Located in downtown Montreal, Canada, RYÙ Peel, the fifth outpost of the Japanese sushi bar chain RYÙ, may have recently opened but it certainly has the charm and patina of a long established eatery, courtesy of Montréal-based studio Ménard Dworkind Architecture - design (MRDK) who instead of treating the space as a blank canvas, embraced the existing building fabric in all its layered history and ingrained imperfections. By introducing a contemporary design aesthetic that harmoniously combines industrial elements with handcrafted refinement, the restaurant seems to hover evocatively between past and future. MRDK’s approach was based on the Japanese concept of Wabi-Sabi, a world view underpinned by a less-is-more sensibility (“wabi”) and the importance of authenticity over perfection (“sabi”). The former is embodied in the interior design’s minimalist aesthetic and understated elegance while the latter is distilled in the preservation of the patchwork of plaster, paint, and wallpaper that was revealed during the building works. Whereas most architects would have excised all traces of past occupants, in this case, the building’s walls have been turned into an in-situ archaeological display where peeling wallpaper, decaying plasterwork, exposed concrete and hand-drawings comprise a visual palimpsest whose beauty lies in its myriad of imperfections.

位于加拿大蒙特利尔市中心的瑞·佩尔是日本寿司连锁店的第五个前哨，它可能最近才开业，但它无疑具有一家久负盛名的餐厅的魅力和特色，这是由蒙特雷的梅纳德·德沃金德建筑公司提供的。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

The wear and tear of the exposed building fabric is boldly complemented by a series of architectural interventions showcasing subtle sophistication and detailed craftsmanship. Running the entire length of the space, a suspended, sculptural installation of interconnected wooden battens alludes to traditional Japanese woodwork while also concealing the service ducts on the ceiling. Just as dramatic is the long bar counter in the centre of the restaurant that breaks down the elongated floor plan into front, middle and back sections. Made from Polaris, a synthetic matte black material with a velvety smoothness, and featuring gently curved edges, the bar counter is a paradigm of contemporary minimalism and detailed refinement, as is the linear light fitting suspended above, which is made of 370 pieces of laser cut aluminium spaced with brass sleeves—a design that is also shared by several wall scones—and the monolithic brass back bar, above which a 10-metre-long steel bracket anchored on the columns displays over 100 bottles of sake and Japanese whisky.

裸露建筑织物的磨损与一系列建筑干预措施的大胆补充，展示了微妙的复杂和详细的工艺。整个空间的长度，悬挂，雕塑装置的互联木板暗示着传统的日本木制品，同时也隐藏在天花板上的服务管道。同样引人注目的是餐厅中心的长吧台，它将拉长的平面图分成前部、中段和后部。由北极星(Polaris)制成，具有天鹅绒般光滑的合成光黑色材质，具有柔和弯曲的边缘，它是当代极简主义和细致入微的典范，而悬挂在上面的线型灯配件也是如此，它是由370块激光切割的铝制成，中间镶有黄铜套筒-这一设计也由几个墙壁烤饼和一块整体黄铜背棒共同设计，柱上有一个10米长的钢锚定支架，上面陈列着100多瓶清酒和日本威士忌。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

The unexpected buoyancy of the bottle-displaying steel bracket is echoed by the cantilevered seating on the opposite wall. Ingeniously supported on steel tubes jutting out of the concrete wall that have been wrapped in dark brown leather or timber veneer, the construction industriously combines a handcrafted elegance with a DYI sensibility also reflected in the bespoke tables lamps made of folded steel and stretched linen. Meanwhile, green leather sumptuously upholstered banquette seating in the front and back of the restaurant along with exotic vegetation planted in concrete planters counterbalance the predominant earthy colour palette while further contributing to the tactile richness of the interiors.

瓶子显示钢支架的意想不到的浮力由对面墙壁上的悬臂座回响。这座建筑巧妙地支撑在由深褐色皮革或木材单板包裹的混凝土墙外的钢管上，将手工制作的优雅与DYI的敏感性结合在一起，这也反映在由折叠的钢和拉伸的亚麻制成的定制台灯上。同时，餐厅前部和后部铺满了绿色的皮革衬垫，加上混凝土种植的异国植物，抵消了主要的土色调色板的影响，同时也为室内的触觉丰富做出了进一步的贡献。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

Photo by David Dworkind.

照片由大卫·德沃金德拍摄。

keywords:Restaurants Design Interior Design 

关键词：餐厅设计室内设计