架构师提供的文本描述。我们的挑战：把一家旧银行变成一家现代化的光学商店，位于巴黎的一个古老而又时髦的社区里。这个项目是公司和我们的客户之间伟大的团队合作的结果。我们本着五十年代的精神设计了光学商店的内部，以满足当代顾客的期望。

Text description provided by the architects. Our challenge: turning an old bank into a modern optical store in an old, but trendy neighborhood of Paris, Le Marais. This project is the result of great team work between the firm and our clients. We designed the interior of the optical store in the spirit of the fifties adapted to meet the contemporary expectations of the customers.

 © David Cousin-Marsy

大卫表妹马西

这家商店位于豪斯马尼安大楼的一楼。虽然商店是一个大的开放空间，它的布局包括几个房间，就像在一个公寓：一个候车室，一个客厅，一个儿童房间和实验室。这个实验室站在玻璃墙后面，这样顾客就可以看到眼镜师们在他们的先进设备上工作。因此，在这种居家氛围中，顾客确实感到轻松自在。为了加强这一布局，我们把拱门涂成黑色，墙壁上用的是被洗掉的黄色和蓝色。

The store occupies the ground floor of an Haussmaniann building. Though the store is a large open space, its layout comprises several rooms as in an apartment: a waiting room, a living room, a kids room and the laboratory. The laboratory stands behind a glass wall, so customers can see the opticians at work on their state of the art equipment. Customers hence really feel at ease in this homy ambiance. To reinforce this layout, we painted the arch in black and used washed out yellow and blue colors on the walls.

 © David Cousin-Marsy

大卫表妹马西

这款眼镜展示柜完全是定制的，灵感来自皮耶特·蒙德里安的绘画。当眼镜出现在橱柜的上部，背景是亮着的，下封闭的部分是红色，蓝色和黄色的平行镜。我们的客户使用橱柜的这一较低的部分来存储眼镜，这是一只手从样品中拿出来的，以及其他材料。橱柜的形状和大小适合我们客户的特殊需要。在每个橱柜的上方都放置了一个面向方向的镜子，使顾客在试戴眼镜时能够看到自己。在每个镜子下，由于他们的倾斜，我们使用水平剩余空间打印的细节和品牌的眼镜，以使他们通过镜子可读性。除了是有用的信息之外，这个光学印象还创造了一个动画。

The glasses presentation cabinets have entirely been custom made and are freely inspired by Piet Mondrian’s painting. While the glasses are presented on the upper part of the cabinets with a lit up white background, the lower closed parts of the cabinets are red, blue and yellow parallelepipeds. Our client uses this lower part of the cabinets to store the glasses a hand-away from the samples presented, as well as other materials. The shape and size of the cabinets are adapted to the particular needs of our client. An oriented mirror has been placed on top of each cabinet, enabling the customers to see themselves while trying on the glasses. Under each mirror and due to their inclination, we used the horizontal residual space to print the details and brands of the glasses in order to make them readable through the mirror. On top of being useful information, this optical impression also creates an animation.

该商店的透视图也被非常图形的地板所增强，它是由10厘米宽10厘米的瓷砖制成的，瓷砖有两种颜色-软灰色和深灰色-来自皇家莫萨(Royal Mosa)，布局在一个比例大小的houndstooth图案上。家具，从椅子到桌子，沙发和每件配件都是由我们的客户精心挑选的，他们花了很多天在巴黎的逃亡市场上寻找真正的50年代的艺术品。

The perspective of the store is also enhanced by the very graphic floor, which is made of 10cm by 10cm tiles in two colors - soft and dark grey- from Royal Mosa, laid out in a scaled houndstooth motif. The furniture, from chairs to tables, couch and every accessory has been carefully chosen by our clients, who spent many days going round Paris' flee market to find genuine 50’s pieces.

 © David Cousin-Marsy

大卫表妹马西

商店的外观可能是我们最喜欢的特色。它完全是由鳄鱼皮瓦片从雷克斯陶粒(马图切收藏)。我必须说，我们不得不为我们的立面而战，在巴黎的一个传统街区，那里有豪斯马尼式的建筑，在巴黎市政厅的建筑部门里，我们非常紧张。

The facade of the store is probably our favorite feature. It is entirely made out of crocodile skin tiles from Rex Ceramich (Matouche collection). I must say we have had to fight for our choice for the facade, very edgy in a traditional neighborhood of Paris with its Haussmanian buildings, very hard with the Paris City Hall’s architecture department.

 © David Cousin-Marsy

大卫表妹马西

最后但并非最不重要的是，我们总结了这个项目的大入口门，由普通橡木制成，这是安装在两个枢轴上。它在商店的内部凹了起来，以便在不干扰街上行人流动的情况下开门。

Last but not least, we round up our presentation of this project by the large entrance door, made out of plain oak and which is mounted on two pivots. It is recessed inside the shop in order to allow its opening without disturbing the flow of pedestrians in the street.

 © David Cousin-Marsy

大卫表妹马西