架构师提供的文本描述。实施

Text description provided by the architects. Implementation

Matosinhos的葬礼是与森订街平行建造的，地点在塞达席尔瓦街以北、东面一条小径旁、森迪姆街南边和墓地森迪姆以西的地区。现有土地约8，789平方米，该建筑物的安置面积为1515平方米。

The Funeral of Matosinhos be built parallel to the street Sendim, in the area bounded on the north by the street José da Silva, on the east by a footpath, south on Sendim Street and west of the cemetery Sendim. The land available is about 8,789 m2 and the area of implantation of the building is 1515 m2.

 © Rui Correia

瑞克瑞

葬礼详细回应了关于各种固有功能的初步方案。它分为三个街区，由A区指定的画廊/主厅连接：咖啡厅及其服务区和花卉区、B座、前厅和殡仪馆(3个小教堂)、记忆礼拜堂和无限教堂)，由一家咖啡厅、一个主厅和一个活的Tanatopra峡咨询中心提供支助；C区-客厅/候车室，接生室灰(文艺复兴室)，最多120人，上层有一个画廊，旨在丰富火葬过程的各个阶段，丰富使用它的能力，这一空间的意图是详尽无遗的。

The Funeral respond in detail to a preliminary program on the various functions that are inherent. It is divided into three blocks linked by a gallery / main hall, designated by block A where the Administrative and Support Services: Cafes and its service area and Florist, Block B, antechambers and Funeral Chapels (3 chapels ) Chapel of the senses, Memory Chapel and the Chapel of the Infinite), supported by a café and a main hall and a living Tanatopraxia counseling; Block C - living room / waiting room, delivery room ash (Renaissance Room) room and fired up to 120 people and a gallery on the upper level, which aims to various phases of the cremation process enriching the ability to use it, a space that is intended to be exhaustive.

 © Rui Correia

瑞克瑞

候机室与大海有着重要的联系，地平线上有一块水晶，可以阅读。该骨灰缸是通过这同一轴，消失在“地平线”，然后下降到上升的地板，在一个液压平台的解决方案研究，以避免被人看到。

The departure lounge has a significant relationship with the sea, the horizon through a crystal that allows to read. The urn is placed through this same axis, disappearing into the "horizon" and then descends to the raised floor in a hydraulic platform solution studied to avoid being seen by people.

 © Rui Correia

瑞克瑞

在底层是支持火化-火化，骨灰缸机器输入，和处理室的灰。除了冷却室外，还有贴标签的房间等。在围绕绿色元素的空间中，一条广泛的绿竹线强化了主画廊的事实，以及当地的路线和愉快的逗留。

On the ground floor is the support térnica cremation - cremation, urns machine input, and the treatment room of ash. In addition to a cooling room, room of labeling among others. In the space surrounding the green elements are predominant, an extensive line of green bamboo reinforce the fact the main gallery, as well as local routes and pleasant stay.

 © Rui Correia

瑞克瑞

这座建筑的设计考虑到了热舒适性的要求，使供暖、照明和通风的需求不会导致过多的能源消耗。为了取暖、供水和卫生，根据同样的原则，考虑安装适当尺寸的太阳能电池板。

This building was designed taking into account the satisfaction of the requirements of thermal comfort, so that the needs of heating, lighting and ventilation not lead to excessive energy expenditure. For the purposes of heating water and sanitation on the same principle was considered the installation of properly sized solar panels for installation.

 elevation 01

elevation 01

就像建筑物的“告别”房间一样，花园与海洋、地平线和天空有着重要的关系。其意图是纪念花园既是象征的，也是精神的。它是一个冥想和重聚的地方，它被转化为生命周期的隐喻，它代表出生、成熟和死亡，通过一系列圆圈平滑地形成，并根据这一周期的演变，在大小和高度上进行排列。

Like the “farewell” room of the building, the garden has an important relationship with the sea, the horizon and sky. The intention is that the Garden of Remembrance is both symbolic and spiritual. It is a place of meditation and reunion which translates into a metaphor to the life cycle,which is represented Birth, Maturity and Death through a sequence of circles smoothly shaped and arranged in size and height depending on the evolution of this cycle.

 © Rui Correia

瑞克瑞