麓湖香林堤私宅

LUXELAKES

项目类型 | 住宅空间

图文提供 | 元太设计

-元素的世界-

居住场所是一个生命体在其他生命体上的凭证，比如石头由地质变迁所形成，腐蚀是时间作用在事物上的证据。关于这个场所，我希望你们能用不同的角度来看待，因为在这里发生的事情，是由人类主导的场合。

总之，它只是要我们来重新审视这个世界，与我们正在共同生活的科技世界是如此的不同。重新审视这个由元素所组成的世界。原本黑暗的生命体都是作为参观者，生活在这个由元素所组成的世界里，我想站在空间的外部，重新观察这个我们每个人都熟悉，亲切且主观的环境。

And in general, it just asks us to look again at this world, so different from, in a way, the world that we have been sharing with each other, the technological world, to look again at the elemental world. The elemental world that we all live in is the space that we all visited together, the darkness of the body. I wanted to start again with that environment, the environment of the intimate, subjective space that each of us lives in, but from the other side of appearance.

停顿

我有一个偏见，要判断一个空间的美学功底，往往要看他对省略、留白和停顿的处理。就像在电影里，每一次被打动，都发生在导演对停顿的处理中。我们似乎总是把超越语言、无法言说的情感，交给了时间的暂停。

Pause

I have a prejudice, to evaluate the aesthetic foundation of a space, we often have to look at its handling of ellipsis, blank space and pause. Just like in movies, every touching moment happens in the handing of a pause by the director. Our indescribable and beyond-language emotions to pause of time.

为什么设计的初级状态，总容易陷入所谓的“自嗨”？原因在于“错误的认为，空间是一种单项的自我表达”。实际上，当我们把空间抛给居住者，是为了引起反应。而这种反应，只能发生在居住者和空间之间交流通道的往返中。

Why is the primary state of design always easy to fall into the so-called self-satisfaction? The reason lies in mistaken belief that space is a single self-expression. In fact, when we throw space to the occupants, it is to cause a reaction. And this kind of reaction can only happen in the round trip of the communication channel between the occupants and the space.

如果我们的设计，只是如幻灯片一样闪烁在他人面前，那不过是单纯的给视网膜提供了刺激。而停顿，则似乎在诉说“先别往下看了”，“想想吧”。为什么停顿，是我们做设计的人，认为是节奏中最美的成分？那是因为每一次停顿，既是过往的汇聚，又是下一瞬间的预兆；既是前面一系列感受的“果”，又是后面即将感知的“因”。

If our design serves as a slide show flashing in front of audiences, it ends up nothing but a simple stimulation of the retina. Therefore, in this case, the pause seems to suggest that dont watch the following yet and think about it. Why pause? Mostly designers regarded the pause as the most beautiful component of rhythm? Thats because every pause is not only the convergence of the past, but also the omen of the next moment; It is not only the result of the previous series of feelings, but also the reason to be perceived later.

停顿不是沉默，不是空白，不是死了的心情，而是内心生活中最复杂的情绪。设计常常会出现过度演绎，而我们却希望自己能学会停顿。因为设计即便做的再好，也比不上居住者自身想象力的参与，和多情的加戏。

“Pause” is not a silence, a blank, or the lost mood, but the most complicated emotion in inner life. There are often over-interpretations in design. We really hope that we can learn to pause, because no matter how well the design is accomplished, it cant compare with the participation of the residents own imagination and the sentimental drama.

每一次我们等来了周末，等来了我们可以去远方的节日，让我们在生活中得以停顿，是为了获得喘息。我们在设计一个居所的时候，总是焦虑着别人的不够耐心，而不敢停顿。我们内心的声音总是在告诉自己，“别停下”“停下你就什么都不是了”。

Every time, we wait for the weekend, and for a festival where we can go to a distant place, so that we can pause in life in order to get a break. When we design a residence, we are always anxious about the impatience of others and dare not pause. Our inner voice is always telling ourselves, Dont stop, No pause or being nothing.

当我们在创作中，敢于构建停顿，那是因为我们相信前面的内容已经建立起了期待，这是停顿得以成立的前提。人们在面对纯粹的虚空，是无法引起任何联想的。只有在时间的张力之下，停顿、省略和留白才有意义。我们在生活中停顿，是为了抓住生命推着我们踉跄向前的命运之手，把世界归还给我们。而我们在设计中的停顿，是为了少说一点、后退一步，把时间的掌控权还给居住者。

In the process of creation, we are brave to construct pause, because we believe that the previous content has already established expectations, which is the premise for the pause to be established. It’s hard for people to cause any association in the face of pure vanity. Only under the tension of time, pause, omission and blank space are meaningful. We pause in life in order to seize the hand of fate that life is pushing us to stumble forward and return the world to us. Similarly, the pause in our design is to say less, take a step back and return the control of time to the occupants.

美，不是瞬间的光芒，而是沉静的余晖。当我们在停顿中，能发现美的身影，我们便在刹那间，触碰到了永恒。

Beauty is not an instant light, but a quiet afterglow. When we can find the figure of beauty in a pause, we touch eternity in an instant.

ABOUT PROJECT

- 平面图

项目名称：

麓湖香林堤私宅

项目地点：

｜四川

｜成都

项目面积

150

㎡（花园）

设计

时间：

2019年04月

完工时间：

2022年06月

设计公司

设计

设计总监

Louis

晋南

设计团队：

康楚云、郑颖、马

文骁

、余佳露

主要品牌：

壹宅装饰，凯高尚汇，B-B Italia，DECOAID 德珂定制，Fnji 梵几，IMOLA 陶瓷，Imondi 集物地板， Minotti，ROMANOR 洛玛诺瓷砖，ROMO 沙织软装，Snaidero 施耐

德洛定制，VAN DER ROHE 凡德罗家居，Woy Lighting 卧羊照

明，YIJI COLLECTION 壹集，YIKING 逸景窗业，etc.

项目摄影：

形在空间摄影

贺川

ABOUT DESIGNER

Louis

元太设计

创始人 / 设计总监

ARCHETYPE元太于2014年成立于中国成都，将高标准的项目产品落地作为设计者的重要标准。

ARCHE

TYPE元太

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