架构师提供的文本描述。这个三层楼高的住宅的建筑围护结构是一个纯正方形，由一种单一的材料，浇铸混凝土建造而成。在这种情况下，球体-宇宙的天体形态-被转换成正方形的地面表达形式。

Text description provided by the architects. The building envelope of this three-storey residence is a pure square, constructed of a single material, cast-concrete. The sphere, the universal celestial form, in this case is transformed to its terrestrial expression in the shape of a square.

 © Daniele Domenicali

达尼勒·多梅尼卡利

考虑到达卡的社会经济条件，建筑词汇是简单的，传统的空间，如庭院，池塘，ghat(向水的台阶)和充足的绿色结合在一起的城市和乡村类型在这种城市环境。

Considering the socio-economic conditions of Dhaka, architectural vocabulary is kept simple, with traditional spaces like the courtyard, pond, ghat (steps to water) and ample Green to merge together urban and rural typologies in this urban context.

 © Daniele Domenicali

达尼勒·多梅尼卡利

这个遗址被多层建筑包围着，就像围观的人一样.因此采用了一种内向的设计策略，在房子中央设置了一个游泳池，以确保隐私。

The site is surrounded by multi-storied buildings as on-lookers. An introverted design strategy was hence adopted, placing a water-court as a swimming pond in the middle of the house to ensure privacy.

 © Daniele Domenicali

达尼勒·多梅尼卡利

它是形式和虚空之间的相互关系，是拉隆哲学的核心，也是这座建筑的潜在灵感。中心的开放四边形描绘了虚无。

It is the inter-relationship between form and void which is at the heart of Lalon’s philosophy, the underlying inspiration for this building. The open quad at the center depicts Nothingness.

 © Daniele Domenicali

达尼勒·多梅尼卡利

南部和东南部的设计是为了在炎热潮湿的夏天带来凉爽的微风，在冬天带来阳光的温暖。中央水庭作为一个自然的排气系统，允许热空气逃逸，并使中央法院成为一个凉爽的避难所。

The South and South-East have been designed to bring in cool breeze during the hot, humid summers and the warmth of the sun during the winters. The central water court acts as a natural exhaust system, allowing hot air to escape and making the middle court a cool sanctuary.