Bitxo House Lagula Arquitectes
2013-04-21 01:00
架构师提供的文本描述。走在格拉格塞斯的田野里,在加泰罗尼亚中央大萧条和比利牛斯前的山谷中,我们发现了两个湖泊,发现了一条痕迹。一条峡谷对角线穿过这片领土,这是一个由混凝土和砖块结晶而成的人工沟壑。Xavi和Queralt进行了设计,契约定义了地形。
Text description provided by the architects. Walking through the fields of Graugés, a landscape of gentle hills in the valley between the Catalan Central Depression and the Pre-Pyrenees, we find two lakes and discover a trace. A ravine crosses the territory diagonally, an artificial ravine that is crystallized in concrete and brick. Xavi and Queralt undertake the design and the deed defines the terrain.
和他们一起走了好几年,按照设计,一堵墙。房间,辅助机构,游泳池,花园和果园,围绕着墙,组成了房子。地面被转移到模型,未来熟悉的地形,儿童踏入室内通道坡道。构成房屋和自然地形的螺旋的第一个要素是坡道。第二个要素是坡道上的厨房和餐厅。第三个是转弯,五个台阶,起居室通往餐厅和花园。第四个元素是主卧室。第五个要素是一个转弯,在一个卧室的入口坡道上走五步。第六层是厨房的最后五步和另外两间卧室。
To walk with them for years, following the design, a wall. The rooms, the auxiliary bodies, the pool, the garden, and the orchard, surround the wall and make up the house. The ground is shifted to model future familiar topographies of children pedaling down the interior access ramp. The first element of the spiral that makes up the house and addresses the natural terrain is the ramp. The second elements are the kitchen and dining room at the landing of the ramp. The third are a turn, five steps and the living room open to the dining room and the garden. The fourth element is the main bedroom. The fifth elements are a turn, and five steps over the access ramp, a bedroom. The sixth are the final five steps and two other bedrooms over the kitchen.
为了在屋檐下捕捉夜晚的光线,努力避免冒犯渴望传统色彩摩尔人瓷砖的地方当局,同时体面地跪在街道上,对过路人来说最少的干扰,并把音量累积到花园里。房子长到后面,沿着发现的线优雅地盖着。
To try to capture the evening light under a roof, diligently inclined to avoid offending the local authorities eager for traditional color Moorish tiles, while kneeling with dignity toward the street, the least disturbing to the passerby, and accumulating the volume to the garden. The house grows to the back, gracefully covered along the discovered line.
从上到下,从下到上,为了能够用手和头触摸混凝土天花板,高度扩展和收缩,以确定公共空间,并将更多的私人空间包围起来。标度根据沿途出现的各种情况进行调整。
Looking from top to bottom and from bottom to top, to be able to touch the concrete ceiling with hand and head, the height expands and contracts to define the public spaces and to enclose the more private. The scale is adjusted to the various situations that arise along the path.
建造房子作为一个分层的过程也是有用的,我们的设计,添加过程和元素。在第一次战斗中,必须有一个强有力的、决定性的具体结构来支撑外皮,赢得战争。增加其余部分,关闭掩体:一面是砖格,一边是木工,另一边是百叶窗。
To build the house as a hierarchic process was also useful for our design, adding processes and elements. A powerful and decisive concrete structure was necessary to support the outer skin and win the war in the first battle. Add the rest and close the shelter: brick lattice, carpentry on one side and shutters on the other.
在内部,混凝土表示在屏幕和天花板上,而不是垂直带的原始灰泥。这些空间被自由身体所分隔,几乎就像上升路径上的障碍。欢快的身体披着鲜艳的彩釉陶瓷点缀着空间,里面有服务室。
Inside, the concrete is expressed on screens and on the ceiling, as opposed to vertical bands of pristine plaster. The spaces are delimited with free bodies, almost as obstacles on the ascending path. Cheerful bodies clad in brightly colored glazed ceramic dot the space and contain the service rooms.
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