架构师提供的文本描述。地段的狭长形状和原有建筑物的体积导致了三座平行建筑物的组合解决方案。VialePiave上的大楼和后面的那栋楼都在地面以上七层。中央主体通过楼梯和天道系统连接到建筑的其余部分，有三层楼，悬挂在连接三座建筑物的物体上，与Viale Piave垂直，并在地面上升四层。这样，所有的建筑都可以俯瞰到一个大而深的内部庭院。该计划还提供三层地下楼层，其中两层用于停车。

Text description provided by the architects. The long, narrow shape of the lot and the volume of the preexisting building have led to a compositional solution involving three parallel buildings. The building on Viale Piave and the one farther back rise seven floors above ground. The central body, connected to the rest of the construction by means of a system of stairs and skyways, has three floors and is suspended over a body that connects the three buildings, perpendicular to Viale Piave and rising four floors above ground. This way a large, deep inner courtyard is created, overlooked by all the buildings. The plan also provides for three underground floors, two of which to be used for parking.

 © Andrea Martiradonna

(Andrea Martiradonna)

建筑物的复杂结构反映了空间用途的多样性，办公室、接待客人的区域以及娱乐和协调区，用于筹备不同楼层的时装秀，以及公共区域和底层会议室，开放至庭院。

The complex structure of the building reflects the variety of uses of the spaces, with offices, areas for receiving guests and entertainment and coordination areas for the preparation of fashion shows located on various floors, and with common areas and meeting rooms on the ground floor, opening onto the courtyard.

 © Andrea Martiradonna

(Andrea Martiradonna)

Viale Piave上的立面有一个布丽斯-太阳方形模块系统，3.60x3.60m，以交错、重叠的方式排列，由不锈钢制成，就像邻近Metropol空间的外墙上的石板。夜间，室内灯光使窗户的外观生动活泼，并呈现出窗户的彩色图案，其中透明玻璃与灰色玻璃交替出现，对应于打开的窗户和固定的窗户。这七层有窗户的楼层坐落在一个大小和材质与大都会警察相似的插座上，形成了很强的视觉连续性。

The façade on Viale Piave has a system of brise-soleil square modules, 3.60x3.60m, arranged in a staggered, overlapping manner, made from stainless steel like the slats on the façade of the adjacent Metropol space. In the nighttime the interior lighting animates the façade and brings out the chromatic pattern of the windows, in which transparent glass alternates with glass in grey tones, corresponding to windows that open and those that are fixed. The seven floors with windows stand on a socle that is similar in size and materials to that of the Metropol, establishing a strong visual continuity.

 © Andrea Martiradonna

(Andrea Martiradonna)

街道正面采用的风格，通过使用玻璃和金属，传达了一种透明和轻盈的感觉，与室内外观更为朴实的风格形成了鲜明对比。这里，Viale Piave的正方形模块的主题在大小和几何上都是重复的，但它是由玻璃钢混凝土(GRC)制成的，带有玻璃门和玻璃窗。

The style used for the front on the street, which conveys a sense of transparency and lightness through the use of glass and metal, contrasts with the more austere style of the interior façades. Here the theme of square modules of the façade on Viale Piave is repeated, in size and geometry, but made from Glass Reinforced Concrete (GRC), with glass doors and windows.

 © Andrea Martiradonna

(Andrea Martiradonna)

办公室内部和连接空间的特点是一个简单的功能布局，组织成开放的空间。水泥天花板，由木制板条模塑，留下暴露，并有横梁配备暖通空调和照明系统。地板使用了多种材料：办公室的石器瓷砖，时装秀协调区的橡木地板，以及接待客人和娱乐的老树林。在底层，无论是在内部还是在院子里，到处都是一种黑色的火山石-巴萨尔蒂纳(Basaltina)。这里，就像为Dolce做的其他项目一样

The interiors of the offices and connecting spaces are characterized by a simple and functional layout, organized into open spaces. The cement ceilings, molded with wooden slats, are left exposed, and have beams equipped with HVAC and lighting systems. A variety of materials are used for the floors: stoneware tiles in the offices, oak floorboards in the fashion show coordination areas and old reclaimed woods in the areas for receiving guests and entertainment. On the ground floor, both in the interior and in the courtyard, basaltina, a dark volcanic stone, is laid everywhere. Here, as in other projects done for Dolce&Gabbana, the aesthetics of the basaltina expresses a definite Mediterranean feeling, which becomes a strong reference for the fashion house.