After the big success of Nozomi sushi bar with a waiting list of 2 months, founders José Miguel and Nuria, together with their disciple Clara, decided to continue to study their passion for Japanese food. This time they wanted to introduce a totally new concept through Hikari, Yakitori Bar, traduced literally in a skewers bar that as well as his big brother Nozomi carries on the name of a high velocity Japanese train. Differently to the previous project the interior designed by creative consultancy Masquespacio, has been inspired by the different quarters and alleys of Kabukicho, Omoide Yokocho y Hajimeya in Tokyo, where most of the of the yakitori bars are established.

在诺佐米寿司店获得了2个月的成功后，创始人何塞·米格尔(JoséMiguel)和努里亚(Nuria)以及他们的弟子克拉拉(Clara)决定继续研究他们对日本食品的热情。这一次，他们想通过Hikari，Yakitori Bar引入一个全新的概念，它是在一条串条中被字面意思描述的，它和他的哥哥Nozomi一样，以一辆高速日本火车的名字。与以前的项目不同的是，创意咨询公司Masakepacio设计的室内设计灵感来自东京的Kabukicho，Omoide yokocho y Hajimeya的不同地区和小巷，那里建立了大部分的yakitori酒吧。

“We went to one of the most authentic neighborhoods from Tokyo bringing back their noise and smell, but reinventing their visual pollution”

我们去了东京最正宗的街区之一，带回了他们的噪音和气味，但却重塑了他们的视觉污染

Starting from the façade we can immediately recognize the entrance to one of Tokyo’s tunnels, that invites us to enter to the intimate and at the same time eclectic interior, that with the dimmed light and flames coming out of the kitchen catches the visitor from the beginning till the end. Here you can recognize straight away the fusion between noble and industrial materials, classic and contemporary, always through an own vision that clearly represents the identity from Nozomi’s company.

从正面开始，我们可以立即认出东京一条隧道的入口，它邀请我们进入亲密的，同时又兼容并蓄的内部，在厨房发出暗淡的光线和火焰时，从一开始到最后都会吸引游客。在这里，你可以立即认识到高贵和工业材料之间的融合，古典和现代，始终通过自己的愿景，清楚地代表了诺佐米公司的身份。

“The reinterpretation of the Kabukicho, Omoide Yokocho y Hajimeya alleys is done through a monochrome color scheme represented by grey and rusty finishes, as wall as a touch of wood that adds warmth to the overall concept”

对卡布奇科，Omoide yokocho y Hajimeya小巷的重新解释是通过以灰色和生锈的饰面为代表的单色配色方案完成的，就像墙壁一样是一种木头的触感，为整个概念增添了温暖

The big tunnel we are passing through takes us to the second part of the venue, while we are followed by the flames from the kitchen.

我们正在穿过的大隧道把我们带到会场的第二部分，而我们被厨房的火焰所跟随。

“During our walk till the end of the tunnel we can see how wood is mixed with concrete and metal, while the classic lanterns cast a shadow of typical alley light in the corridors”

当我们走到隧道尽头时，我们可以看到木头是如何与混凝土和金属混合的，而经典的灯笼则在走廊里投下了典型的胡同光线的阴影。

Once turned right we can see a square without exit full of lighted boards that hang from the ceiling, a small food stand and a reinvention of the commerce of the famous district from the Japanese capital, here used like a set of small houses that settle the visitors of the restaurant.

右转的时候，我们可以看到一个没有出口的广场，天花板上挂满了点着灯的木板，一个小食品店，还有日本首都这个著名地区的商业改造，这里就像一套小房子，用来安置餐馆的游客。

From the metal, cement and wood interior of the small houses, below a dimmed light, the visitor enjoys an overwhelming view on the central place full of contrasts like if they wear sitting in one of the most authentic streets of the Nippon city.

从这些小房子的金属、水泥和木材内部，在昏暗的灯光下，游客在市中心享受着压倒性的景观，就像他们坐在日本城市最正宗的街道上一样。

“The light sculptures hanging from the ceiling and the walls are a metaphor of the neon signs that create a strong visual pollution on the bustling streets of Tokyo”

悬挂在天花板和墙壁上的灯光雕塑是霓虹灯标志的比喻，这些标志在东京繁华的街道上造成了强烈的视觉污染

In summary, if Nozomi took us to Kyoto, this time the visitor of Hikari will feel like if they were visiting one of the most authentic streets of Tokyo.

总之，如果Nozomi带我们去京都，这一次，Hikari的游客会觉得如果他们去的是东京最正宗的街道之一。

Designer: Masquespacio Project: Hikari Yakitori Bar Location: Valencia, Spain Area: 180 m2 Photography: Luis Beltran

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