架构师提供的文本描述。这一项目的地点与东京湾平静而平静的水域毗邻。当我们第一次访问这个地点时，我们立刻被海洋的存在淹没了。然而，我们很快就适应了来自周围环境的微妙暗示，如太阳的移动、风的流动、潮水的气味、植物的搅动和岩石山的存在。尤其让我们印象深刻的是大海和头顶上高高的垂直天空，以及对面的岩石山和上面生长的植被。出于这个原因，我们决定设计一座建筑，将这些山脉与壮丽的海洋连接起来。

Text description provided by the architects. The location for this project was adjacent to the calm and tranquil waters of Tokyo Bay. When we first visited the site, we were immediately overwhelmed by the presence of the ocean. Soon, however, we became attuned to the subtle cues coming from the surroundings, such as the movements of the sun, the flow of the wind, the scent of the tide, the stirrings of the plants, and the presence of the rocky mountain. We were particularly impressed by the sea and the soaring verticality of the sky overhead, as well as the rocky mountain on the opposite side and the vegetation growing on them. For this reason, we decided to design a building that would serve to connect these mountains to the imposing expanse of the ocean.

 © Koichi Torimura

c.Torimura幸一

客人要求一个舒适、比例相称的生活、就餐和厨房区域，一个俯瞰大海的浴室，一个客房，以及一个可以用来展示他心爱的汽车的备用房间。房子被中央区域、客房和备用房间包围的部分变成了一个平铺的中央庭院，狗可以在这里玩耍。庭院也是一个室外起居室，大量的客人可以聚集在一起。水还可以流入庭院，形成一个反映周围光线和风的细微差别的盆地。
木面板、墙面建筑和木材空间桁架被用来建造一个连接房子面向海洋的侧和面向山的两侧的结构。虽然桁架本身占据了很大的空间，但在不同的材料之间留下了空白。通过根据桁架结构所需的间距和喉部间隙倾斜墙壁，我们能够消除内部的某种压迫性。
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The client requested a comfortable, generously proportioned living, dining and kitchen area, a bathroom overlooking the ocean, a guest room, and a spare room that could be used to display his beloved car. The portion of the house encircled by the central area, guest room and spare room was turned into a tiled central courtyard where dogs can play. The courtyard also serves as an outdoor living room where large numbers of guests can gather and mingle. Water can also flow into the courtyard to create a basin that reflects the subtle nuances of the surrounding light and wind.
Timber panel wall-building and timber space trusses were used to create a structure that connects the ocean-facing side and mountain-facing sides of the house. Although the trusses themselves occupy a wide space, gaps have been left in between the different materials. By angling the walls obliquely in accordance with the necessary spacing and throat gaps required for the truss structure, we were able to eliminate a certain oppressiveness from the interior.
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 © Koichi Torimura

c.Torimura幸一

建筑应该根植于它所处的位置。这座建筑的建筑形态是在分析和研究地点的漫长过程中出现的。虽然设计过程被认为是一个疯狂的积累决策和选择之间的可能的选择，但完工的建筑给人一种奇怪的印象，挥之不去的印象，是按照某种法律或其他。

Architecture ought to be rooted in the place it occupies. The architectural form of this building somehow emerged during the long process of analyzing and studying the location. Although the design process was supposed to have entailed a frantic accumulation of decision-making and choosing between possible options, the finished building gives one the strange, lingering impression of having been constructed according to some law or other.