架构师提供的文本描述。摄影师和电影制片人AntonCorbijn在2011年秋季邀请BOS阿尔基马德建筑师为他在荷兰创建一个工作室。这个工作室需要整合在一个古城教练的房子，并满足一个复杂的方案的要求。将为摄影、电影处理、印刷艺术的制作和摄影档案的保管创造单独的空间。一个最重要的先决条件是能够在指定的空间内在自然日光下拍摄和拍摄电影。还有一个要求在建筑物内有一个露天空间，在前面有一个装填区，可以毫无问题地处理艺术家在里面使用的大型道具和其他材料。

Text description provided by the architects. Photographer and filmmaker Anton Corbijn invited BOS ALKEMADE Architects in the autumn of 2011 to create a studio for him in the Netherlands. This studio needed to be integrated in an ancient city coach house and meet a complex programme of requirements. Separate spaces were to be created for photography, the processing of films, the production of graphic art and the safekeeping of photography archives. An overarching prerequisite was the ability to take photographs and shoot film in natural daylight in the spaces assigned for that. There was also a requirement for an open air space within the building and a loading area in front that could handle without problems the large props and other materials the artist would use inside.

 © Herman H. van Doorn

C.Herman H.van Doorn

车厢很深，但很窄，地面没有规定的天花板高度。为纠正这一情况，部分地提出了一楼。一楼的屋顶和支撑墙被拆除，以创建建筑内的露天空间或露台，并为其他工作空间提供日光。露台地板上的一条宽玻璃允许自然日光进入下面的摄影工作室。顶层加了天窗。其余指定的工作空间安排在各级之间。一个新的楼梯连接了它们之间的联系，也容纳了方案中的其他公用事业。最后，对建筑物的立面和入口进行了改造，以配合其新功能。

The coach house was deep but narrow, and did not have the required ceiling height at ground level. To remedy this, the first floor was raised partially. The roof and the supporting walls on the first floor were removed to create the in-building open-air space or patio and make daylight available to the other work spaces. A wide strip of glass in the floor of the patio allowed natural daylight to enter the photo studio below. Skylights were added on the top floor. The remaining specified workspaces were arranged among the various levels. A new staircase provided the link between them and also accommodated other utilities in the programme. Finally, the facade and entry to the building were remodelled to match its new function.

 © Herman H. van Doorn

C.Herman H.van Doorn

带有综合公用设施的楼梯有一个强有力的和巨大的方面，因为它在所有楼层之间蜿蜒而行。策略性放置的光轴创造了一个美丽的神秘光在里面。它内外都覆盖着层叠木板条，用一种紫色-黑色的半透明染料来处理，这就放大了这种建筑干预的自主性。三个工作空间中的楼层都有不同的处理方式，使它们具有各自的特点。在一层的摄影工作室有一个原始的混凝土完成，上面的空间是一个白色的平板和工作场所在阁楼一层横切的法国橡木。在所有楼层，墙壁部分保持不变。旧的建筑和使用痕迹产生了丰富的帕蒂纳和鲜明的对比，在其他地区的严酷和现代的完成。特别是在摄影棚，他们为艺术家提供了一个强大的背景。

The staircase with integrated utilities has a forceful and monumental aspect as it meanders between all floors. Strategically placed light shafts create a beautifully mystic light inside. It is clad both inside and outside with laminated wooden slats that are treated with a semi-transparent dye of a purple-black colour, which amplifies the autonomous character of this architectural intervention. The floors in the three workspaces are each treated differently to give them with their own separate character. The photo studio at ground level has a raw concrete finish, the space above is a white screed and the workplace in the attic a floor of crosscut French oak. On all floors, walls have remained untouched in part. The old traces of construction and usage yield a rich patina and contrast vividly with the stark and modern finish in other areas. In particular in the photo studio they offer a powerful backdrop to the artist.

 © Herman H. van Doorn

C.Herman H.van Doorn

建筑过程重塑了特色建筑，同时也揭示了其潜藏的潜力。极简的细节，雕塑的介入和进入日光都是最有力地放大彼此。

The architectural process has reshaped the characteristic building but has also revealed its hidden potential. The minimalistic detailing, the sculptural intervention and the access to daylight all amplify each other most powerfully.