Th

is case uses black to become the best background color for condensation, precipitation, contemplation and then display freedom, on this, all the contrast is strong, all the language is clear, and the personalized expression tension of space can be extended to the maximum. This project starts from the ideal construction of the inner world and integrates the design concept of private residential space, focusing on the island of self and building a black utopia of individual living space.

本案位于成都，业主在海外留学，喜爱艺术，这套房子是回国后的居所，期望房屋内部空间与色彩纷呈的外部生活空间对比。因此本案用“黑”成为凝聚、沉淀、静观而后展示自由的最佳底色，在此之上，一切对比皆强烈，一切语言皆明确，空间的个性化表达张力得以最大延伸。本案向内世界的理想建构出发，并合私人住宅空间的设计概念，聚焦自我的岛屿，筑建个体生活空间的黑色乌托邦。

This case is located in Chengdu, the owner studied overseas, love art, this house is a home after returning to China, hoping that the internal space of the house and the colorful external living space contrast. Therefore, this case uses black to become the best background color for condensation, precipitation, contemplation and then display freedom, on this, all the contrast is strong, all the language is clear, and the personalized expression tension of space can be extended to the maximum. This project starts from the ideal construction of the inner world and integrates the design concept of private residential space, focusing on the island of self and building a black utopia of individual living space.

约瑟夫

·阿尔伯斯和安妮·阿尔伯斯认为:建筑师可以从材料的材质、颜色、原色的组成、接受和反射光线的方式来感受材料，并且材料是建筑师探索如何塑造精神空间的一个途径。我们关注材料的感官效果，以结构的方式区分空间，强调几何秩序，

将空间、结构、建筑本身的体量和逻辑完美地融合在一起，完成理想中的对于光和形态的追求，实现自然光与建筑界面的统一。

Joseph and Anne Albers believe that architects can perceive materials in terms of their texture, color, composition of primary colors, the way they receive and reflect light, and that materials are a way for architects to explore how to shape spiritual Spaces. We pay attention to the sensory effect of materials, distinguish Spaces in a structural way, emphasize geometric order, perfectly integrate space, structure, the volume and logic of the building itself, complete the ideal pursuit of light and form, and realize the unity of natural light and architectural interface.

从入户区域开始，墙体便以显在的构型和面积化的深色筑造了肃静的视觉氛围，鲜明划分空间内外语言，属于私人空间的沉静由此开始。在弧面墙体的半围合中，Fragment落地灯如思维深邃之路的引灯，给予区域温暖的亮色，又以金字塔般的方严与建筑的结构表达融为一体，通过形体与光在空间中的交汇在空间中建立一个崇高的秩序。

Starting from the entrance area, the wall creates a quiet visual atmosphere with its obvious configuration and arealized dark color, clearly dividing the internal and external language of the space, and the quiet belonging to the private space begins fromhere. In the semi-enclosure of the curved wall, the Fragment floor lamp is like the lead lamp of the deep road of thinking, giving the area a warm bright color, and integrating the pyramid-like square strict with the structural expression of the building, establishing a lofty order in the space through the intersection of form and light in the space.

客厅在落地玻璃引入的自然光、纱帘与白色墙面的联系下，亮度大幅度提升，空间内部结构与陈列有了更为清晰灵动的光影效果，家具三原色的色彩成为空间的巧妙点缀，在互衬中开辟独立的画面意境美学。茶几的几何造型在金属材质的加持下更显底蕴流光，Ribbon Chairde的异形造型，电子壁炉的红色焰火都展示着人与空间的动态交互体验。

In the living room, the natural light introduced by the floor glass, the connection between the curtain and the white wall, the brightness is greatly improved, the internal structure of the space and the display have a more clear and clever light and shadow effect, the color of the three primary colors of the furniture has become a clever ornament of the space, and the independent artistic conception of the picture has been opened up in the mutual contrast. The geometric shape of the coffee table is more profound and luminous under the support of metal materials, the opposite sex shape of the Ribbon Chairde, and the red flame of the electronic fireplace all show the dynamic interaction experience between people and space.

木元素是“积淀”与“时间”感最温和的表达方式，木质储物立柜在色调与材质上应合整体基调的同时为空间呈递着东方美学质感，黑色镜面的嵌入在添补室内光影之余，缓和着立面的质朴并置入现代感。

The wood element is the mildest expression of accumulation and time. While the tone and material of the wooden storage cabinet should match the overall tone, it presents the Oriental aesthetic texture for the space. The insertion of the black mirror not only adds light and shadow to the interior, but also eases the simplicity of the facade and imparts a modern sense.

将自然因素引入几何化和秩序化的建筑，并藉此唤醒建筑的生命，互为对比的因素与那些令人惊讶的结果并置，建筑的表现生来就能够感动人们的精神并使我们瞬间感悟到永恒，永恒在于能感受其存在的心灵之中。

我们将静态空间的单一功能打破，注重其间的情感体验、对美的感知，获得动态生命。

By introducing the elements of nature into geometric and orderly architecture, and thereby awakening the life of the building, the juxtaposition of contrasting elements with those surprising results, the expression of architecture is inherently capable of moving the human spirit and making us instantly aware of eterni

ty, which lies in the mind that can feel its existence. We break the single function of static space, pay attention to the emotional experience and perception of beauty, and obtain dynamic life.

借力于弧面墙体围合的构型，在两端留出动线空间，带来回廊穿行的体验，暗色调为基底，博古架隐秘，以墙灯为引，如在时空之洞游览。在餐厅，刷蓝的墙板是画板上精彩的一笔背景色，吊灯与餐桌则是静物的写实摹画，冷色调之上的温暖给人以凛冬还春的油画质感。

Taking advantage of the configuration enclosed by the curved wall, leaving a line space at both ends, bringing the experience of corridor walking through, dark tone as the base, antique shelves hidden, with wall lights as the guide, such as visiting the hole of time and space. In the dining room, the blue-painted wall panel is a wonderful background color on the drawing board, while the chandelier and dining table are realistic paintings of still life, and the warmth above the cold tone gives people the texture of oil painting.

厨房延续暗色调，将视觉重点让位于明亮的餐厅，岛台与顶部的浅色使得区域分界清晰又不失柔和过渡，加之落地窗引入的自然光线，将室内明暗对半斜分，结构也成为光的授予者。

使用灯带勾勒重点线条，用现代感美学焕发区域生机，立柜均做了暗色处理，弱化视感，呈现洁净秩序。

The kitchen continues the dark tone, giving way to the visual focus of the bright dining room. The light color of the island and the top makes the boundary between the areas clear without losing the soft transition, achieving the effect of alternating light and dark. The light belt is used to outline the key lines, and the modern aesthetic is used to glow the vitality of the area.

建筑的存在不是孤立的，每个空间都有其独特的在地性与精神性，而边界空间对于空间精神与文化的表达尤其重要，边界是一种介质，与空间内所有元素发生联系，建筑、边界、环境是有机的整体，是一个完整的生态系统，既是空间内部动线的场景折叠，又是场地外部环境的整合，设计中观照和营造

边界空间的生产与阅读性，重构边界空间的视觉元素，从人体尺度、行为方式、感官功能出发为人体创造空间，则会形成一种不可预知的意义、开放和自由的形式。

The existence of architecture is not isolated, each space has its unique localism and spirituality, and the boundary space is especially important for the expression of spatial spirit and culture. The boundary is a medium, which is connected with all elements in the space. Architecture, boundary and environment are organic whole and a complete ecosystem, which is the scene folding of the dynamic lines inside the space. It is also the integration of the external environment of the site. In the design, we observe and create the production and reading of the boundary space, reconstruct the visual elements of the boundary space, and create space for the human body from the perspective of human scale, behavior mode and sensory function, which will form an unpredictable form of meaning, openness and freedom.

受古典建筑的灵感启发，纯粹的几何体或者单体重复为基础来构建秩序会获得更为清晰的艺术表达，由此卧室的功能区为纵向连续空间，以色块的强烈对比界分区域的功能语言，卫生间、储物区、书桌、床、电视各自分区又纵向连贯，互不冲突，在色彩与材质元素的组合下拥有独立的画面美感。

将边界还给边界，合理化了空间整理与重构。

We master order by means of axis, hierarchy, rhythm, datum and transformation, and define the structural activities of path space and stagnant space. The organic order of architectural space, while conforming to the inherent texture and evolution law, maintains the dynamic integrity of space, and forms a flowing multi-dimensional space form.The boundary is returned to the boundary, and the space arrangement and reconstruction are rationalized.

勒内

·笛卡尔（RenéDescartes）用数学概念理解空间：

“使客体相对于主体，物质实体相对于思想实体，空间透过他们，转而支配所有知觉与身体。

”从极小边界强调建筑内部的自主性，也就是强调建筑内部的流线，与外部流线形成一种较为封闭的形式。

以动态变化承托身体行为边界，当边界逐渐延伸，达到与外部环境最大的交涉的时候，人在空间的动态感受也得以伸展与解放，住宅的内空间也得到无限延伸。

Rene Descartes understood space in mathematical terms: Make objects relative to subjects, material entities relative to thought entities, through which space turns to dominate all perception and body. The autonomy of the interior of the building is emphasized from the very small boundary, that is, the flow line of the interior of the building is emphasized, and the external flow line forms a more closed form. Dynamic changes support the boundary of body behavior. When the boundary gradually extends and reaches the maximum negotiation with the external environment, peoples dynamic feeling in space can also be extended and liberated, and the inner space of the house can also be extended indefinitely.

项目名称｜黑色乌托邦 Black Utopia

项目地址｜中国｜成都

项目面积｜240㎡

设计时间｜2022年10月

完工时间｜2023年11月

设计机构｜RIMLAND边缘地设计

主创设计｜刘文平

设计团队｜廖雨、王思雨

主要品牌｜

凡纳定制、德利丰、B-B、SINGCHAN、LIVING DIVANI

项目摄影｜

边界摄影

视频制作｜

边界摄影

刘文平

RIMLAND边缘地设计

主理人

日本IDPA AWARD国际先锋设计大奖

年度TOP100国际影响力创新设计师大奖

2024年“银杏金鸟奖”商业空间银奖

2023老宅新生十大改造设计师

2023先锋设计师

CIDA第十四届中国国际室内设计双年展铜奖

2022年成都市建筑装饰协会会员

2021年度中国国际空间设计大赛“中国十佳设计师”

2021“居住在中国”中国样板间设计大赛TOP32

2020年四川省室内设计精英赛 TOP10人物奖

2020年第二十届“银杏金鸟奖”居住空间铜奖

2020室内设计新星大赛西南地区top10

边缘地这个名字，指向远离社会和经济中心的地区，它听起来或许并不朗朗上口，它听起来可能有点小众和奇怪。但我们希望，在有了设计赋能后，能够有更多人去关注一些地方。怀揣梦想的青年，渴望能通过设计，为更多的地带收获无限的可能。

工作室坐落在梵木FLYING创意园区，被不同行业中的设计大牛包围，有音乐，有热情，有未来。

工作室呈现出的风格也代表着我们试图表达的想法，我们从边缘地带出发，凝视着中心的拥挤与人潮，接纳着他世界的思想，表达着我们的渴望。

RIMLAND边缘地设计

ICC凯旋门私宅

RIMLAND边缘地设计 × Spontanè 赤 法餐厅

RIMLAND边缘地设计