© Miguel de Guzmán

米格尔·德古兹曼

架构师提供的文本描述。TSM 3不稳定的Housecombb在马德里市中心修复了一座59，80平方米的梯田，并在顶层新建了2，5层，占地154平方米。该设计将原来的建筑非物质化为一个灵活的家庭和办公室，可以随时改变。所有定义生存空间的元素都处于流动状态。该体系结构并不是通过固定的元素(如结构、墙壁或缝隙)来定义和限制的，而是通过一系列产生动作或情况的设备来实现的。

Text description provided by the architects. TSM3 Unstable Housecombines the restoration of the ground floor of a 59,80 sqm terraced property in the centre of Madrid, and the construction of 2,5 new floors on top, with 154 sqm. The design dematerializes the original construction into a flexible home-cum-office that can change anytime. All the elements that define the living space are in a state of flux. The architecture does not seek to define and limit through fixed elements such as structures, walls or gaps, but rather through a series of devices producing actions or situations.

不稳定的外表。立面最初是传统19世纪建筑的复制品，建筑必须在法律上符合历史中心的市政法规。然而，由于其轻巧的结构和当代的制造，它可以通过改变外部与内部、隐私和观点之间的关系来加以修改。这提供了一个界面，在来自太阳的热和光之间的多才多艺的内部，允许我们修改经验，适应它，以典型的21世纪的态度。

Unstable façade. The facade starts out as a reproduction of traditional 19th-century architecture to which the building must legally conform following municipal regulations for the historic centre. And yet, due to its light construction and contemporary manufacture, it can be modified by transforming the relationship between exterior and interior, privacy, and views. This provides, under the heat and light from the sun, an interface between the versatile interior, allowing us to modify the experience, adapting it, in a typically 21st century attitude.

 Courtesy of Carlos Arroyo Arquitectos

卡洛斯·阿罗约·阿奎托斯

·19世纪的FACAADE可能是按照基于传载原理的视觉标准组成的。

·  A 19th CENTURY FAÇADE may be composed, following visual criteria based on the ancestral principles of load transmission.

·20世纪的足协可以按照几何标准组成。墙壁是一层皮，是一种具有抽象自主构图规则的织物。

·  A 20th CENTURY FAÇADE may be composed following geometric criteria. The walls are a skin, a fabric with abstract autonomous composition rules.

·21世纪的FA将自动组成，这是内部和外部关系的结果，它遵循以下环境条件：自然光线、阳光照射、绝缘、通风和湿度，以及隐私或希望在一个中间的私人-公共职位上徘徊的愿望。形式和功能跟随天气。

·  A 21st CENTURY FAÇADE will be automatically composed, as the result of the relation between inside and outside, following environmental conditions: natural light, sun exposure, insulation, ventilation and humidity, as well as privacy or the wish to linger in an intermediate private-public position. Form and Function follow the Weather.

 © Miguel de Guzmán

米格尔·德古兹曼

市政法规要求新建筑采用传统的“马德里风格”粉笔渲染，这是一种典型的巴洛克式长筒式建筑，再现了石灰缸的图案。我们减少了厚度的粉笔渲染到1.5毫米的挤压聚苯乙烯片，安装在黑色漆镀锌钢框架与灰渣的比例。

Municipal regulations require new buildings to use the traditional ‘Madrid-style’ chalk-based rendering, a typically baroque trompe-l’oeil rendering reproducing the patterns of stone ashlars. We reduce the thickness of the chalk rendering to 1.5 mm on a sheet of extrusion polystyrene fitted within black-lacquered galvanized steel frames with the proportions of the ashlars.

天蓝色是马德里的一种传统巴洛克色，也是一种保温材料的颜色，将传统想象与可持续性文化结合起来。

Sky blue is a traditional baroque colour in Madrid, but also the colour of the insulation material, joining traditional imaginary with the development of a culture of sustainability.

画面的黑色让人想起了十八世纪经典的“剪影”，同时也融入了当代的图形意象。

The black colour of the frames recalls the classic "silhouettes" of the eighteenth century, while also fitting into the contemporary graphic imagery.

 © Miguel de Guzmán

米格尔·德古兹曼

结构。这座建筑是在一座现有的实心砖结构的基础上建造的，原有的18世纪支撑墙，由于邻近修道院拥有的使用权，其底层只有一半可达。新建筑的一半是悬挑在修道院的部分，由明显可见的蓝色钢梁支撑。新地板上没有一块砖。10厘米薄的金属地板与细木工混合，提供更大的轻盈。

Structure. The building is constructed on top of an existing solid brick structure, with original 18th-century supporting walls, its ground floor being only half-accessible due to a right of use held by the neighbouring convent. Half the new building is cantilevered over the convent part, and supported by strikingly visible blue-painted steel beams. In the new floors there is not a single brick. The 10cm-thin metal floor slabs blend in with the joinery, providing greater lightness.

灵活性。该设计是一个灵活的住房和/或办公室系统，可以随着时间的变化和演变。每层楼分成两个大的适应性空间，楼梯的两侧。主要设施集中在切实可行的中央通道内，可根据方案需要增建或拆除潮湿地区，不造成灰色能源浪费。墙壁是用螺丝钉完成的OSB面板，以方便改造的建筑物和它的技术服务。所有的建筑材料都是可重复使用的。交付的结构是最基本的安排，一个巨大的单空间高耸的信封，很少的分区，以及说明如何引入新的用途在未来。

Flexibility. The design is a flexible system of housing and / or office that can change and evolve with time. Each floor is divided in two large adaptable spaces either side of the stairs. The main installations are concentrated within a practicable central passage which allows wet areas to be added or removed depending on programme needs with no grey energy waste. The walls are finished with screw-on OSB panels to facilitate the transformation of the building and its technical services. All building materials are reusable. The delivered construction is the most basic arrangement, a large single-space lofty envelope with very few partitions, together with instructions defining how to introduce new uses in the future.

 © Miguel de Guzmán

米格尔·德古兹曼

生物气候。厚的底层和地下室砖墙提供了大量的热惯性，可通过中央循环空间，滑动玻璃开口。双层墙屋顶花园在冬季用作温室，在夏季充当太阳能烟囱，通过地下室从入口到狭窄的街道形成通风。

Bioclimatics. The thick ground floor and basement brick walls provide masses of thermal inertia which can be reconducted through the central circulation space, with sliding glass openings. The double-layered wall roof garden works as a greenhouse in winter or as a solar chimney in the summer, to create the draft through the basement from inlets to the narrow street.

预计建筑物内的水可循环利用，内部采用分灰水和黑水的双排水系统，这样可以在地下室区域净化前者，并可用于厕所冲洗和植物滴水系统。

Water recycling within the building is foreseen, with a dual drain system separating gray and black water in-house, so that the former can be purified in the basement area and re-used for toilet flushing and the drip-watering system for plants.

TSM 3是为改变和转换而设计的。这是个不稳定的房子。它永远不会完成。

TSM3 is designed for change and transformation. It is an unstable house. It will never be finished.

 Floor Plan

Architects Carlos Arroyo

Location Madrid, Spain

Category Houses

Architect in Charge Carlos Arroyo Arquitectos

Design Team Carlos Arroyo, Vanessa Cerezo

Area 154.0 sqm

Project Year 2011

Photographs Miguel de Guzmán