© Michael Schnabel

迈克尔·施纳贝尔

架构师提供的文本描述。不寻常的任务和困难的建筑工地一方面是一个巨大的挑战，另一方面是一个巨大的潜力。业主要求为他的Unimog和一个小型住宅单位提供一个车间。该遗址坐落在一条交通拥挤的街道旁，周围环绕着小型私人房屋和农场建筑。一个关键的参数是非常紧凑的成本框架。

Text description provided by the architects. The unusual task and the difficult building site was at one hand a big challenge but on the other a big potential. The owner requested a workshop for his Unimog and a small residential unit. The site is located directly next to a street with havy traffic and is surrounded by small private houses and farm buildings. A crucial parameter was the very tight cost frame.

 © Sebastian Berger

塞巴斯蒂安·伯杰

其概念是将两种不同的用途叠加在一起，以尽量减少场地上的足迹，并使起居室从街道走向景观。结果是一个垂直发展的房子。这两种不同用途的变化通过正面反映出来：车间的下部是半透明聚碳酸酯元素。

The concept was to stack the two different uses on top of each other in order to minimize the footprint on the site and to orient the living rooms from the street towards the landscape. The result is a vertically developed house. The variation of the two different uses reflects itself through the facade: The lower part of the workshop is cladded with translucend polycarbonate elements.

 © Michael Schnabel

迈克尔·施纳贝尔

在白天，工作空间里充满了过滤过的自然光线，晚上，它变成了一个灯箱，照亮着周围的社区。生活空间以无烟煤表面作为整体体积呈现出来。Precice设置的窗户和一个慷慨的南方导向的灌木丛使美丽的景观周围的景观。

The workspace is filled with filtered natural light during the daytime, and turns at night into a light box which glows into the neighborhood. The living space presents itself with its anthracite facade as a monolithic volume. Precice set windows and a generous south oriented loggia enables beautiful views into the surrounding landscape.

 © Sebastian Berger

塞巴斯蒂安·伯杰

为立面和建筑内部选择的材料强调了实用和简化的设计理念：一所房子，它位于理性农舍或车间的类型中，而不是古典住宅的类型中。

The chosen materials for the facade and inside the building underlines the pragmatic and reduced design concept: a house which is rather located in the typologie of a rational farmhouse or of a workshop than a classical residential house.

Architects Fabian Evers Architecture , Wezel Architektur

Architect in Charge Fabian Evers Architecture, Wezel Architektur

Area 120.0 sqm

Project Year 2012

Photographs Sebastian Berger, Michael Schnabel