架构师提供的文本描述。位于特殊位置的庄园-环形交叉桥-从克劳森和博岑通往格罗登的街道-显然是木雕长生不老的新建筑的地方。新建筑应该指出格罗登工艺工业和木材的悠久传统。木雕的企业身份应该由外部和内部表达：在这座建筑中，有价值的艺术品被生产出来。这座建筑应该诱使过路人停下来，引起他们的兴趣。

Text description provided by the architects. The estate in exceptional location – roundabout Pontives – the street leads to Gröden from Klausen and Bozen – is the obvious place for the new construction of the wood carving Perathoner. The new building should point out the long tradition of Gröden’s craft industry and the material wood. The corporate identity of wood carving should be expressed by the outside as well as inside: in this building valuable art objects are produced. The building should tempt the passers-by to stop and arouse their interest.

 © Günter Richard Wett

(Günter Richard Wett)

我们特别受到木刻工具的启发，对他们的技术能力充满热情。因此，产生的基本思想和蓝图吸收了木雕者的热情。从一个原始的木块开始，这个基本思想得到了进一步的发展。木材的处理、采伐的出现成为核心话题。用木材的侧面来表达建筑中所期望的运动。建筑给人的印象是活生生的立面，运动，不断更新的观点，木材颜色的变化变得明显。这是工匠在艺术过程中不断变化的一部分。外观也是这样的：一个动作，一个弯曲，一个折叠，一个变化。由于褶皱、凹痕、切口和开口，这座建筑引起了人们的好奇心。这是一个中心方面，只创建一个单一的立面在这个交通路口，将4或5个正面转换为一个。

We were especially inspired by the wood carver’s tools and enthused about their technical abilities. So the basic idea generated and the blueprint absorbed the wood carver’s passion. Starting from a raw wooden block this basic idea was further developed. The treating of wood, the emergence of cuts become the core topic. With the facets of the wood the desired movement in architecture is expressed. The building gets the impression of a living façade, the movement, the constantly new point of views, the change of colour of the wood become clearly visible. It is part of the ongoing changes during the artistic process of the craftsman. The façade also appears like that: a movement, a bend, a fold, a change. The building arouses curiosity because of the folds, dents, cuts and openings. It was a central aspect to create just one single façade at this traffic junction , to transform the 4 or 5 facades into one.

 © Günter Richard Wett

(Günter Richard Wett)

立面由一个由三角形组成的自给折叠系统组成。在此系统中创建开口以提供足够的照明。然而，一个同质的图片被创造出来。服装或更好的建筑的包层，正面，应该用瓦覆盖。这种类型的盖子与粗糙的、未完成的木块表面相关联。此外，瓦的不规则老化强化了未完成雕塑的观念。

The façade consists of a self-supporting folding system made of triangles. Within this system openings are created to give sufficient illumination. Nevertheless, a homogenous picture is created. The dress or better the cladding of the building, the façade, should be covered with shingles. This type of cover associates with the rough, unfinished surface of a wooden block. The irregular ageing of the shingles moreover strengthens the idea of an unfinished sculpture.

 © Ulrich Egger

乌尔里希·埃格尔

该项目成为工艺工业的一部分，它位于内部，它变成了经过加工的木块。在夜晚，光线透过开口和折叠而发光，创造出一幅独特的画面。光成为整个概念的一部分：展示里面的贵重物品。

The project becomes part of the craft industry, which is located inside – it turns into the worked wooden block. At night the light which shines through the openings and folds creates a unique picture. The light becomes part of the whole- of the concept: the display of the valueables inside.