架构师提供的文本描述。电影公园大楼建于20世纪50年代，由现代主义建筑师弗朗克·诺瓦克(FrancNovak)设计。慢慢地陷入失修，它仍然被用于电影放映，直到新世纪，当它变得过时，因为建设一个新的复式。在一个新的、更雄心勃勃的方案中找到了解决办法：将其改建为剧院和音乐厅，以适当的新方案保留指定的地标建筑，以适应一个小城市，因为这个小城市以前没有足够的剧院空间。这样，Murska Sobota市加强了它作为区域中心的地位，同时保留了现代主义建筑的特殊例子。

Text description provided by the architects. The Cinema Park Building was erected in the 1950s from plans by the modernist architect Franc Novak. Slowly falling into disrepair, it was still used for film shows until the new century, when it became obsolete due to the construction of a new multiplex. A solution was found in a new, more ambitious programme: a conversion into a theatre and concert hall, preserving the designated landmark building with a fitting new programme for a small city with a large theatre audience that previously lacked an adequate theatre space. This way, the city of Murska Sobota reinforces its position as a regional centre and at the same time preserves the exceptional example of modernist architecture.

 ground floor plan

关于现有结构，为项目的两个部分引入了两个概念。进入区的功能方案已包括所有关键要素：入口门厅、大堂和上下楼。这座建筑的这些部分被翻新了，尽可能地保留了原有的物质。新的功能元素被插入到现有的空间中，而黑色元素则是以最小的细节构思的。

In relation to the existing structure, two concepts were introduced for the two segments of the project. The functional scheme of entry areas already included all the key elements: entrance loggia, lobby and the lower and upper foyers. These parts of the building were renovated, preserving as much original substance as possible. New functional elements were inserted into existing space as black elements conceived with minimal detail.

 © Miran Kambič

c Miran Kambič

现有的礼堂的几何结构不适合新的用途，因此它被一个新的、比例正确的礼堂空间和一个技术设备齐全的剧院舞台所取代。它的规模和设备允许客人表演，从国内的每一个剧院，以及未来自己的生产与空间和技术支持，与所有的国家剧院。在礼堂的结构中清楚地划定了原建筑的体积，增加的舞台体积，穿着“文艺复兴时期的长裤”，显示出适当的构图距离，保留了原建筑表达的自主性，易于融入城市公园的自然环境。

The existing auditorium’s geometry was not suited to the new purpose, so it was replaced by a new, correctly proportioned auditorium space and a technically equipped theatre stage. It’s size and equipment allows for guest performances from every theatre in the country as well future own production with space and technical support on par with all national theatres. The volume of the original building is clearly delineated in the auditorium’s structure, the added stage volume, dressed in “renaissance trousers” shows an appropriate compositional distance, retains the autonomy of the original building’s architectural expression and blends easily into the natural surroundings of city park.

 © Miran Kambič

c Miran Kambič

在整个设计过程中，对投资成本和运行成本低的建筑设计给予了特别关注。凭借理性的理念和透明的投资管理，Murska Sobota这个小城市获得了全国第五大和目前装备最好的舞台。通过已经使用的地热装置的热泵提供供暖和冷却能源，使运行成本降到最低。6个月后，供暖、冷却、通风和照明的平均运行成本达到每月3.300欧元。我们相信，我们在设计过程中越来越多的创造性能量将很快被用于限制自然资源的消耗和一般的环境责任。

Throughout the design process, a special attention was accorded to investment costs and designing the building with low running costs. With rational concept and transparent investment management, the small city of Murska Sobota received the fifth largest and currently best equipped stage in the country. Running costs were reduced to minimum by providing heating and cooling energy via heat pumps from an already used geothermal installation. After six months, average running cost for heating, cooling, ventilating and lighting come to 3.300 EUR per month. We believe that more and more of our creative energy within the design process will soon be directed into limiting the consumption of natural resources and general environmental responsibility.

 © Miran Kambič

c Miran Kambič