© Tamas Bujnovszky

(Tamas Bujnovszky)

架构师提供的文本描述。虽然匈牙利位于中东欧，活火山并不丰富，但大约五百万年前，该国的大片地区曾是火山。然而，这确实有助于确保生产高质量葡萄酒的良好土壤，这是匈牙利最大的出口产品之一。

Text description provided by the architects. Though Hungary, located in Central Eastern Europe, is not rich in active volcanos, a large expanse of the country used to be volcanic some 5 million years ago. However, this does help ensure good quality soil for high level wine production, one of Hungary’s largest export products.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

标志性的Kemenes火山游客中心位于首都布达佩斯以西200公里处，是在2009年Celldomolk市议会宣布的全国建筑竞赛之后实现的，当时Foldes建筑设计师庆祝他们从44个项目中获胜。为中心选定的地块突出了塞尔多尔克市和五百万年前火山凹陷之间的平坦区域。

The iconic Kemenes Volcanopark Visitor Center lays 200 km West of the capital Budapest, and has been realised following a national architectural contest announced in 2009 by the Celldomolk City Council, when Foldes Architects celebrated their winning entry from the competing 44 projects. The chosen plot for the center highlighted a flat area between the city of Celldomolk and the 5 million year old Sag Hill, a former volcano.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

“我们不想直接翻译简略，比如建造一座火山形状的博物馆大楼，我们想要捕捉到这个地点的真实内容。”根据我们的概念，原材料、混凝土的均匀灰色、熔岩激发出的刚玉钢的颜色，以及空间的烟道状排列，体现了火山的精神和本质。

‘Instead of the straight translation of the brief, such as creating a volcano shaped museum building, we wanted to capture the true substance of the location. According to our concept, the raw materials, the homogeneous grey of the concrete, the lava inspired colour of the corten steel, and the flue-like arrangement of the space, deliver the spirit and essence of a volcano’.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

游客一进入大楼的内部，就会遇到两个吸引人的景点。乍一看，垂直开放的空间会吸引眼球。楼高五层，一扇小窗户上有一道光线，在平顶上提供了“喷发”点。另一方面，外墙的工业材料似乎与内部相一致：裸露的混凝土墙、深灰色的地板、钢楼梯和走廊，以及从外面也可以看到的球状钢立方体。不同高度和位置的桥梁连接不同大小和位置的索箱。这些提供了一系列的功能，从筛查室到交互式安装区，并展示了迷人的历史和火山类型学。为了创造一个更精致的内部，展览文本直接位于墙上，没有任何支持板。

Upon entering the vast interior of the building, the visitor meets two engaging attractions. At first sight the vertically open space captures the eye. Five floors above, a small window lets in a beam of light offering the ‘eruption’ point on the flat roof. On the opposite side, the industrial materials of the façade appear consistent with the interior: naked concrete walls, dark grey rasin flooring, steel staircase and corridor, and the corten steel cubes also visible from the outside. The varied height and location of bridges link the different sizes and positions of the corten boxes. These offer a range of functions, from screening rooms to interactive installations area, and present the fascinating history and typology of volcanos. To create a more refined interior, the exhibition texts are situated directly on the wall without any supporting board.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

如果你想象走过一幅立体画，这座建筑就是一个很好的例子，它展示了漫步在毕加索格尔尼察的感觉。当你穿过建筑物的红色立方体、灰色墙壁和桥梁时，你就有了一个真正的机会去理解被如此强大的自然力量所包围的人类生存的短暂性和脆弱性。

If you ever wanted to imagine walking through a cubist painting, this building is a great example of how it might feel to wander into Picasso’s Guernica. While passing below the red cubes, grey walls and bridges of the building, you have a real opportunity to comprehend the transience and vulnerability of human existence bracketed by such a formidable force of nature.

Architects Foldes Architects

Location Celldömölk, Hungary

Category Visitor Center

Principal Designer Laszlo Foldes

Project Design Team Laszlo Foldes, Csaba Balogh, Orsolya Tatar-Gonczi

Collaborating Architects Agnes Deigner, Levente Sirokai, Peter Sonicz

Area 965.0 sqm

Project Year 2013

Photographs Tamas Bujnovszky