Courtesy of NL Architects

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 Arts Square. Image Courtesy of NL Architects

艺术广场。NL建筑师的形象礼貌

沉入“艺术广场”下面的是地下电影大厅，通过“从广场挖掘出的电影峡谷”进入。正如NL所描述的那样，“其中一个大厅似乎从基地‘逃离’，有点像熔岩灯，成为整个电影的显眼和可见的标志。”这个“黑匣子”高高耸立在一楼之上，很容易连接到博物馆，向莱茵河开放，激发了这个空间的多种用途。

Sunken below the “Art Square” are the subterranean movie halls which are accessed through a “cinematographic canyon excavated from the square.” As NL describes, “One of the halls seems to ‘escape’ from the base, a bit like a lava lamp, to become a prominent and visible emblem for the cinema as a whole.” Elevated above the ground floor, this “black box” easily connects to the museum and opens up to the Rhine, inspiring multiple uses for the space. 

 Arts Square. Image Courtesy of NL Architects

艺术广场。NL建筑师的形象礼貌

这座建筑的顶端是博物馆。阶梯式的，灵活的内部允许一些空间配置，引入自然照明以及前所未有的河流和城市全景。博物馆内随后的各个层次由一个宏伟的楼梯和移动楼梯连接起来，为馆长提供了无限多的布局，供馆长选择。“高原电梯将观众带到下一个层次。电梯稍微过大，可以让雕塑陪伴游客上上下下，以一种意想不到的方式为艺术注入活力。“

Topping the structure is the museum. Stepped, flexible interiors allow for a number of spatial configurations, the introduction of natural lighting as well as unprecedented panorama views of the river and city. Subsequent levels within the museum are connected by a grand stairway and mobile staircases that provide an infinite number of layouts for curators to choose from. “Plateau elevators bring the audience to the next level. The lifts are slightly oversized to allow sculptures to accompany the visitors on their way up or down, animating the art in an unexpected way.”

 Rhine View. Image Courtesy of NL Architects

莱茵河景观。NL建筑师的形象礼貌

 Museum . Image Courtesy of NL Architects

博物馆。NL建筑师的形象礼貌

在阐述博物馆灵活的内部结构时，NL说：“我们建议永久藏品不应放在博物馆的一个特定部分，而是可以‘自由’通过博物馆。因此，可以通过空间本身和博物馆不断变化的内容来建立新的关系。“这就引出了一个问题，“你如何将一个‘开放’计划-允许无休止的配置-与特定的空间体验结合起来？”

Elaborating on the museum’s flexible interior, NL stated: “We suggest that the permanent collection should not be placed in one specific part of the museum but could be ‘freed’ to travel through the museum. As such new relationships can be created with the space itself and the ever changing content of the museum.” This leads to the question, “How can you combine an ‘open’ plan - that allows endless configurations - with a specific spatial experience?”

 Museum. Image Courtesy of NL Architects

博物馆。NL建筑师的形象礼貌

“这个困境可以通过把房间合并成一个大厅来解决，这个大厅随后被分割成不同的高度。”博物馆既可以作为一个大型的室内景观来体验，也可以成为一系列不同的房间，并具有所需的特殊性能和氛围。层叠结构允许组织上的自由，同时也提供了一系列独特的空间条件。“

“This dilemma can be tackled by combining the rooms into one large hall that subsequently is segmented over different heights. The museum can either be experienced as one large interior landscape, or be turned into a sequence of distinct rooms with their required specific performances and atmospheres. The cascade allows freedom in the organization and at the same time offers a spectrum of unique spatial conditions.”

“分裂级别的组织在艺术上呈现不同的观点和意料之外的观点；在某种程度上，它增加了可见光谱。”此外，在每一步形成的双高度空间可能会引起特定的干预。“

“The split-level organization renders shifting views and unexpected perspectives on the art; in a way it increases the visible spectrum. In addition the double height spaces that come into being at each ‘step’ might provoke specific interventions.” 

 Courtesy of NL Architects

nl建筑师提供

 Nieuwstraat View. Image Courtesy of NL Architects

Nieuwstraat View。NL建筑师的形象礼貌

“阿尔塔，由于这一步的体积，它向公众和河流开放。楔形也为更大的物体占据艺术广场创造了空间。多功能厅、“浮动”电影院、办公室(向内部提供阳台以促进互动)、接待处、衣柜和艺术品都安放在开阔的“喙”中。通过将咖啡厅与艺术广场相交，这一空间有可能成为真正意义上的大酒店。“

“ArtA, as a consequence of the stepped volume, opens itself to the public and to the river. The wedge shape also creates the space for larger objects to occupy the Art Square. The multifunctional hall, the ‘floating’ cinema, office (with balconies towards the interior to catalyze interaction), the reception, wardrobe and art pieces all nestle in the wide open ‘beak’. By also intersecting the café with the Art Square, the space has the potential to become seriously Grand.”

此外，“旋转液晶显示屏-类似于你相机上的屏幕-被设计成一个巨大的标牌。”银幕上可以展示电影的预告片，或者与纽瓦斯特大街上的行人互动，以及“大咖啡馆露台上的人们、艺术广场的游客或客人在莱茵河上的新阳台上喝一杯”。

In addition, “a swivel LCD screen - similar to the one on your camera - is designed to work as a giant sign-board." The screen can, among many things, show the trailers of movies or interact with pedestrians in the Nieuwstraat, as well as the "people on the terrace of the grand café, visitors of the Art square or guest having a drink on the new balcony on the Rhine.”

建筑师NL建筑师地点Meijnerswjk 5，6841 HA Arnhem，荷兰类别博物馆nl团队Pieter Bannenberg，Walter van Dijk，Kamiel Klaass，Gen Yamamoto，eke Hoekstra，Jose Ramon Vives，Laura Riano，Sander van de Weijer，Arne van Wees，Mario Genovesi en Shane Dalke，Peter Bijvoet(DGMR)阿纳姆地区客户城市8500.0平方米

Architects NL Architects Location Meijnerswijk 5, 6841 HA Arnhem, The Netherlands Category Museum NL Team Pieter Bannenberg, Walter van Dijk, Kamiel Klaasse, Gen Yamamoto, Eke Hoekstra, Jose Ramon Vives, Laura Riano, Sander van de Weijer, Arne van Wees, Mario Genovesi en Shane Dalke, Peter Bijvoet (DGMR) Client City of Arnhem Area 8500.0 sqm