架构师提供的文本描述。墨西哥城位于历史悠久的墨西哥城中心，位于音乐界最重要的主题商店之一的屋顶上，是拉丁美洲第一家Fender自定义商店，与其他国家不同。开发该项目的基本概念是一种临时建筑，一种混合空间，可以作为一个商店，一个艺术画廊，一个会议空间或休息室的同等功能；加上音乐，短命的发生和吉他作为人体测量单位的想法。

Text description provided by the architects. Located within the historic center of Mexico City, on the rooftop of one of the most important themed stores of the music scene, the Fender Custom Shop Mexico City is Latin America's first Fender store and follows a different concept from those in other countries. The basic concept for the development of the project was an architecture conceived as temporary, a sort of hybrid space that could function equally as a store, an art gallery, a meeting space or a lounge; together with music, a short-lived happening and the idea of the guitar as an anthropometric unit of measure.

 © Cuauhtémoc García

(C)Cuauhtémoc García

不规则多边形的体积代表音乐振动的运动。屋面由八个不同方向、不同角度的坡面组成，在屋内形成自然光的图案。照明是设计过程中的一个关键要素，它是根据使用和功能来构思的。建筑物的质量出现在屋顶上，就像坐在灯光上一样。

The volume in the form of an irregular polygon represents the movement of the vibration of music. The roof is composed of eight sections which slope in different directions and at different angles, generating patterns of natural light in the interiors. Lighting, a key element in the design process, was conceived according to use and function. The mass of the buiding appears on the rooftop as if sitting on light.

 © Cuauhtémoc García

(C)Cuauhtémoc García

项目内部包括吉他展区、休息室、储藏室和卫生间。外部是一个木材和石头平台，有一个水平的舞台，通过一个弧线的植被，引导眼睛向城市的景观。然而，直接的城市背景却隐藏在不对称主题的栏杆后面，这种不对称的主题起到了视觉屏障的作用。电梯轴是不同区域分布的垂直轴，原预算减少2/3，不影响初始设计。相反，它促成了简化所用材料和施工方法的试验。完工时间为三个月。

Inside, the project comprises a guitar display area, a lounge, a storeroom and restrooms. The exterior is a timber and stone platform with a level stage, framed by means of an arc of vegetation that directs the eye towards the city vistas. The immediate urban context, however, lies behind a balustrade of asymmetric motifs that serves as a visual barrier. The elevator shaft is the vertical axis around which the different areas are distributed.The reduction of the original budget by two thirds did not affect the initial design. Instead, it prompted experimentation with simplification of the materials used and construction methods employed. The timeframe for completion was three months.

 © Cuauhtémoc García

(C)Cuauhtémoc García

这座建筑是一座金属结构，覆盖着多层建筑。这种材料的坚固性、声学和热性能以及低的维护性使其成为一种合适的光洁度选择。室内地板和墙壁在白色漆松木中的简单性，再加上颜色匹配的暴露结构-整合而不是隐藏-与漆黑的野蛮外表形成了鲜明的对比。

The building is a metal structure clad in Multypanel. The sturdiness of this material, its acoustic and thermal properties and its low maintenance make it a suitable choice of finish. The simplicity of the interior floors and walls in white-painted pinewood, together with the exposed structure in matching colors -integrated rather than concealed- are in sharp contrast to the brutalistic exterior painted dark.

 © Cuauhtémoc García

(C)Cuauhtémoc García

这个项目的组成部分是家具的设计和材料的选择：在墙壁和展示壁龛，扶手椅完成了声泡沫和一个计数器在高亮的白色抛光。特色天花板面板使用的是一个不对称的图案，这是一个重复的外部栏杆；在商店前面的图形暗示纹身艺术。

Integral to this project are furniture design and the choice of materials: in the walls and display niches, the armchairs finished in acoustic foam and a counter in high-shine white polish. The feature ceiling panels use an asymmetrical pattern that is a repeat of the external balustrade; the graphics on the store front suggest tattoo art.