Funeral Parlor TASH
2011-11-09 00:00
架构师提供的文本描述。殡仪馆是我们每个人在一生中迟早都会参观的一座建筑。我们每一个人都以不同的方式与大楼互动,如访客、亲密朋友或家庭成员。
Text description provided by the architects. A funeral parlor is a building that everyone of us visits sooner or later throughout our lives. Each of us are interact with the building in different ways, as a visitor, a close friend, or a family member.
在托莱多公墓入口处高耸的平台上,矗立着新殡仪馆。从这里,你可以看到市中心,新城区和大范围的塔霍河岸。当然,这个项目并没有浪费这个独特的机会,把它的地方和它的可能性在它的主要串。
Over a raised platform, located in the entrance of Toledo cemetery, lies the New Funeral Parlor. From here you can behold the city center, the new districts and a wide sector of the Tajo riverbanks. Of course the project doesn't waste this unique chance by turning the place and its possibilities in the main string of it.
© Miguel de Guzmán
米格尔·德古兹曼
我们进入的建筑,集中在著名的轮廓城市中心,并以石墙的砖石工作,作为参考的建筑物本身。主通道的每个部分都被认为是一条大型的长廊,它利用对自己有利的优秀景观,从建筑内外进行引导、展示、隐藏、构架和限定不同的视角。与景观的密切关系和不断进出交通是这个项目的考虑和目标。
We access the building focusing in the well known silhouette of the city centre and led by a stone wall of masonry that works as a reference for the building itself. Every part of the main access is considered as a big promenade that uses the excellent views in its favor, conducting, showing, hiding, framing and qualifying the different perspectives from the inside and outside of the building. An intense relationship with the landscape and a constant in and out traffic are both considerations and goals in this project.
© Miguel de Guzmán
米格尔·德古兹曼
作为一条挖掘在泥土中的沟渠,巴罗斯前面的画廊展示了景观,并隐藏在西南偏南的阳光下,有一个强大的混凝土悬臂板,这实际上是画廊天花板本身的延伸。画廊的上部是板,以完成太阳能保护。
As a trench dug in the earth, the gallery before the barrows shows the landscape and hides from sunlight southeast-southwest arch with a powerful concrete cantilever slab that is actually an extension of the gallery ceiling itself. The gallery is slatted in its upper part for completing the solar protection.
Ground Floor
这个画廊的线性空间旋转和曲折,寻找最好的景观大教堂和市中心,同时让位于柔软的线条在边缘,并增加了感官和活力的空间。路径划分和分离成两个明显不同的部分,视觉连接通过手推车,慢慢失去情感的重要性,通过画廊被配置为“生活”和连接的空间。
The linear space of this gallery turns and twists, looking for the best views of the cathedral and the city centre, while giving place to soft lines in the edges and adding sensuality and dynamism to this space. Pathways divide and separate into two clearly different sectors visually connected through the barrows, slowly losing emotional graveness through the gallery that is configured as a "living" and linking space.
© Miguel de Guzmán
米格尔·德古兹曼
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