Music Conservatory in Paris 17th Arrondissement Basalt Architecture

2014-02-14 00:00
 © Sergio Grazia
塞尔吉奥·格拉齐亚
架构师提供的文本描述。该温室位于两座高层建筑之间的一块土地上,坐落在与城市建筑遗产相关的建筑脚本的交汇处。在南17区的边缘,豪斯曼式的建筑可以看到最近一段时期的社会住房。因此,音乐学院因其主题而处于战略要地,即17区的历史与法国音乐紧密相连,建造这座新大楼必须与这一过去相媲美。
Text description provided by the architects. Located on a plot of land between two high-rise buildings, the conservatory stands at the interface of architectural scripts linked to the city's building heritage. On the edge of the 17th arrondissement to the south Haussmann-style buildings look across at social housing of a more recent period. So the conservatory is located at a strategic point due to its theme, i.e. the 17th arrondissement's history is closely linked with French music, and building this new edifice has to be worthy of this past. 
 © Sergio Grazia
塞尔吉奥·格拉齐亚
它之所以具有战略意义,是因为它位于古塞莱街,这是一条重要的进入城市的走廊,它的视线从Périphérique大道(环形公路)延伸到两个建筑时代和风格之间。这也是一个新的建筑边缘的古塞莱斯街,等待着和谐的建筑物的开始。
It is strategic due to its urban location, located as it is on the rue de Courcelles, an important corridor for entering the city with its sight-line extending from the Boulevard Périphérique (ring-road) between two architectural eras and styles. It is also the beginning of a new building fringe on the rue de Courcelles while waiting for the Consistory building.
 
沿着Courcelles街排列,这个项目是一个从下到上的振荡,通过外部表面的发挥。它发出了一个强烈的信号,通过城市,一个20米高的基准在一条由植被主导的绿色小巷中。从Périphérique可以看到,它的建筑处理将其与巴黎环形公路沿线的公共景观区分开来,从而将其视为一种增值元素。鉴于它的外观和地理位置,它一直在与这座城市进行对话。一方面,楼上的舞蹈室凭借其宽阔的窗户,以特定的音量从城市中站出来,与北面的公寓楼相呼应,从而积极地参与了大楼的视觉信号。
Aligned along the rue de Courcelles, the project is an oscillation from down to up through the play of external surfaces. It sends a strong signal through the city, a 20-metre-high benchmark in a green alley dominated by vegetation. Visible from the Périphérique, its architectural treatment identifies it as a value-adding element by separating it from the publicity landscape that exists along the Parisian ring-road. Given its appearance and location, it is in constant dialogue with the city. On the one hand the dance studios in the upper floors with their expansive windows participate actively in the building's visual signal by standing out from the city with a specific volume that responds to the apartment buildings to the north.
 © Sergio Grazia
塞尔吉奥·格拉齐亚
在南面的另一边,建筑的褶皱的表皮和它的穿孔,与经典豪斯曼风格的建筑和他们坚固的建筑对话。我们的项目是从内到外设计的;我们把音乐学院设想成一个交流、模仿、实践的十字路口。
On the other side to the south, the building's pleated skin and its perforations that dialogue with the classic Haussmann-style buildings with their sturdy architecture. Our project has been designed from inside to outside; we have conceived of the conservatory as a place for exchange, emulation, a crossroads of practices.
 Ground Floor Plan

                            
正是这个想法推动了这个项目从中心的礼堂到音乐厅。因为我们就是这样看待这些设施的。人们玩耍、学习、跳舞和创造的地方。声音和运动来自于这个活动的漩涡,这个练习的流派。这就是卷书是如何活过来的:一种被旋律的节拍穿透的皮肤,它在外墙中浮现并成形。剧本是在那里与卷折叠和波动,在光线和节拍的穿孔,使它在白天和晚上活跃起来。
This is the idea that has driven the project from the auditorium at its heart to the music rooms. Because that is how we have perceived the facilities. A place where people play, learn, dance and create. Sounds and movement emerge from this swirl of activities, this school of practice. Which is how the volumes came to life: a skin perforated by the beat of the melody that emerges and takes shape in the outer walls. The script is there with the volume folding and undulating in the light and the beat of the perforations that enliven it by day and by night.
 © Sergio Grazia
塞尔吉奥·格拉齐亚
一个运动和模拟的地方,内部和外部的体积闪烁和移动,加强了通道和空中走道的作用,材料有时会反射,有时会吸收光线,就像这个地方的最高声学一样。尽管外部体积是古塞莱斯街重组的一个城市信号和催化剂,但它的外形和褶皱将其包裹在一起-就像佳士多的作品一样-我们一直在寻求去物质化核心内部空间,使其变得不可修复和至关重要。
A place of movement and emulation, the interior and exterior volumes shimmer and move, reinforced by the play of passageways and aerial walkways, the materials sometimes reflecting, sometimes absorbing the light like the paramount acoustics of the place. Although the exterior volume, an urban signal and catalyst of the rue de Courcelles' recomposition, is intended to be monolithic with shape and folds that enwrap it–like the works of Christo–we have sought to dematerialise the core interior space to render it impalpable and vital.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Basalt Architecture
Location 17th arrondissement of Paris, Paris, France
Category Educational Architecture
Project Year 2013
Photographs Sergio Grazia

                    

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