项目介绍:

新的国立世界文学博物馆提供各种空间体验;
该项目鉴于博物馆对效率和灵活性的追求，并结合松岛对制造出一个象征性建筑而未抒发的愿景 。
此博物馆的概念意为将抽象写作作为一种必不可少的成分。
建筑形状源自于高密度城市与公园自然环境之间边界的变动。

•	Presentation of the project:

The New National Museum of World Writing offers a variety of spatial experiences; the project seeks to anticipate the museums need for flexibility and efficiency, combined with the unexpressed hope of producing another symbolic building in Songdo. The concept of the New National Museum of World Writing implies the abstraction of writing as an essential ingredient. The shape derives from the contextual movement of the border between the high-density city and the natural environment of the park.

技术特点:

新世界文学博物馆的内部是组织性功略的本质: 转化为一系列相互连接的平台和空间。主要是位于交叉口连接区域的展示空间。
展示空间下则是构成位于地底层的地下层，与馆外的公园和城市直接相连，即使博物馆关闭也可以进入。
一切都为更多的变动而考虑，在几个指定区域交汇，以方便聚合服务各客户群。
两侧广场各形成一个入口，建筑物的大厅为多个空间的连接点。
新世界文学博物馆的大厅被设计为深入文化建筑的新型入口: 一个开放和温馨的邀请式空间，而不只是纪念性和封闭式的，与周围环境无缝相连。

The internal surfaces are the essence of the organizational strategy, which translates into a series of interconnected spaces and volumes. The main rooms are exhibition spaces, connection areas located at their intersection. The rooms on the ground floor instead translate into a volume formed under the exhibition spaces, which has a direct connection with the park and the city, so as to have rooms that are accessible even when the museum is closed. Everything is imagined as more movements, which intersect in certain areas, resulting in a mixture of user groups. The building forms two entrance squares on the sides, where the lobby of the building is seen as a connection point of multiple spaces. The Lobby of the New Museum of World Writing was designed as a new type of entry into the cultural building, which instead of being monumental and closed, is seen as an open and inviting space, connected with the surrounding environment.