头发挑染部分:

Highlights:

座落在19世纪的一座工厂大楼里，这片空地是一座废弃的出租车修理厂。

Located in a run down 19th century factory building, the space was an abandoned former taxi garage.

这个空间有厚重的木结构框架，卡茨通过揭示建筑结构来强调这一点，把旧的地板托梁和公用设施开放给公众观看。

The space had heavy timber framing, which Katz highlighted by revealing the structure, leaving old floor joists and utilities open to public view.

卡茨用打磨过的混凝土重铺了地板。

Katz refinished the floor in polished concrete.

画廊：

The Gallery:

桑达拉姆泰戈尔画廊致力于中西文化之间的思想交流。为了与它的使命保持一致，当他们搬到西切尔西的一座制造大楼的底层时，画廊试图架起双重性的桥梁。新的空间，最后作为出租车车库，必须彻底改造，作为一个跨文化讨论的平台，通过视觉艺术，诗歌，文学，表演艺术，电影和音乐。

The Sundaram Tagore Gallery is devoted to the exchange of ideas between Western and non-Western cultures.  In keeping with its mission, the Gallery sought to bridge dualities when they moved into the ground floor of a manufacturing building in West Chelsea. The new space, which last served as a taxi garage, had to be completely overhauled to serve as a platform for cross-cultural discussion through visual art, poetry, literature, performance art, film and music.

 ©  Julian Olivas of Air-to-Ground Photography

朱利安·奥利瓦斯，空对地摄影

设计：

The Design:

这次讨论的背景是对比的对话-既有的和预先存在的，工业和自然的，纹理的和光滑的，旧的和新的。该设计试图揭示空间的历史，桥梁的过去和现在，并创造一个环境，艺术作品可以悬停。

The backdrop for this discussion was a dialogue of contrasts - existing and pre-existing, industrial and natural, textured and smooth, old and new. The design attempted to reveal the history of the space, to bridge past and present and create an environment within which artwork can hover.

由Katz体系结构提供的文本。

Text provided by Katz Architecture.

 ©  Julian Olivas of Air-to-Ground Photography

朱利安·奥利瓦斯，空对地摄影