠雄（Tadao Ando）

在本案设计中，将不被定义的极简与中古风混搭，构建起一个多维度的理想生活栖居地，中古风完美地平衡了视觉美感和空间利用，既是怀旧，亦是流行。

In this design, the undefined minimalism is mixed with the medieval style to create a multi-dimensional ideal living space. The medieval style perfectly balances visual aesthetics and spatial utilization, which is both nostalgic and popular.

抛却了繁杂的设计与色彩，给予空间最大的自由尺度。通过大量通顶线条的延伸与块状结构，释放空间视觉纵深。打破风格定义的界限，从视觉效果上营造出更加生动自由的空间观感。

Abandoning complex designs and colors, giving space the maximum freedom of scale. By extending a large number of overhead lines and block like structures, spatial visual depth is released. Breaking the boundaries of style definition and creating a more vivid and free spatial perception through visual effects.

玄关相对窄小，入户便是厨房和餐厅，为了不造成更多的视觉负担，我们尽量统一空间的色彩，通过整洁有序的“视觉减法”，让玄关显得开阔。磨砂玻璃隔断增加了一丝隐秘感，多功能衣架从地面直通天花板，上面摆满各式书籍和装饰物，彰显着主人的品位。卫生间外墙石膏灯的运用，成为进入空间一大视觉焦点，增加了空间趣味性。

The entrance is relatively narrow, with the kitchen and dining room right at the entrance. In order to avoid creating more visual burden, we try to unify the color of the space as much as possible, and use a neat and orderly visual subtraction to make the entrance appear spacious. The frosted glass partition adds a touch of privacy, and the multifunctional clothes hanger runs directly from the ground to the ceiling, filled with various books and decorations, showcasing the owners taste. The use of gypsum lamps on the exterior walls of the bathroom has become a major visual focus when entering the space, increasing the fun of the space.

厨房柜体以胡桃木色为主，台面白色水磨石搭配墙面复古花砖，冷暖对比。满足收纳需求同时强化空间块面感。

The kitchen cabinet is mainly made of walnut wood, with white terrazzo countertops and retro floral tiles on the walls, creating a contrast between cold and warm. Meet storage needs while enhancing the sense of space block.

客餐厅以开放形式呈现，模糊边界感，也增强了整体的采光与通风。中岛台和餐桌的结合，成为视觉焦点，天然大理石台面，搭配富有设计感的餐桌，充斥着浓郁的上世纪中叶复古感。中古风格的餐椅在原木色系的用餐区域中非常耐看。

The restaurant is presented in an open form, blurring the boundaries and enhancing overall lighting and ventilation. The combination of Nakajima Terrace and dining table becomes the visual focus, with a natural marble countertop and a well-designed dining table, filled with a strong retro feel from the mid-20th century. The medieval style dining chairs are very durable in the natural wood colored dining area.

客厅区域采用抬高地台，增加仪式感，挑空设计能够利用更多的自然光线照射到客厅内部，使整个空间更加明亮和通透，提升了舒适度和生活质量。沙发后面的大幅书法作品，使原本不大的空间产生了一丝磅礴的气势。

The living room area adopts a raised platform to increase the sense of ceremony, and the cantilevered design can use more natural light to illuminate the interior of the living room, making the entire space brighter and more transparent, improving comfort and quality of life. The large calligraphy works behind the sofa create a majestic atmosphere in the originally small space.

悬浮楼梯的设计使空间更加通透与轻盈,沉稳的深调木色是中古风不可或缺的元素，加强复古格调的同时，也和地面、墙面形成了和谐的色彩梯度。

The design of the suspended staircase makes the space more transparent and lightweight, and the steady deep tone wood color is an indispensable element of the medieval style. While strengthening the retro style, it also forms a harmonious color gradient with the ground and walls.

二楼是兼具卧室与书房功能的私人空间，定制的黑色书桌搭在书柜上，错落有致，供主人办公时使用。书桌造型极为简练，轻盈的形态和低矮厚重的书柜形成对比。在书桌上方的梁体上，巧妙的嵌入一根线条灯，弱化了梁体的低矮笨重感，搭配桌面上一盏复古的台灯，为居者营造相对独立静谧的阅读办公环境。我们抛弃了原始意义的床，在地台上放一张床垫，这便是中古风格作为现代主义的延伸，以其极简的理念成为人们心中的经典。

The second floor is a private space that combines the functions of a bedroom and a study. A customized black desk is placed on the bookshelf, arranged in a staggered manner, for use by the owner during office work. The desk design is extremely concise, with a lightweight form that contrasts with the low and heavy bookshelf. On the beam above the desk, a cleverly embedded line light weakens the low and bulky feeling of the beam, paired with a vintage desk lamp on the desktop, creating a relatively independent and quiet reading and office environment for residents. We abandoned the original meaning of the bed and placed a mattress on the platform, which is an extension of modernism in the medieval style, becoming a classic in peoples hearts with its minimalist concept.

我们希望通过这个小小的空间人们可以找回那些缺失的美好，体会静下来的时光，帮他们找回对生活真实的想象与期待。

We hope that through this small space, people can rediscover the missing beauty, experience the quiet time, and help them regain their imagination and expectations of real life.

INFO

：中国

项目

面积：40㎡

AGENCY FOUNDER

曾 毅

连云港点度空间设计 创始人/ 设计总监

连云港设计力量 联合发起人

关于设计师 / ABOUT DESIGNERS

好的空间一定是有灵魂、有故事的。他说：设计是倾听、是创新，而不是复制，想要在设计行业独当一面，那自己对“设计”必须要有独特的理念和见解，最终让设计回归生活！

相关理念/REL

ATED CONCEPTS

设计就是将客户的需求和设计师的设计语言进行融合与表达。空间不能过度设计，将形、色、质、光控制的恰到好处。设计需基于施工造价基础之上，考虑落地性。

获奖情况/AWARD SITUATION

2019 鲲鹏奖· 中国室内装饰设计大赛公共空间 商业空间 优秀奖

2019 中国空间设计大赛“鹏鼎奖” 年度新锐设计师

2020 晶鲲鹏奖国际设计大赛（工装组） 优秀奖

2020 TOP100 中国精英设计师峰会 中国十大当红文创设计师

2020

2021 老宅新生中国（连云港）十佳改造设计师

2021-2022 40 UNDER 40 中国（连云港）设计杰出青年

2021-2022 DesignFocus 国际空间设计大奖年度商业空间设计.优秀奖

2023 TOP100 中国精英设计师峰会 中国十大当红餐饮设计师

2023 金人奖-软装美学设计大赛 空间叙事奖 优秀奖

2023 十间坊-芒果奖 中国商业优胜奖

2023 FDC AWARD法国设计汇杂志｜年度国际影响力封面人物大奖

2023-2024

关于我们 / ABOUT US

点度设计立足连云港，面向全国。致力于商业、办公、教育、文化、私宅等空间项目的室内设计、软装陈设一体化服务。提倡坚持设计以人为本，坚持设计关注自然、生态、环境，坚持做有故事、有温度的设计。公司坚持不断“走出去”理念，一直保持与“北上广深”等优秀设计公司联系，不定期组织设计师到国内外学习考察。公司倡导“港城也有好设计”，有志于通过团队共同努力，加强和同行业优秀设计机构交流与沟通，共同推动连云港室内设计行业发展。

连云港设计力量的建立：

意在张扬港城设计的力量，不出港城 做一线设计的价值主张；运用企业经营哲学、人性心理学、行为经济学、广告营销学和设计美学等，深入洞察市场及消费者需求，通过品牌的打造与消费者进行链接，进而产生共鸣、消费、忠诚、复购的目的。

服务：品牌战略、营销策划、品牌设计、传播推广、空间设计、施工落地

口号：港城首家全案策划设计机构不出港城 做一线设计

使命：打通品牌经营战略 赋能品牌长效发展