© Peter Clarke

彼得·克拉克

架构师提供的文本描述。维多利亚莫宁顿半岛上的虚张声势之家是一个充满信心的度假之家，它充满信心地应对与崎岖的海岸线和邻近乡村的双重界面带来的挑战。

Text description provided by the architects. Bluff House on the Mornington Peninsula in Victoria is a holiday home which confidently addresses the challenges of a dual interface with a rugged coastline and the neighbouring rural countryside.

 © Peter Clarke

彼得·克拉克

这座建筑坐落在海滨小镇弗林德斯的悬崖顶上。这里的景色是世界级的，乡间的宁静和田园风情，南边的残酷海景，就在附近的Bass笔直的地方。该站点位于两个地质之间的过渡点上。这已导致一个受土地滑动影响的地盘，最危险的地点是在最佳的地点意见。深钻孔墩将建筑物锚定在底层的楼盘顶部，而在上层，楼板悬臂横跨下面陡峭的地形。

The building sits on top of an escarpment in the seaside township of Flinders. The view is world class, serene and bucolic to the rural north and to the south a brutal seascape over nearby Bass Straight. The site is located on a transition point between two geologies. This has resulted in a land slip affected site, most dangerous at a point where the site views are at their best. Deep bored piers anchor the building to the crest of the allotment at ground floor level whilst at the upper level, the floor plate cantilevers over the steep terrain below. 

 © Peter Clarke

彼得·克拉克

一楼的平面图是一种线性排列的空间，围绕着现有的树木。起居室和主卧室的悬臂角给人一种脱离建筑的感觉，一种靠在边缘的感觉。

The first floor plan is a linear arrangement of spaces kinked around existing trees. The cantilevered corners of the living room and main bedroom give the feeling of detachment from the building, a feeling of leaning over the edge.

这座建筑有两面脸。良性的北方方向可以看到由一排排松林构成的围场，前景是起伏的山丘。这正面是由量身定做的狭窄的黑色木材板，读起来是一个角度，但温暖和欢迎木屋。更恶劣的南方取向导致了深沉和锐利的组成深色油漆钢和玻璃。这两个正面还没有同时存在。建筑物的角度所产生的几何结构提供了大量的室内和室外避风塘，不受阳光和风的影响。

The building has two faces. The benign northern orientation has views over paddocks defined by rows of pine windbreaks with rolling hills in the foreground. This facade is clad in tailored narrow blackbutt timber boards and reads as an angular but warm and welcoming timber house. The more inclement southern orientation has resulted in a brooding and sharp composition of dark painted steel and glass. The two facades are not seen together yet co-exist. The geometry resulting from the angles of the building offer a multitude of indoor and outdoor refuges from the sun and wind.

 First Floor Plan

一层平面图

其目的是设计一个度假之家，在将来的某个时候成为一个半永久的家，这是如今越来越普遍的一种简约。对于典型的度假胜地的同性恋抛弃，必须通过不断增加的日常住房的需求清单来加以缓和。

The brief was to design a holiday home which would become a semi permanent home at some time in the future, an increasingly common brief these days .The gay abandon of the archetypal holiday retreat had to be somehow tempered with the ever increasing list of requirements of an everyday home.

 © Peter Clarke

彼得·克拉克

包层的均匀性以及墙壁和栏杆的锯齿状组成表明，房子是雕塑，是永恒的，非功利的，以及一些将保持由这个位置所产生的兴奋的东西。外部材料的调色板的稀疏性在内部继续存在。灰色的瓷砖地板，黑色的地板，白色的声学天花板和巧克力棕色的墙板，加强了压抑的内部经验和不断变化的外部颜色。

The uniformity of the cladding and the jagged composition of walls and parapets suggest house as sculpture, something timeless, non utilitarian and something which will maintain the excitement generated by this location. The spareness of the palette of the external materials continues inside. Grey tiled floors, blackbutt floor boards, white acoustic ceiling and chocolate brown wall panels reinforce the subdued internal experience and the ever changing external colours.

 © Peter Clarke

彼得·克拉克

底层楼板是由木桩和钢屋面构件组成的柔性上层建筑的刚性基础。高规格的油漆钢立面允许离场预制，提高了施工的速度和经济性。木材框架和衬板也增加了经济和简单的项目。

The ground floor slab is a rigid base upon which sits a flexible superstructure of timber studs and steel roof members. The high specification factory painted steel facade allowed for off site pre fabrication which aided in speed and economy of construction. The timber framing and lining boards also added to the economy and simplicity of the project.

 © Peter Clarke

彼得·克拉克

外壳是高度绝缘的；深挂保护双层玻璃窗不受不需要的阳光照射。屋面集水是建筑物和耐旱花园的水源。

The shell is highly insulated; deep overhangs protect the double glazed windows from unwanted sun. Roof catchment is a water source for both the building and the drought tolerant garden.

 © Peter Clarke

彼得·克拉克

这是一座规划严密、复杂多样的建筑，两面朝下的房子不一定是坏事！

This is a tightly planned building of great complexity and variety of experiences.A two faced house is not necessarily a bad thing!

 Elevations

Architects Inarc Architects

Location Melbourne, Australia

Category Houses

Directors Reno Rizzo & Christopher Hansson

Project Architect Wilson Tang

Project Year 2012

Photographs Peter Clarke