New England Island Retreat is a residential project completed by New York-based SheltonMindel.

新英格兰岛务虚会是一个住宅项目，由纽约的SheltonMindel完成.

Brief: In a new residence constructed on a historic New England Island, design a place to seamlessly integrate the architecture, landscape and interior design.

简介：在历史悠久的新英格兰岛上建造的一座新住宅，设计了一个将建筑、景观和室内设计无缝结合的地方。

Solution: Wood, stone, and steel combined with the context of sky, sea, and grasses comprise the interior pallet. The custom designed rugs form an architectural plane – a canvas where a hierarchy of layers are collaged. The shape of the upper level rugs respond to the proportions of space, designed to simulate a parallel lined boardwalk that overlooks the beach shacks and ocean. On this transitional space, a cubed shaped Campagna brothers “Sushi sofa” feels like compressed flip flops, or surfboard fibers, and foreshadows the activities that occur in the foreground.

解决方案：木、石、钢与天、海、草相结合，构成内部托盘。定制设计的地毯形成了一个建筑平面-一个层次分明的画布。上层地毯的形状与空间的比例相对应，其设计目的是模拟平行的内衬木板人行道，俯瞰海滩棚屋和海洋。在这个过渡空间，一个立方体形状的Campagna兄弟“Sushi沙发”感觉就像压缩的拖鞋，或冲浪板纤维，预示着在前景中发生的活动。

Three steps down from this connection, the living room and office rug textures simulate a stone thrown into the water. Concentric ripples continue past the edges of the rug relating to the more organic shapes beyond the glass facade. The granite ovoid Noguchi table is the form of a large-scale rock that has the appearance of being washed ashore. The low Pierre Chapo coffee table resembles the shape of a deconstructed conch. The round Fabricus and Kastholm dining table has a translucent oyster colored top. The pair of oval Nana Ditzel plywood chairs, adjacent to the fireplace, has all curved edges. The Line Vautrin mirror appears to simulate the pinecones visible from the master bedroom sliding glass doors.

从这个连接下来的三步，客厅和办公室地毯纹理模拟一个石头扔到水里。同心圆的涟漪继续穿过地毯的边缘，与玻璃正面以外的更有机的形状有关。花岗岩卵球形野口台是一种大型岩石的形式，有被冲上岸的外观。低矮的皮埃尔·查波咖啡桌就像一个被解构的海螺的形状。圆的法布里克斯和克斯波林餐桌有一个半透明牡蛎色的顶部。这对椭圆形Nana Ditzel胶合板椅子，毗邻壁炉，都有弯曲的边缘。线Vautrin镜子似乎模拟松针从主卧室滑动玻璃门可见。

Sailboats and ships, in the painterly view from the study, suggest a nautical vocabulary emulated by a low Charlotte Perriand table finished to resemble a worn hull. The fog colored sheer cotton voile curtains lift up and sway with the ocean breeze. The oar shaped arm of the Arne Vodderr woven leather chaise in the living room, and the Borge Mogensen hunting chairs in the office exemplify the joy of Nordic joinery. The orange fiberglass table in the master bedroom is suggestive of the boogie boards the family so frequently enjoys. Photography Michael Moran

从研究中可以看到，帆船和船只的航海词汇由夏洛特·佩里安低矮的桌子模仿而成，看起来就像一艘破旧的船体。雾色的透明棉纱窗帘随着海风扬起摇曳。客厅里的Arne Vodderr编织皮车的桨形手臂和办公室里的Borge Mogensen猎椅体现了北欧细木工的乐趣。主卧室里的橙色玻璃钢桌子让人联想到家庭经常享受的摇臂板。摄影迈克尔·莫兰

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