Project: Minimalist Red House Architects: Rebelo de Andrade Architecture - Design Location: Alcácer do Sal, Portugal Area: 400 m2 Team: LuÍs Rebelo de Andrade, Joana Varajão, Filipe Ferreira Structural Project: Tisem Passive House Project: Universidade de Aveiro – decivil Photovoltaic Project: Wayse On-Site Coordination: João Júlio Loureiro Photography: João Guimarães – JG Photography Text: Valério Romão

项目：极简主义红楼建筑师：Rebelo de Andrade建筑

Herdade da Considerada is a tract of arid land with 500 hectares, about seven kilometres from Alcácer do Sal, dotted with cork oaks and umbrella pines. The resulting landscape is uniform in every direction and, as the architect Luís Rebelo de Andrade found on a preliminary visit, it is easier to lose your car at Herdade da Considerada than in a supermarket car-park.

Herdade da Considerada是一片面积为500公顷的干旱土地，距阿尔卡塞尔岛约7公里，散布着软木橡树和伞松。由此产生的景观在各个方向都是统一的，正如建筑师路易斯·雷贝洛·德·安德拉德在一次初步访问中发现的那样，在赫达德·达·康西德拉达(Herdade Da Considerada)失去你的车比在超市停车场更容易。

This experience led to a key idea that informed the entire project: in the absence of geodesic markers – which nature did not offer Herdade da Considerada – it is architecture that takes the place of the reference points that from time immemorial has guided man, complementing the landscape with a building that is overwhelmingly visible. This minimalist red house, as well as the adjacent farm building, were designed to minimise building times and costs and to privilege energy sustainability. The solar panels and thermal collectors produce more energy than the house consumes, for this house is averse to energy wastage.

这一经历导致了一个贯穿整个项目的关键想法：在缺乏测地线标记的情况下-大自然没有提供给赫达德·达·康西德拉达(Herdade Da Considerada)-正是建筑取代了自古以来一直指导人类的参照点，并以一座几乎清晰可见的建筑来补充景观。这所极简的红色房屋，以及邻近的农场建筑，旨在将建筑时间和成本降到最低，并为能源可持续性提供特权。太阳能电池板和热收集器产生的能量比房屋消耗的要多，因为这所房子不愿浪费能源。

With its gable roof, doors and windows, the exterior design of the house seems as childlike as the drawings children produce even before primary school. This apparent simplicity is actually based on the collective and romantic imagery we all share: the house on the prairie, the life of the pioneers and settlers of the American Far West, so often depicted in westerns and which live on in our constitutive memory, in spite of the time and of the intentional awareness we might have about them.

房子的屋顶、门窗都是山墙，它的外部设计就像孩子们在小学前画的画一样。这种表面上的简单实际上是基于我们大家共有的集体和浪漫的意象：草原上的房子，美国远西部拓荒者和定居者的生活，他们经常在西部片中被描绘，他们生活在我们组成的记忆中，尽管有时间和我们对他们的有意意识。