Rope Pavilion Kevin Erickson

2012-07-24 00:00
架构师提供的文本描述。在温尼伯,阿西尼博因河是世界上最长的自然冰冻溜冰场。从市中心向西延伸10公里,每年接待400多万游客。当温度超过摄氏-40度时,每公里都会放置温暖的棚屋供游客避寒。“绳亭”是2012年“变暖棚屋:艺术建筑竞赛”的获奖者,与弗兰克·盖里、帕特里夏·帕托和安托万·普雷多克建造的展馆并排建。
Text description provided by the architects. In Winnipeg, the Assiniboine River is the world’s longest naturally frozen skating trail. Stretching west 10km from city center, it receives over 4 million visitors annually. With temperatures exceeding - 40° C, warming huts are placed every kilometer along the trail for visitors to escape the cold. ROPE pavilion, winner of the 2012 Warming Huts: An Art + Architecture Competition, was constructed alongside pavilions built by Frank Gehry, Patricia Patkau, and Antoine Predock.
 Courtesy of Kevin Erickson
凯文·埃里克森(KevinErickson)
通过简单的材料组合,绳亭创造了一个高度铰接式的形式和空间,同时嵌套在阿西尼博因河小径的景观。它的皮毛绳和结构-桦树框架的关系,合并成一个温暖的小屋,其密集的外壳阻挡冬天的风,但仍然是穿孔的光线和景观。木材内部通过颜色和纹理创造了一种温暖的感觉,它的多层绳外部收集雪,进一步嵌入在现场。棚屋的穹顶形状是优化的保温,分叉只为一个进入门槛和Oculus到天空以上。
Through the combination of simple materials, ROPE pavilion creates a highly articulated form and space while nestling itself into the Assiniboine River Trail’s Landscape. Its relationship of skin – unmanila rope and structure – birch frame, merge to form a warming hut whose dense shell blocks winter winds while still being perforated for light and views. The wood interior creates a sense of warmth through color and texture and its multilayered rope exterior collects snow, further embedding it within the site. The hut’s dome-like form is optimized for heat retention, bifurcating only for an entry threshold and oculus to the sky above.
 Courtesy of Kevin Erickson
凯文·埃里克森(KevinErickson)
绳亭在材料和形式上的创新应用是在一个密集的原型过程中产生的。而不是仅仅依靠标准的建筑和制造图纸来传达意图,超过25个完整的原型和模型被创造出来,以帮助弥合表象和生产之间的差距。在这片肥沃的土地上经营,使我们能够理解和克服材料和制造方面的挑战,建立新的参数,并发挥潜在的设计潜力。
ROPE pavilion’s innovative application of material and form emerged from an intense prototyping process. Instead of relying solely on standard architectural and fabrication drawings to communicate intent, over 25 full-scale prototypes and models were created to help bridge the gap between representation and production. Operating in this fertile territory enabled us to understand and overcome material and fabrication challenges, establish new parameters, and bring forward latent design potentials.
 Floor Plan

                            
 
 
 
 
 
 
 
 
 
 

                    

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