架构师提供的文本描述。在阿富马提宫项目开始时提出的最令人关切的问题之一是提到了项目的各个方面。这是在辉煌时期的结束，当平方米是无休止的流动，业主的房子仍然在他们的魔咒。在那个时代，几乎每个人，从一个街区的单位，你不得不搬进一个尽可能大的房子，在一块尽可能大的土地上。这一块土地是阿富马提市新开发的城市地区的一部分。马路对面仍有一片无家的田野。

Text description provided by the architects. Among the highest concerns formulated at the beginning of the project for the house of Afumati, was that referring to its dimensions. It was at the end of the glorious period when square meters were flowing endlessly and the owners of the house were still under their spell, too. As almost everybody in those times, from a block flat you had to move into a house as large as possible, on a plot of land as large as possible. This particular plot of land is part of a newly developed urban area of the municipality of Afumati. Across the road there is still a houseless field.

 © Cosmin Dragomir

c.Cosmin Dragomi

该项目主题产生的超限也引起了人们对具有残酷外观的单块对象设计的关注。除了规模之外，我们还想摆脱新郊区反复出现的逻辑：一个巨大的盒子仅仅放在一个院子里。这就是为什么我们从一开始就想到了一个雕刻出来的身体，有着可以让房子呼吸的鳃，还有可以向内部推进的外部空间。业主们想在东边的房子旁边建一个网球场。为了清理院子里必要的空间，建筑物本身一直延伸到北侧和西侧的直线极限。

The over-gauge resulting from the project theme also brought about the concern for the design of a monoblock object with a brutal appearance. Beyond the scale, we also wanted to get out of the recurrent logics of the new outskirts: that of a massive box merely placed inside a yard. This is why we thought from the very beginning about a carved out body, with gills that would let the house breath and with exterior spaces that could advance towards the interior. The owners wanted a tennis court by the house, on the Eastern side. The building itself reaches as far as the alignment limit on the Northern and Western sides in order to clear out the necessary space in the yard.

 © Cosmin Dragomir

c.Cosmin Dragomi

我们所指的鳃和雕刻只是在这个表面上展开的，其他的(最暴露在风中的)则要不透明得多。在书中的雕刻创造了各种各样的中间地方-开放和覆盖的梯田，灌木丛和露台-因此，一个更复杂和不那么突然的外部关系。对房屋空间结构的另一种影响是自然光效应的增加：例如，在空间中间刻出的露台，通过位于露台长凳下的窗户，一直到底层的入口走廊，将光线带到阁楼的水平。

The gills and the carvings we have been referring to above, are developed only on this facade, the others (as-a-matter-offact, the most exposed to the wind) being much more opaque. The carvings in the volume create a diversity of intermediate places – open and covered terraces, loggias and patios – and, consequently, a more complex and less abrupt relation to the exterior. Another effect on the spatial structure of the house is the increase of the natural light effect: for example, the terrace carved out in the middle of the volume brings light to the attic level by means of a window located under the terrace bench and all the way to the entrance hallway, on the ground floor.

 © Cosmin Dragomir

c.Cosmin Dragomi

阁楼-提供了自己的露台，高护栏，也允许一定程度的亲密-实际上是作为一个独立的房子工作。目前，它有一个电影放映室，一个图书馆，一个开放的阅读场所和一个相当大的空间为聚会。然而，在这种情况下，所有这些都可以微妙而容易地转化为业主女儿的公寓。一楼的露台是用来保护客厅的。它被认为是一个飞机机翼，由四根金属圆柱体支撑。

The attic – provided with this own terrace, with high parapet which also allows a certain degree of intimacy – is practically working as a separate house. At present, it houses a film projection room, a library with an open reading place and a rather generous space for parties. However, all these can be subtly and easily transformed into an apartment for the owners’ daughter, when given the case. The terrace on the first floor is protecting that of the living room. It was thought as an airplane wing, to be supported by four metallic circular section pillars.

 © Cosmin Dragomir

c.Cosmin Dragomi

不幸的是，这些后来被覆盖和给予一个方形的形状，一个更强的视觉外观。此外，除了最初的项目(以及出于受益人对地震的恐惧)，控制台下还出现了一根柱子，覆盖着一楼的露台。该项目在建筑工程期间的演变导致了另一个变化。最初，它已经建立了木雕板，但当我们看到这些空心是如何在阳光下运作，我们决定保留一个单一处理的对象，其主要整理是轻。

Unfortunately, these were later covered and given a square shape, with a much stronger visual appearance. Also in addition to the initial project (and coming out of the beneficiaries’ fear of earthquakes) there appeared a pillar under the console that covers the terrace of the first floor. The evolution of the project during the building works led to another change. Initially, it had been established the wood panelling of the carvings, but, when we saw how those hollows were functioning in sunlight, we decided to keep to a unitarily treated object, whose main finishing was light.