State Archive of the Evangelical Lutheran Church of Bavaria gmp Architekten

2013-09-25 01:00
架构师提供的文本描述。今天,布道路德教会巴伐利亚州教会将在纽伦堡举行特别仪式,为其新的档案馆揭幕。这座新建筑由建筑师vonGerkan,Marg and Partners(GMP)设计,历时三年建造,位于现有主建筑附近的前工厂工地上。由于有34公里的架子,国家教会档案馆现在的储存空间是以前的两倍多,此外,还有一个修复车间和足够的空间供参观室使用。在“布道巴伐利亚的记忆”中,教会正在归档许多其他原始文件-马丁路德的信件、教皇和皇帝的文件,以及许多具有历史意义的书籍和绘画。国教档案馆的设计包括对档案进行被动空调。
Text description provided by the architects. Today, the Evangelical Lutheran State Church of Bavaria is inaugurating its new archive in Nuremberg with a special ceremony. The new building, which was designed by architects von Gerkan, Marg and Partners (gmp), took three years to build and is located on a former factory site in the direct vicinity of the existing main building. With 34 kilometres of shelving, the State Church archive now has more than twice the storage space compared to previously and, in addition, accommodates a restoration workshop and enough space for visitor rooms. In the “Memory of Evangelical Bavaria”, the Church is archiving amongst many other original documents – letters by Martin Luther and documents by popes and emperors, as well as numerous historically important books and paintings. The State Church archive has been designed to include passive air conditioning of the archives.
 © Heiner Leiska
海纳·莱斯卡
 
新建筑由两个相交的实体立方体组成,这些立方体似乎漂浮在透明的、后退的底层之上。这座建筑从一层大约一米高的地下室沿公路上升,沿着向南的下坡发展成整层的高度,其中包括一个大型露台,可以俯瞰维尔德湖。合奏团由一座独立的建筑雕塑组成,四周都有主要的正面。因此,它把邻近的塞斯街限制在一边,而神学院的花园则在另一边。从花园的另一头看,新的档案馆似乎是神学院的延续和延伸。钢筋钢结构的桥墩覆盖着红色的砂岩,形成了现有砂岩墙的延续,并在景观环境中锚定建筑物。档案的外墙是在一个闪闪发亮的铜正面与微妙的垂直结构完成。天然金属表面将经历不同的氧化阶段和颜色变化,直到它最终发展成天鹅绒,褐色外观。
The new building consists of two intersecting solid cubes which seem to float above a transparent receding ground floor. The structure rises from a basement floor about one metre high along the road, which develops into full storey height along the downward slope towards the south, including a large terrace which offers views of the Wöhrder See lake. The ensemble consists of a solitary building sculpture with main facades on all sides. It thereby confines the adjacent Zeissstrasse on the one side, and the garden of the Theological Seminary to the east on the other side. Seen from across the garden, the new archive appears as a continuation and extension of the Theological Seminary. The plinth of the reinforced steel structure is clad with reddish sandstone which forms a continuation of the existing sandstone wall and anchors the building in the landscape context. The external walls of the archive are finished in a shiny copper facade with a subtle vertical structure. The natural metal surface will undergo various oxidation stages and colour changes until it finally develops a velvety, brownish appearance.
 © Heiner Leiska
海纳·莱斯卡
游客通过Veilhofstrass进入档案馆的公共区域。从那里,他们也到达演讲厅,这也可以用于展览。这个大厅以欢迎公众的方式面对Veilhof-/Zeissstrasse的角落。阅览室面向东面和西面,位于安静的花园边。这些办公室位于上述两层,围绕着档案区,为工作人员进入储存库提供方便。仓库区域本身占用了一层以上的四层,以及两层较低的一层。由于第一层较低的底层延伸到向南的斜坡上,因此可以从Zeissstrass进入车间和功能室。
Visitors enter the public areas of the archive via Veilhofstrasse. From there they also reach the lecture hall, which can also be used for exhibitions. This hall faces the corner of Veilhof-/Zeissstrasse in a manner that welcomes the public. The reading room faces both east and west and is located on the quiet garden side. The offices are located above, on two levels surrounding the archive areas, and provide easy access for members of staff to the repository. The repository areas themselves occupy four floors above the ground floor, as well as the two lower ground floors. Since the first lower ground floor extends out on the slope towards the south, access is available from Zeissstrasse to the workshop and functional rooms.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects gmp Architekten
Location Nuremberg, Germany
Category Churches
Design Meinhard von Gerkan and Nikolaus Goetze
Associated Partner Dirk Heller
Project Leader Karen Schroeder
Design Team Christoph Berle, Katharina Traupe, Monika Braig
Implementation Team Christoph Berle, Miriam Bamberg, Judith Saile, Alexander Schnieber, Sui Jinying
Area 9327.0 sqm
Project Year 2013
Photographs Heiner Leiska

                    

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