架构师提供的文本描述。这是立陶宛的第一个火葬场。建火葬场的想法诞生于两次世界大战期间，但当时只在考纳斯医院建造了减少医疗废物的炉子。越来越多的火葬传统在拉脱维亚和波兰使用火葬服务。

Text description provided by the architects. This is the first crematorium in Lithuania. The idea to build a crematorium was born in the interwar period, but at that time only furnace to reduce medical waste in Kaunas hospital was built. Increasing cremation traditions Lithunians use cremation services in Latvia and Poland.

为立陶宛的第一个火葬场开辟一条道路并不容易。尽管有很大的热情，天主教的思想和政治伪善，缺乏和不完善的环境和其他法律直到2011年才被克服。Kedainiai火葬场的主人，医生和环保主义者，展示了他们的力量。

To make a path for the first crematorium in Lithuania wasn’t easy. Despite the big enthusiasm, the catholic mind and political hypocrisy, the lack and imperfections of environmental and other laws were overcome only in 2011. The owners of Kedainiai crematorium, doctor and environmentalist, showed the strength.

 © G.Česonis

[医]石斛(G.Česonis)

建筑工地-工业城镇K，ė，dainiai，在立陶宛中心有31000居民。这座建筑的面积是在工业园区选定的。新建筑被一个混乱的、不美观的行业所包围：糖厂、化肥厂和烟雾弥漫的烟囱。所以周围的环境甚至都没有神圣之处的味道。

Building site- industrial town Kėdainiai with 31000 inhabitants in the center of Lithuania. The area for the building was chosen in industrial park. New building is surrounded by a chaotic, unaesthetical industry: sugar mills, fertilizer factories with smoky chimneys. So the surroundings don’t even have a smell of sacred place.

 © G.Česonis

[医]石斛(G.Česonis)

在设计过程之初，我们分析了其他国家的经验：例如柏林的特雷普托火葬场，日本的伊藤东洋设计的德累斯顿火葬场和火葬场。这些例子是令人印象深刻的，巨大的纪念性建筑与鼓舞人心的场景，然而在凯达奈的火葬场-770平方米的小建筑，几乎没有地方创造神圣的剧本。

At the beginning of design process we analyzed the experience of other countries: inspiring examples of crematoriums such as Treptow crematorium in Berlin, Dresden crematorium and crematorium designed by Toyo Ito in Japan, Gifu. These examples were impressive, large monumental buildings with inspiring scenario however crematorium in Kedainiai- small building of 770 m2 and there were almost no place to create sacred script.

 © G.Česonis

[医]石斛(G.Česonis)

非审美的工业环境引发了极简甚至禁欲主义的情景。它是一层混凝土建筑，它的外部和内部质量和统一是由混凝土表面创造的。为了与工业环境保持距离，这座建筑被设计成封闭的，就像一个内向的人。

Unaesthetical industrial environment provoked to create minimalistic and even ascetic scenario. It is one storey concrete building which external and internal quality and unity was created with concrete surfaces. In order to distance itself from the industrial environment the building was designed closed like a human introvert.

 © G.Česonis

[医]石斛(G.Česonis)

即使是烟囱，也会引起不好的情绪，隐藏在建筑的体积里。剧本的主要目的-在正门前用一个不断发展的钟摆榆树创造日本式的内部庭院。院子创造了一个亲密的空间，在进入建筑前积累区域。在院子里，视觉上扩大了空间。它就像一种情感过滤器，可以减少人类的压力体验。

Even the chimney, which cause bad feelings, is hidden in the volume of building. The main goal of the script- to create the inner Japanese style courtyard with a growing pendulum elm before the main entrance. Yard creates an intimate space, the accumulation zone before entering the building. Being inside the yard visually expands the space. It creates like an emotional filter to reduce human’s experience of stress.

 © G.Česonis

[医]石斛(G.Česonis)

火葬场内部场景：庭院-休息区大厅-两个最终处置大厅-火葬场，火化设备室带烟囱。内部由四个表面组成：混凝土、木贴面、铝玻璃和白色灰泥。内心的苦行允许家庭专注于一个庄严的悲伤时刻，不受任何颜色和细节的干扰。每个人和他的脸都成为内部非常重要的部分。

Crematorium interior scenario: courtyard- lobby with resting area- two final disposition halls- cremation hall, cremation equipment room with chimney. The interior is created with four surfaces: concrete, wood veneer, glass with aluminum and white plaster. The ascetic inside allows families to concentrate on a solemnly sad hour with no interference of a colors and details. Every man and his face become very important part of the interior.

 section 01

section 01

现代火化和废气净化设备的三级，符合最严格的环境要求是由德国著名的IFZW公司生产的。这座建筑设备齐全，可火化两条线。

Three levels of modern cremation and exhaust air cleaning equipment, conforming to the strictest environments requirements was produced by known German firm IFZW. The building is fully equipped for two line cremation.

 section 02

section 02