NØRA studio丨旧日时光,在地生长 首
2023-10-20 14:03
NØRA studio
NØRA诞生于2015年,当时我们还是建筑专业的学生,我们一起接受了我们的第一个委托。我们独立设计,但对什么是建筑有共同的理解。通过有多个立场,相互矛盾,我们增加了过程的复杂性。我们一直在变化。
NØRA is born in 2015, when still architecture students we accept our first commissions together. We design independently but with a common understanding of what architecture is. By having multiple standpoints, contradicting ourselves, we add complexity to the process. We are ever changing.
在古罗马浴场和一些公共建筑中,有一个被称为Apodyterium的空间,用作更衣室。这是一个拱形的房间,人们在进入浴室之前脱掉衣服,把自己的东西放在壁龛里。有时,唯一的光源来自穹顶本身的小开口。阿拉伯浴场后来采用了这个概念,让雨水直接落入空间。
In the ancient Roman baths and some public buildings, there was a space known as the Apodyterium, which served as a dressing room. It was a vaulted room where people undressed and stored their belongings in niches before entering the baths. Sometimes, the only source of light came from small openings in the vault itself. Arab baths later adopted this concept, allowing rainwater to fall directly into the space.
在我们的案例中,以前仅作为储藏室的房子的附属部分渴望成为进一步的东西。水疗中心将有多种功能,包括休息区、洗浴区和桑拿室。
In our case, the annex of a house that previously served only as a storage room aspires to become something further. A Spa is planned that will perform several functions, including a resting area, a bathing area and a sauna.
该位置提供了马略卡岛和圣玛加利达镇农村地区的优越景观,这将为体验和空间本身增加重要的价值。
The location offers privileged views of the rural area of Mallorca and Santa Margalida town, which will add significant value to both the experience and the space itself.
我们决定赋予Apodyterium中以前唯一的光源双重功能:提供自然采光和允许水流。新的拱顶将取代倾斜的屋顶,从而创造一个统一的空间,突出中央的眼睛。
It was decided to give what was previously the only source of light in the Apodyterium a double function: to provide natural lighting and allow the flow of water. The new vault will replace the sloping roof, thus creating a uniform space and highlighting a central eye.
Veta De Llum
为了给巴塞罗那市中心的一套公寓带来新的生活,作者分析了前世今生,并将其置于危机之中。一套位于六楼的公寓,有多达九扇窗户的周边,以及这座城市每年接收到的大量阳光,应该意味着拥有大量的自然光。
Aiming to give a new life to an apartment in downtown Barcelona, pre-existence is analysed and put into crisis. An apartment on a sixth floor, a perimeter with up to nine windows to the outside and the large amount of sun that the city receives each year should mean having a large amount of natural light.
然而,专制建筑的适当分布给我们留下了过度的分隔,一个边缘的狩猎和烹饪区,以及一个不明确的房间层次。似乎这还不够,这种在属性、光的边界、机会中被承认的美德,在任何时候都没有被察觉到。两扇窗户互不相望。它们是简单的洞,一个接一个地照亮房间,没有参与一个集体,没有将房屋视为一个整体。
However, a proper distribution of the autoarchic architecture leaves us with excessive compartmentation, a marginal safari and cooking area and an unclear hierarchy of rooms. As if it was not enough, this virtue recognised in the property, the perimeter of light, of opportunity, is not perceived at any time. The windows do not look at each other. They are simple holes illuminating rooms, one by one, without participating in a collective, without recognising housing as a whole.
就好像它是一种矿物固体,该项目打破了身体,建立了一个轻脉,让玻璃窗彼此协调。光,被理解为一种流体,进入静脉,从一边穿过它到另一边,直到最后一个角落。
As if it were a mineral solid, the project cracks the body, building a Light Vein that allows the glass windows to reconcile with each other. Light, understood as a fluid, enters the vein, crossing it from side to side, flooding up to the last corner.
为了强调这种扩展的想法,路面被认为是一种单一的材料,以避免破坏危及它。落叶松,苍白但略带粉红色的色调,整天都在变化,让自己被温和的冬季光线抚摸,欢迎居住者来到温暖的家。强大的窄而细长的木脉,典型的针叶树,隐喻了光线如何穿过住宅,并将其从立面缝到内部庭院。
To emphasize this idea of expansion, pavement is considered as a single material, to avoid disruptions that endanger it. Larch wood, pale but in pinkish tones, mutates throughout the day, letting itself be stroked by the mild winter rays and welcoming the inhabitant to the warmth of a home. The powerful narrow and elongated wooden veins, typical of conifers, are a metaphor for how the light also makes its way through the dwelling and sews it from the façade to the inner courtyard.
最公共的区域被称为“静脉”。一个单一的、连续的空间,当你沿着它走的时候,它会变宽和收缩,当你进入门楣的时候,你会经过门楣。投影了一个很大比例的入口空间,因为新的分布不应该否定旧的分布,而是赋予它价值。
The most public area is called Vein. A single, continuous space that widens and contracts as you walk along it, passing the lintels you cross as you go into the lintel. An entry space of great proportions is projected, since the new distributions should not deny the old one but rather put it in value.
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