架构师提供的文本描述。位于瓦尔莫罗比亚入口处，面对马加迪诺西南平原景观的山坡。陡峭的坡地在其下部被一堵石挡土墙所包围，该挡土墙紧靠着主干道。

Text description provided by the architects. Location A hillside grown with wines, located at the entrance of Val Morobbia, facing Magadino’s plain landscape at southwest. The steep slope plot is bounded at its lower part by a stone retaining wall that follows the main road.

 © Dario Bonetti

达里奥·博内蒂

这个私人住宅的主人想把大人们和孩子们的空间隔离开来，这是对一个非常丰富、清晰的计划的回应：一间客厅，一间厨房，一间带壁橱的套房，一间办公室，三间卧室，四间浴室，一间洗衣房，两间储藏室，一个酒窖，一个技术室，一个室外游泳池和一个有盖的停车位。该项目满足了对一个简单、紧凑的体积的需求。这一决定指的是“农村”记忆，通常是寻找土地的最低限度使用。

Project This private residence, whose owners wanted to segregate the adults from the children’s space, responds to a very rich, articulated program: a living room, a kitchen, a suite with closet for the parents, an office, three bedrooms, four bathrooms, a laundry, two storerooms, a wine cellar, a technical room, an outdoor swimming pool and covered parking spaces. The project responds to the demand for a simple, compact volume. This decision refers to the “rural” memory that usually looks for a minimum use of the land.

 © Dario Bonetti

达里奥·博内蒂

方形整体建筑坐落在地块的底部，尽量不干扰原来的地形。我们尽量减少景观干预措施(保持斜坡植被的单一外部通道)。相对于极简主义的，整体的外部建筑的表达，它的内部区域看起来(更多)家庭和慷慨，在那里的空间组织导致重新发现景观。通道设置在与主干道相同的水平上，由石挡土墙确定。在地下挖出的画廊通向房子的真正入口。

The square monolithic building sits at the bottom of the plot, trying not to interfere in the original topography. We tried to reduce the landscape interventions as much as possible (a single outer passageway for the maintenance of the slope’s vegetation). In contrast with the minimalist, monolithic exterior building’s expression, its interior area looks (more)domestic and generous, where the spatial organization leads to the rediscovery of the landscape. The access is placed at the same level as the main road and is defined by the stone retaining wall. A gallery dug in the ground leads to the real entrance of the house.

 © Vincenzo Cammarata

(C)Vincenzo Cammarata

该建筑分为三层：第一层是地下，供行人和车辆出入；第二层是半埋式儿童卧室；上层是起居区和室外空间。最后一本是围绕着两卷书的庭院组织起来的，这两卷书把生活区延伸到山坡和马加迪诺平原的景观上。这样，建筑、地块和景观之间的关系才得以恢复。

The building is organized in three levels: the first one is underground and houses the pedestrians and vehicles’ access; the second one is semi-buried and accommodates the children’s bedrooms; and the upper one houses the living area and the outdoor spaces. The last one is organized around a courtyard bounded by two volumes that extend the living area towards the hillside and the Magadino’s plain landscape. Thus, the relation between the building, the plot and the landscape is restored.

 © Dario Bonetti

达里奥·博内蒂

在寻找一个简单的体积和适度的尺寸时，我们意识到有必要使建筑物的高度与斜坡的自然地形相协调。为了使之成为可能，我们需要把大部分建筑放在地面下面，这需要一些策略来保证所有室内空间的自然光。该建筑物的整体方面是通过使用裸露钢筋混凝土和简朴的正面，很少开口。因此，光线完全触及建筑物，与景观的大规模对话。

In the search for a simple volume, with modest dimensions, we realized that it was necessary to harmonize the building’s height with the slope's natural topography. To make it possible, we needed to place much of the building beneath the ground level, what required some strategies to guarantee natural light in all indoor spaces. The building’s monolithic aspect is enhanced by the use of exposed reinforced concrete and austere facades with few openings. Thus, light touches the building entirely, establishing a dialogue with the landscape’s large scale.

 Floor Plan