Toi o Tāmaki Auckland Art Gallery FJMT + Archimedia

2013-11-18 01:00
架构师提供的文本描述。新奥克兰艺术画廊Toi o Tāmaki是一个广泛的公共项目,包括恢复和改造遗产建筑,一个新的建筑延伸,和重新设计邻近地区的阿尔伯特公园。
Text description provided by the architects. The new Auckland Art Gallery Toi o Tāmaki is an extensive public project that includes the restoration and adaption of heritage buildings, a new building extension, and the redesign of adjacent areas of Albert Park.
 © John Gollings
约翰·戈林斯
建筑是从一个概念发展而来的,它既与自然景观的有机形式有关,也与遗产建筑的建筑秩序和特征联系在一起。
The architecture has developed from a concept that relates as much to the organic natural forms of the landscape as it does to the architectural order and character of the heritage buildings.
 © John Gollings
约翰·戈林斯
新建筑的特点是一系列优良的树状的檐篷,定义和覆盖入口前院,中庭和画廊区域。这些光线,轮廓的形式是灵感来自于相邻的Pō胡图卡瓦树的树冠和“悬停”的石墙和梯田,重新解释了自然地形的遗址。檐篷的天花板是由精心挑选的Kauri组装而成,形状精确,支撑在细长和渐细的轴上。这些象征性的形式给画廊一个独特的身份,这是灵感的自然景观的网站。
The new building is characterised by a series of fine tree-like canopies that define and cover the entry forecourt, atrium and gallery areas. These light, profiled forms are inspired by the adjacent canopy of Pōhutukawa trees and “hover” over the stone walls and terraces that reinterpret the natural topography of the site. The ceilings of the canopies are assembled from carefully selected Kauri, profiled into precise geometric patterns and supported on slender and tapering shafts. These emblematic forms give the gallery a unique identity that is inspired by the natural landscape of the site.
 © John Gollings
约翰·戈林斯
在阶梯石台和悬空的檐篷之间,创造了开放和透明的环境,让人们可以透过、进出画廊、流通和展示空间,以及进入艾伯特公园的绿色景观。通过这种方式,画廊向公园和邻近的公共空间开放,以表示欢迎的邀请和吸引人的姿态。
Between the stepped stone podium and hovering canopies, an openness and transparency is created to allow views through, into and out of the gallery circulation and display spaces and into the green landscape of Albert Park. In this way the gallery opens to the park and adjoining public spaces in an inviting and engaging gesture of welcome.
 Floor Plan

                            
进入画廊的顺序遵循了从街道前院,在一个慷慨和欢迎的天篷下,穿过一个较低的门厅,通过一个宽阔的楼梯出现在一个巨大的,充满光线的中庭。中庭为所有游客提供了中心定位和展示空间。画廊的循环延伸从主中庭在一个明确的循环连接所有画廊空间,通过较小的南部中庭,中介与现有的韦尔斯利联队。
The entry sequence into the gallery follows a progression from the street forecourt, under a generous and welcoming canopy, through into a lower foyer to emerge via a broad stair into the large, light-filled atrium. The atrium provides a central orientation and display space for all visitors. Gallery circulation extends from the main atrium in a clear series of loops interconnecting all gallery spaces via the smaller southern atrium that mediates the junction with the existing Wellesley Wing.
 
展览空间和房间多种多样,固定和灵活,正式和非正式,遗产和当代,自然照明和人工照明,开放和关闭,高空间和较低的空间。
A diverse range of exhibition spaces and rooms are created, both fixed and flexible, formal and informal, heritage and contemporary, naturally lit and artificially lit, open and closed, high spaces and lower spaces.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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