架构师提供的文本描述。这座建筑位于白云石的山坡上，在居民区的尽头。

Text description provided by the architects. The building is located on a hillside in the Dolomites, at the end of a residential area.

 Floor Plan

成交量主要是从其实用的功能要求发展而来的，即容纳6套具有一种普通流通功能的独立公寓：通过一个标志着主要通道和单元划分的切割，体积被分割成2半。除了它的功能意义，这个切口成为建筑的主要定义元素：从两边的切口，一条展开，形成一个慷慨的有盖阳台的栏杆，并结束周围的地形。沿着每一层陡峭的天然山坡，条子和门面都会向后跳。

The volume has been developed mainly from its pragmatic functional request to host 6 independent apartments with one common circulation: through a cut that marks the main access and the division of the units the volume is splitted into 2 halves. Besides its functional meaning this incision becomes the main defining element of the building: from the cut at either side a strip unfolds that forms the balustrade of a generous covered balcony and ends into the surrounding topography. Following the steep natural hillside with each floor the strips and the façade jump back.

 © Hertha Hurnaus

赫塔·赫尔纳斯

该建筑容纳了6个慷慨的假日住宅，所有指向太阳和全景的白云石。每个私人单位的设计是为了获得最大的隐私：通过将整个建筑体积分成两部分，通过阶梯栏杆，避免从上述单元和从街道经过的洞见。每套公寓都通过遮阳和朝向露台来扩展内部居住区域，每个楼层的尽头都是一个小的私人花园。当地的落叶松木材定义了内外生活区。地板到天花板的玻璃允许最大的视野和能量增益指向南方，外部遮阳帘和上述阳台的悬垂尽量减少夏季过热。

The building hosts 6 generous holiday homes, all directed to the sun and the panoramic view of the Dolomites. Each private unite is designed to get a maximum of privacy: through the division of the whole building volume into 2 parts, through the stepped balustrades which avoid insight from the above unit and from the passing by street. Each apartment gets an extension of the internal living area by a covered sun and view facing terrace which at each floor ends in a small private garden. Local larch wood defines internal and external living areas. Floor to ceiling glazing allows the maximum view and energetic gain as directed to south, external sun blinds and the overhangs of the above balconies minimize overheating during summertime.

 © Hertha Hurnaus

赫塔·赫尔纳斯

主要流通是非常紧凑和体积的延续，确定间隙，重复使用当地落叶松木材和颜色代码的外观。

The main circulation is very compact and a continuation of the volume defining gap and repeats the use of the local larch wood and the color code of the façade.

我们坐在一个居民区的边缘，以一种非常折中和不连贯的外观来对比这一环境，只需产生一个体积，从其自然的周围地形中生长出来，并再次融入其中，将使用的材料减少到一个非常当地的，几乎是当地的代码：落叶松木材和预氧化铜。由于太阳、雨和雪的影响，铜和落叶松木材都暴露在自然的颜色变化中。通过重复古老的，紧邻的农舍的颜色与黑暗的，晒伤的Larchwood立面，这个建筑体积与它的自然环境融为一体。

Sitting at the edges of a residential area with a very eclectic and non-coherent appearance we focus to contrast this surrounding by simply generating a volume which grows out of its natural surrounding topography and blends again into it, by minimizing the used materials to a very local, almost vernacular code: larch wood and pre oxidised copper. Both the copper and the larch wood are exposed to a natural change of colour by the atmospheric influence of sun, rain and snow. Through the repetition of the colours of old, close-by farmhouses with dark, sunburned larchwood facades this building volumes blends into its natural surroundings.

 © Hertha Hurnaus

赫塔·赫尔纳斯

重点介绍了铜栏杆的设计，这些栏杆从自然地形出发，生长成为栏杆，附着在间隙确定体积的建筑物上，在周围地形中再次剥离并最终结束。剥离时，被分成水平条的金属片描述了一种弯曲的双曲抛物线几何学：工艺知识被带到了极致。

Focus was given to the design of the copper balustrades which start from the natural topography, grow, become balustrades, attach to the building where the gap defines the volume, peel again off and end finally in the surrounding topography. When peeling off, the metal sheets which are divided into horizontal strips describe a curved hyperbolic-parabolic geometry: crafts knowledge is brought to its extreme.

 West Elevation

西向立面图

暗铜从四面八方释放体积，这些条带形成了第二层，为人们提供了遮蔽和洞察力，并最终将屋顶定义为整体外观和体积的延续。屋顶本身的形式来源于当地的规划规则，它只允许在这个特定的建筑地块中有一个倾斜的屋顶：轻微的变形不仅与我们的设计意图相结合，而且还与传统的倾斜屋顶的类型相结合，不仅是重复，而是探索传统类型学的新潜力。

The dark copper souurounds the volume from all sides, the strips form a second layer which gives shelter from and insight and finally define the roof as a continuation of the overall façade and volume. The form of the roof itself derives from local planning regulation which allows only a pitched roof in this specific building plot: slightly deformed it merges with our design intention but also with the traditional typology of pitched roofs by not simply repeating but  rather exploring what new potentials of a traditional typology can be.

Architects Plasma Studio

Location 39030 Sesto, South Tyrol, Italy

Category Apartments

Design Team Nicoletta Gerevini, Peter Pichler, Daniela Walder, Maya Shopova, Libny Pacheco

Area 1,050 m2

Project Year 2012

Photographs Hertha Hurnaus