Interior Design: Concrete Project: Mama Makan Amsterdam Location: Amsterdam, The Netherlands Client: Aedes real estate / Hyatt Year 2017 Photographer: Wouter van der Sar

室内设计：具体项目：妈妈马肯阿姆斯特丹位置：阿姆斯特丹，荷兰客户：埃德斯房地产/凯悦2017摄影师：沃特范德萨

Mama Makan is a contemporary Dutch-Indonesian Grand Café that seamlessly integrates with the hotel lobby, connecting travellers with the local residents and the historic context of the neighbourhood. Mama Makan is inspired by the journeys on the ancient trading routes. The restaurant is located in the traditional ‘Plantage’ quarter associated with its heritage in Dutch trading and collection, specifically by boat, in the Far East.

Makan妈妈是一家当代的荷兰-印度尼西亚大咖啡厅，它与酒店大堂无缝结合，将游客与当地居民以及邻近地区的历史环境联系在一起。马肯妈妈受到古代贸易路线上的旅行的启发。这家餐厅位于传统的“种植园”区，与其在荷兰贸易和收藏方面的传统有关，特别是在远东地区。

The restaurant With Mama Makan, concrete created a modern interpretation of a Dutch-Indonesian Grand café, inspired by the journeys on the ancient trading routes. A brass cage-like cabinet wrapped around the core hides the structure of the building. The cage circles around the core, with a concrete-edged palm pattern as a backdrop, organising the restaurant, bar and lobby areas. This cage accommodates all basic functions such as the restaurant bar, chef’s tables, private dining, wine fridges, wardrobe, service stations and the open show kitchen. In addition typical Asian cooking equipment and herbs collected during the Dutch travels can be found. Moving outwards towards the glass facade, the restaurant features various seating areas. Fixed banquettes create smaller cosy brasserie-like zones with loose flexible furniture. Three iconic large round tables, or ‘Lazy Susans’, with rotating centres for serving traditional ‘Indonesian rijsttafels’, are the prime feature at one end of the space. The show kitchen, as a volume, has been cut out of the core and is clad in green tiles reminiscent of the green cut-outs as found in the architecture of the building (entrance and patio voids). The light that comes through the large glass facades along three sides is filtered by folded paper shades in various sizes that can be altered in height.

这家餐厅，与妈妈马肯，混凝土创造了一个现代解释的荷兰-印度尼西亚大咖啡馆，灵感来自古老的贸易路线上的旅程。一个环绕在核心上的黄铜笼状的橱柜隐藏着建筑物的结构。笼子围绕着核心，以混凝土边缘的棕榈图案为背景，组织餐厅、酒吧和大堂区域。该笼可容纳所有基本功能，如餐厅酒吧，厨师桌，私人餐厅，葡萄酒冰箱，衣柜，服务站和开放式展示厨房。此外，在荷兰旅行期间收集到的典型亚洲烹饪设备和草药也可以找到。向外移动到玻璃正面，餐厅有不同的座位区域。固定的宴会创造了更小，舒适，类似的区域，与松散，灵活的家具。三个标志性的大型圆桌，即“懒散苏珊斯”(Lazy Susans)，设有轮流中心，为传统的“印尼里氏杯”提供服务，这是该空间一端的主要特色。展览厨房，作为一本书，已经从核心被剪裁出来，被绿色瓷砖覆盖，让人联想到建筑(入口和庭院)中的绿色剪裁。通过三面的大玻璃正面的光线被折叠的不同大小的纸张阴影过滤，这些阴影可以在高度上被改变。

The shades function as a diffuser between inside and out, and give the restaurant a layered shell of shadow play. More intimacy in the seating areas is created by introducing a second ceiling of light, referring to Asian sky lanterns, consisting of around 200 paper lanterns ‘floating’ above the tables.

阴影作为内部和外部之间的扩散器，给餐厅一个分层的皮影戏外壳。更亲密的座位是通过引入第二个天花板的光，指的是亚洲的天空灯，包括大约200个纸灯笼漂浮在桌子上方。

The lobby The cage continues seamlessly into the reception of the hotel lobby, with an onyx marble front desk as the eye-catcher. Islands of different sofa scenarios on soft rugs create a living room feeling, where guests can relax and get together. The main entrance is accented by golden wok planters suspended in the double-height entrance void. A living green wall with tropical plants connects the entrance to the patio in the rear, blurring the distinction between inside and out. The floor of concrete tiles is finished in a herringbone pattern that later merges into a wooden herringbone parquet that continues into the patio. The long communal table in front of the green wall spans over the lobby’s full depth providing casual work spaces for guests throughout the day. Adjacent to the reception desk, the cage also accommodates a 24-hour market, with several displays that offer breakfast to-go, sandwiches and snacks.

保持架的大厅一直无缝地进入酒店大堂的接待处，前台有一张红玛瑙大理石，充当捕鼠器。不同沙发场景的岛屿在柔软的地毯上创造了一种客厅的感觉，在那里客人可以放松和聚在一起。正门由悬挂在双高入口空隙中的金锅播种机突出.一堵生机勃勃的绿色墙与热带植物连接在后面的露台入口，模糊了里面和外面的区别。混凝土瓷砖的地板是一个人字形图案，后来合并成木人字形人造板，一直延伸到露台。绿色墙前面的长公共桌子横跨整个大厅的深度，为客人提供了一整天的休闲工作空间。在接待处附近，笼子还可以容纳24小时的市场，有几个提供早餐、三明治和零食的展示台。

The bar Just like the restaurant’s show kitchen, the bar is cut out of the centre core (with the concrete palm pattern). Additionally, the lobby bar cuts into that same volume creating a lower, secretive lounge hidden away from the direct line of sight. A low black leather couch frames the cut-out along the back wall. Like all recesses in Mama Makan, the wall has a green finish with a palm-pattern wallpaper in dark green tones. The low black-mirror ceiling emphasises the cosy atmosphere by creating dark reflections. The open portion of the bar zone resembles a loose-standing black natural stone block featuring the coffee machine, while the rest of the bar is white marble. Throughout the entire bar area, the wooden herringbone parquet is mirrored along the ceiling, embracing the bar between wooden finishes to create a strong back drop.

酒吧就像餐厅的展示厨房一样，酒吧是从中间的核心(用混凝土手掌图案)切割出来的。此外，大堂酒吧也会进入同样的空间，形成一个隐藏在视线之外的较低的、秘密的休息室。一张低黑色的皮革沙发架在后面的墙上。就像妈妈马肯的所有凹处一样，这堵墙有着绿色的余辉，墙纸呈棕榈状，呈深绿色。低黑镜天花板强调舒适的气氛，创造黑暗的反光。酒吧区的开放部分就像一个松散的黑色天然石砌，配有咖啡机，而酒吧的其余部分则是白色大理石。整个酒吧区域，木人字形地板是镜像沿天花板，拥抱之间的木棒完成创造一个强大的背垂。

The meeting rooms Two double folding doors connect the lobby to the pre-function area. On the right side towards the street, a tribune bridges the height difference between the floor and the high historic window sills of the old preserved facade. Towards the ballroom, a long bar block stretches between the two main doors of the ballroom. The entire mirror-clad rear wall of the bar can be opened during break-out scenarios to connect the ballroom and pre-function area into one large event space. Moreover, two smaller connectable meeting rooms with video conferencing setup featuring neutral grey and blue tones can be found in the rear. The third and final meeting room is the library room which has been fully realised in black wood with a brass book shelf and golden velvet wall furbishing.

会议室两个双折叠门将大堂连接到前厅功能区。在通往街道的右侧，一条支路桥接了地板和旧保留的立面的高历史窗台之间的高度差。在宴会厅的两个主门之间有一个长条形的街区。可以在分段场景中打开整个镜面包层后墙，以将宴会厅和前厅功能区域连接到一个大的活动空间。此外，在后面还可以找到两个较小的可连接会议室，其中包含中性灰色和蓝色色调的视频会议设置。第三和最后一个会议室是图书馆，它已经完全用黑色的木材实现了黄铜书架和金色的丝绒墙。

Identity Mama Makan is a Grand Café that tells a story inspired by its origin with an identity based on pleasant discoveries during the journeys on the ancient trading routes. Inspired by the Indonesian culture and traditions, we created an abstract logo which refers to batik patterns: a rich, millennia-old aspect of Indonesian culture. All the Mama Makan letters of the logo are combined to create an abstract iconography which is also used as a pattern. The colour palette refers to a green wilderness, featuring an adventurous combination of jungle green and stone grey. A golden touch is added to establish a luxurious and contemporary restaurant experience.

“身份妈妈”是一家大咖啡馆，它讲述了一个受其起源启发的故事，它以古老贸易路线上的旅途中愉快的发现为基础。受印度尼西亚文化和传统的启发，我们创造了一个抽象的标志，它指的是蜡染图案：印度尼西亚文化的丰富而古老的一面。所有的妈妈马肯字母的标志组合，以创造一个抽象的图标，这也被用作一个模式。色彩调色板指的是绿色的荒野，以丛林绿色和石头灰色的冒险组合为特色。一个金色的触摸，以建立一个豪华和现代的餐厅体验。