IO公司和Stampsy公司办公室位于莫斯科的一座旧建筑中，这里原本是苏联共青团中央委员会大楼的旧礼堂。1991年之前，共青团的行政机构一直位于带有明显构成主义特征的建筑当中。在被改造为新办公室之前，整个空间被分隔为一系列和电话亭差不多大的狭窄办公室。墙壁以木板装饰，展示出1970年代苏联办公空间明显的风格特征。

▼项目概览，project overview

▼平面图，plan

双层吊顶将1978年生产的“Integral”灯具和灯罩隐藏起来。建筑师的任务是通过最小程度的介入将空间恢复到原始的样貌，同时保留空间原先的肌理和内饰元素。

Two layers of the suspended ceilings that hided original lamps and lampshades produced by the Minsk plant “Integral” in 1978. It was a real gem. The task of the architects was to restore the space back to its original view with minimal investments, and to partly save original textures and interior elements.

▼办公空间俯瞰，overlook to the co-working space

▼厨房岛，kitchen island

▼从休息室望向办公空间，view to the working area from the lounge area

▼休息室，lounge

新的灯具借助缆绳悬吊在天花板上，与精心修复过的木制面板、砖砌墙壁和镶木地板形成呼应。新元素和旧元素被有意地混合在一起，办公桌、厨房岛和储物空间都是根据建筑草图而特别定制。其余的家具是一些回收来的老式家具，其中大部分取自原先的防火楼梯，包括1970年代设计的Kofod Larser椅子。

The lampshades were hung on cables, while the wooden panels, the end wall’s brickwork and the parquetry were carefully restored. New elements were providently mixed together with the old ones. The work desks, the kitchen island and the storage system were created by special order on the basis of architects’ sketches. Another part of the furniture is vintage, most of it was found among other stuff in the fire exit staircase. It included for example a Kofod Larser chair designed in 1970s.

▼吊灯与精心修复过的木制面板、砖砌墙壁和镶木地板形成呼应，the lampshades were hung on cables, while the wooden panels, the end wall’s brickwork and the parquetry were carefully restored

▼灯具和天花细部，lamp and ceiling detailed view

▼家具细部，furniture

▼洗手间，wash room

墙上的霓虹灯标语同时为两家公司提供了灵感来源，它来自路德维希·维特根斯坦的《逻辑哲学论》：“我的语言的界限即是我的世界的界限。”

An important source of inspiration for both teams is a neon quote from the Tractatus Logico-Philosophicus by Ludwig Wittgenstein: “The limits of my language are the limits of my world.”

▼霓虹灯标语，the neon quote