Z Design Building Ami Shinar – Amir Mann
2013-11-29 01:00
架构师提供的文本描述。Z设计大楼的基本概念,位于设计博物馆Holon旁边(罗恩·阿拉德饰),是基本住宅“集合”的表达-公寓-几乎是一个独立的单元。这种表达方式很简单,因为每二层楼(包括四套公寓)相对于下面两层或更高的两层楼,围绕着建筑核心旋转。因此,每隔一套公寓都有一个30平方米的“屋顶露台”,作为建筑质量的组成部分。
Text description provided by the architects. The basic concept behind the Z Design building, located next to Design Museum Holon (by Ron Arad), is the expression of the basic residential"aggregate"– the apartment –almost as an independent unit. This articulation is achieved simply as each second floor (containing four apartments) rotates around the building core relative to the two floors below or above. Thus also every second apartment gains a large 30 sqm "roof terrace", as an integral element of building mass.
整个建筑的丰富体积组成几乎是这种简单变换的副产品。因此,另一个特点是:不再有“主”和“侧”正面;建筑物的每一面都是同样重要的。
The rich volumetric composition of the whole building is achieved almost as a by-product of that simple shift. Thus also another feature is gained: no more "main" and "side" facades;each side of the building is as important.
当然,这个设计可能是对旧的、完全被遗忘的想法的更新,比如1967年蒙特利尔的Safdie栖息地,东京的Kisho Kurokawa‘s Nakagin胶囊塔(1972年),以及在以色列Beer-Sheva的不太知名的“PTiO大楼”,由Lubenfeld-Gamerman著,1965年。然而,大多数这样的开创性实验以某种方式消失了。
Of course this design maybe a renewal of old, quite forgotten ideas, such as Safdie's1967 Habitat in Montreal, Kisho Kurokawa’s Nakagin Capsule Tower in Tokyo (1972) and less known "Patio Building" in Beer-Sheva, Israel, by Lufenfeld-Gamerman, 1965. However most such pioneering experiments somehow have vanished.
Z设计大楼的“旋转”几何学再现了这一古老的词汇,而简单而经济地建造成传统的混凝土骨架,并在其上安装了预制墙。30或40层的高层建筑中,它同样会被实施:我们可以想象整个城市街区的设计与低层街道建筑相对应,围绕着一些高楼,在一个小的开放的公共空间周围。
The Z Design Building with its "revolving" geometry reproduces this old-new vocabulary, while simply and economically constructed as conventional concrete skeleton with on-site prefab walls installed on it.In 30 or 40 story high buildings it will just as well be implemented: we may envision a whole city block designed accordingly with low-rise street buildings surrounding some tall ones in between, around a small open public space.
外部饰面是相当基本的,主要由切割白色的石头,集成到现场铸造的地方墙壁单位。凹面用灰色花岗岩覆盖,而窗户和阳台边缘之间的小区域则用铝覆盖。我们可以说,建筑物的美在于它的体积形成的逻辑,几乎不管任何昂贵的完成材料。
Exterior finishes are quite basic, consisting mainly of cut white stone, integrated into the on-site cast-in place wall units. Recessed planes are cladded with grey granite while small areas between windows and balcony edges are cladded in aluminum. We may say that the building's beauty lies in its logic of volumetric formation, almost regardless of any expensive finish materials.
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