Architects: Marià Castelló Martínez Project: Bosc d’en Pep Ferrer, Formentera House Location: Formentera de Segura, Spain Year 2017 Photography: Marià Castelló Martínez

建筑师：MariàCastellóMartínez项目：Bosc d‘en Pep Ferrer，Formentera House地点：Formentera de Segura，西班牙2017年摄影：MariàCastellóMartínez

Bosc d’en Pep Ferrer is the traditional toponym of a large plot located next to the beach of Migjorn, on the south coast of the island of Formentera. This territory has a place that unleashes the desire to inhabit an oneiric view, where the horizon is only cut by the beautiful silhouette of the Pi des Català Tower, built in 1763.

Bosc d‘en Pep Ferrer是位于Formentera岛南岸Migjorn海滩旁边的一大片土地的传统地名。这片土地释放了居住在一个单一视野的欲望，那里的地平线只被1763年建于卡塔的美丽轮廓所割断。

The Formentera house focuses on the duality between the telluric and the tectonic. The heavy and the light. The earth and the air. The handcrafted and the technological. Compression effort and traction resistance. The rock, which comes to the surface in the chosen place, has been carved as if it were a sculpture, offering a cavity reminiscent of the ‘marès’ stone quarries. A whole space materialized with a single stone. Monolithic. Megalithic. Stereotomic.

Formentera房屋的重点是大地和构造之间的二元性。沉重和轻盈。地球和空气。手工制作和技术。压缩力和牵引阻力。这块岩石，出现在选定的地方表面，雕刻得就像一座雕塑，提供了一个洞穴，让人联想到“玛泽斯”(marès)的采石场。整个空间都是用一块石头实现的。铁板一块。巨石。立体感。

The intervention offers a house for a family sensitive to the environment, which program is divided into three light modules built in dry construction systems and a cavity made by subtraction of material on the lower floor. This longitudinal disposition gives place to full-empty successions , patios, connecting walkways, transverse views and a place created by time and discovered by surprise: a natural cave in the main access courtyard, which was integrated to the Project during the process of construction.

这项干预措施为一个对环境敏感的家庭提供了一所房子，该方案分为三个在干式建筑系统中建造的轻型模块和一个由底层材料减法而成的空腔。这种纵向布局让位于全空的接续、露台、连接的人行道、横向景观和一个由时间创造并意外发现的地方：主通道庭院中的一个天然洞穴，在施工过程中与工程结合。

The structure is easily comprehensible and manifests itself in three stratums with ascending levels of precision: the lower floor expresses the obvious absence of containment walls added to the rocky layer, as well as the appearance of a small concrete structure that regulates the upper level of this floor and constitutes the support platform of the ground floor. On the upper floor, as if it were a real-scale scale model, the double-supported set up of the structure becomes evident from the inside, where it has been left seen in most cases. Here a single element (cross-laminated wood panels) cluster several functions: structure, closure and interior finishing.

该结构易于理解，并在三个层中表现出来，并具有较高的精度：下层表示明显缺乏加在岩石层上的安全墙，以及一种小型混凝土结构的外观，该结构调节这层楼的上层，构成底层的支撑平台。在上层，就好像它是一个真实的模型，结构的双重支撑的设置从内部变得很明显，在大多数情况下都是这样的。这里有一个单一的元素(交叉层压板)聚集了几个功能：结构，关闭和内部整理。

The superior quality of the used materials and their unions has played an important role in the process of creation and realization of the project. Bioconstruction criteria has given preference to natural materials and if possible from the construction place: sculpted rock, crushed gravel from the excavation, capri limestone, pine and fir wood, recycled cotton panels, white macael marble, high permeability silicate peinture, etc. All this has reverted to hygroscopic enclosures which are permeable to water steam and guarantee pleasant and healthy indoor environment, while at the same time require less energy efforts for the proper building functioning.

在项目的创建和实施过程中，废旧材料的优良质量及其结合发挥了重要作用。生物建筑标准优先考虑天然材料，如果可能的话，选择建筑场所的材料：雕刻岩石、挖掘过程中的碎石、卡普里石灰石、松木和杉木、回收棉板、白色麦考尔大理石、高渗透性硅酸盐石化等。所有这些都已恢复到透水蒸汽和保证舒适健康的室内环境的吸湿性围护结构，同时也减少了适当的建筑功能所需的能源努力。

At the environmental level, the design provides passive bioclimatic systems of proven effectiveness in this climate, as well as water self-sufficiency thanks to a large volume rainwater cistern that reuses rainwater.

在环境层面，该设计提供了在这种气候下被证实有效的被动生物气候系统，以及由于大量雨水蓄水池再利用雨水而自给自足的水。