© José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

架构师提供的文本描述。我们喜欢改变的餐馆：每次你去的时候都是不同的.用你想要的事件类型改变你的情绪，用你想要重建的环境.(我们讨厌喂食者)。

Text description provided by the architects. We like the restaurants that change: that every time you go are different ... changing your emotions with the type of event you want, with the environment you want to recreate ... (we hate the feeders).

 © José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

我们喜欢谈论你所在的地方，他们参与的气候，他们身边的一切.

We like places that speak of where you are, the climate in which they are involved, what they have at them side...

 © José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

我们喜欢有合适的角落的餐厅，可以为每个人量身定做的住所.很少发现.。也许这就是为什么我们接受在Merca‘o中建立一家餐厅的挑战。

We like the restaurants that have appropriate corners, dwellings which can be tailored to each ... seldom have found ... perhaps that is why we accept the challenge of build a restaurant in a merca'o.

 © José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

总是一样的：抽象的隐喻与项目周围发生的事情，客户，地点，用法有关。

Always the same: abstract metaphors related to what happens around the project, client, location, usage.

 © José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

在这种情况下，使用合作伙伴元素与厨房-食品市场，断章取义，并提供和呈现为沃霍尔的图片：空瓶(或饮料)，平底锅，屠夫桌。

In this case the use of partners elements with kitchen- food-market, out of context and offered and presented as pictures of Warhol: empty bottle (or drink), pans, butcher tables.

 © José Manuel Cutillas

何塞·曼努埃尔·库蒂利亚斯

不是简单的幻灯片，而是设计的(如果有这个词的话)：绿色玻璃瓶的格子，台灯和水壶的声学天花板，桌子，长凳和桌子的地板屠夫。

Not as simple slides, but architected (if that word exists): lattice of green glass bottles, lamps and acoustic ceilings of caldrons, tables, benches and floors of tables butcher.

 Ground Floor Plan