boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

Boxen is a new studio gallery at ArkDes, the Swedish Centre for Architecture and Design in Stockholm, completed in 2018 by locals Dehlin Brattgård Arkitekter.

Boxen是位于斯德哥尔摩的瑞典建筑和设计中心Arkdes的新工作室，于2018年由当地人DehlinBrattgorrdArkitkter完成。

As the name suggests, the gallery is contained within a box structure set in the middle of one of two 19th century military exercise halls, appropriated as cultural venues in the 1960’s.

顾名思义，画廊被容纳在一个在19世纪军事训练馆之一中间的盒子结构内，在1960年代被用作文化场所。

Boxen adds a new element of utilitarian architecture to the myriad of spaces throughout the museum, and will be used to showcase experimental, fast-changing works. Built out of pre-fabricated standard section steel, the framework conversely carries an inherent sense of discipline and rigidity. The blank canvas effect of birch plywood and white plasterboard interior contrasts the external chain-link wire mesh, adaptable for use in informal exhibition displays and effectively doubling the useable wall space in the wider hall.

Boxen为整个博物馆的无数空间增添了新的实用建筑元素，并将用于展示实验性的、快速变化的作品。该框架由预制标准型钢建造而成，反过来又带有一种固有的纪律感和刚性。白桦胶合板和白石膏板内部的空白帆布效果与外部链式铁丝网形成鲜明对比，适用于非正式展览展示，有效地增加了大厅内可用的墙壁空间。

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

boxen, new gallery space at arkdes in stockholm by dehlin brattgård arkitekter  

Visible from the entrance lobby, the gallery is adjacent to a permanent exhibition collection and connects directly to a temporary exhibition hall. Multiple openings provide a natural flow through both Boxen and the museum beyond. A ramp wraps around the gallery, allowing visitors to observe the exhibitions within from multiple vantage points.

从入口大厅可见，画廊毗邻一个永久性展览收藏，并直接连接到一个临时展览大厅。多个洞口提供了一个自然的流动，通过博克森和博物馆以外。一个斜坡环绕着画廊，允许参观者从多个有利的角度观察展览。

Visitors are positioned as an integrated part of Boxen’s external expression, adding a dynamic element to the rigidity of the cube structure. Specific spatial relationships between the gallery and the surrounding hall appear as the ramp ascends through the space. The corrugated steel roof is propped up above Boxen’s walls by steel beams, both connecting the gallery to the surrounding hall and allowing natural daylight to filter through.

游客被定位为Boxen外部表达的一个完整的部分，为立方体结构的刚性增加了一个动态元素。画廊和周围大厅之间的特定空间关系出现在坡道通过空间上升的过程中。波纹钢屋顶是由钢梁支撑在Boxen的墙壁之上，两者连接画廊和周围的大厅，并允许自然日光透过。

The symmetrical, generous dimensions and white walls of the interior room provide a neutral background for both exhibitions and events, a literal interpretation of the traditional ‘white box’ gallery concept. Classic double-square proportions and a threshold at the main entrance emphasize the transition from the temporary exhibition space in the neighbouring hall.

内部房间的对称、大方的尺寸和白色墙壁为展览和活动提供了一个中立的背景，对传统的“白盒”画廊概念的字面解释。经典的双正方形比例和在主入口处的阈值强调从邻近大厅的临时展览空间的转变。

[Images courtesy of Dehlin Brattgård Arkitekter. Photography by Johan Dehlin - Mikael Olsson.]

[图片由Dehlin Brattg rd Arkitekter提供。约翰·德林摄影

keywords:cultural design alchemy gallery interior architecture minimalist museum perforated plywood public space screens steel stockholm sweden 

关键词：文化设计，炼金术画廊，室内建筑，极简主义博物馆，穿孔胶合板，公共空间屏幕，钢，斯德哥尔摩，瑞典