架构师提供的文本描述。该建筑工地位于一个专用住宅小区的角落，在那里可以看到广岛市的全景。这是一个20年前的房子改造工程，改造成钢筋混凝土结构豪华住宅，有2层地上和1层地下室。工程分两个阶段进行。这一次是对495㎡总建筑面积的一半进行翻修的第一阶段，包括底层和地下室。考虑到结构平衡，必须保留建筑框架。

Text description provided by the architects. The construction site is in the corner of an exclusive residential quarter where has a panoramic view of Hiroshima city. It is a renovation project for a 20 years old house to get remodeled into an RC structure luxury house with 2 above-ground floors and 1 basement. The construction work is implemented in tow stages. This time was the first stage to renovate a half of the total floor area of 495㎡ with the ground floor and the basement floor. In consideration of a structural balance, the building frames had to be remained.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

关于在此基础上可以做什么的规划解决方案被认为是一个框架。该计划的一个主要主题是如何计算出一些负面因素，如低梁、突然出现的通道、不同高度的天花板等。

The planning solution of what it could be done on that basis was found to think it to be skeleton. A main subject of this plan was how to work out negative elements such as low beams, a popped out passageway, different height of ceilings and so on.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

我们把这个问题命名为“架空景观”，并尝试将其转化为诱发空间现象的元素。安装了各种颜色、镜子和灯光，以便使不均匀的部件得到良好的使用。低矮的光束轻轻地划分空间，一个包裹的盒子以前的计划被分割成小空间，变成了一个连接起来的大空间。透明的玻璃和墙壁被条纹窗帘等隔开。产生空间连续性。为了使暗空间明亮，使用高反射材料将光带到空间的内部。通过所有这些措施，一种由“架空景观”项目在地板屏幕上造成的现象。因此，它是均匀的空间创造的最后的触摸，但也是异质空间被抛到屏幕上。

We titled the problem “Overhead Landscape” and tried it transferring into elements that induce a spatial phenomenon. Various colors, mirrors and lightings are installed so as to put unevenness parts to good use. Low beams gently divide spaces, a wrapped box the connecting passageway on the upper floor hided resonates with light, and a mirror placed in a hollow ceiling creates unlimited depth of space. A former plan separated into small spaces turned to a big connected space. Clear glasses and walls are divided by such as fringe curtains, etc. and it produces space continuity. To make dark space bright, using high reflection materials bring light to the inner of space. With all those measures, a phenomenon caused by “Overhead Landscape” projects on a floor screen. In result, it is uniformity space created as the finishing touch, but also heterogeneous space is thrown on the screen.

 © Toshiyuki Yano

c.Yano Toshiyuki Yano

这次建设工作与其他公共领域相结合。在白天，时间以沉默缓慢地流动。夜幕降临时，人们的眼睛浮在夜空中，在内部空间里产生了紧张的感觉。我们一直致力于创造空间，刺激居民和客人的感觉。居住者使用更改的目的，同时空间也会发生变化。我们现在正在进行私人部门的第二阶段计划，将新的气息注入建筑，并希望能超越时间生产建筑。

This time’s construction work unifies with other public territory. In day times, time flows slowly with silence. At nightfall, floated night views bellow people’s eyes produce tense sense in interior space. We always aim at creating space, which stimulates sense of residents and guests. A purpose of use changes by a resident and at the same time the space changes. We are now proceeding the second stage plan of the private sections with infusing new breath into architecture and also aspiring to produce architecture beyond time.