继他2009年在阿罕布拉的经历之后，西扎记录了他对新大门的设想，他说：“…从明亮的太阳到阴影，从温暖到凉爽，从宽广到亲密的焦点，我喜欢在我把它放在任何细节之前梦到我的计划。“

Following to his experience at the Alhambra in 2009, Siza journaled about his envision for the new gate, stating: “…from bright sun to shadows, from warmth to coolness, from wide to intimate focus, I like to dream about my project before I set it down in any detail.”

 Alhambra Atrium I Entrance Square (Southwest Cypress Path). Image © Alvaro Siza Vieira + Juan Domingo Santos; Rendering by LT Studios

阿罕布拉中庭一号入口广场(西南柏树径)。图像(阿尔瓦罗·西扎·维埃拉·胡安·多明戈·桑托斯；由LT工作室绘制)

 Alhambra Atrium I Main Platform Access (Southeast Parking). Image © Alvaro Siza Vieira + Juan Domingo Santos; Rendering by LT Studios

阿罕布拉一号主要站台通道(东南停车场)。图像(阿尔瓦罗·西扎·维埃拉·胡安·多明戈·桑托斯；由LT工作室绘制)

“从这种潜意识记忆中产生了一种初步的结构，它融合了自然、过去和现在，把阴凉、水和树木等量地作为关键要素，”艾德斯·乔皮纳(António Choupina)描述道，他将于2014年3月22日至5月8日在柏林展出“阿尔罕布拉的愿景”(Visions Of The Alhambra)。“这一条件使建筑物与景观本身结合在一起，使从旧农田到一般人花园较低海拔的人变得清晰起来。”地平线是自由的，因为网站自发地形成了一个全景平台，这是穆斯林文化沉思的一部分，也是每天8000名游客的分布。通过复杂的空间排序和人们运动的地形系统化，避免了常见的等待线。

“From this subconscious memory arose a preliminary structure that blends nature, past and present, and in equal parts shade, water and trees as key elements,” described António Choupina, Aedes curator of “Visions of the Alhambra,” which will be on view in Berlin from March 22 through May 8, 2014. “This condition allows the building to become one with the landscape itself, articulating palimpsests from the old farmlands with the Generalife’s lower garden elevation. The horizon is set free as the site spontaneously gives rise to a panoramic platform, integral to the contemplative aspect of Muslim culture and to the distribution of 8000 daily visitors. Common waiting lines are avoided through complex spatial sequencing and a topographical systematization of people’s movements.

“地形入侵和挤压的双重性使新建筑看起来比实际建筑要小，这突出了阿罕布拉号的规模，因为它在地形中隐藏了项目5700平方米的很大一部分。前厅突出的图像质量是这种空间收缩和扩张的结果，通过无数的交叉视图和战略性地放置光井，激发了一种形态上的窥视。光实际上是这个建筑地下世界的中心人物。

“The duality of topographical intrusion and extrusion makes the new building appear smaller than it physically is, emphasizing the Alhambra’s scale by hiding a large part of the project’s 5700m² in the terrain. The outstanding pictorial quality of the vestibule is a consequence of this contraction and expansion of space, instigating a morphologic voyeurism through a myriad of intercrossed views and strategically placed light wells. Light is in fact the central character in this architectural underworld. 

“当它以惊人的强度穿透阴影时，它就变得坚实起来，并将大厅中主轴的扭曲运动具体化。”这一构图随后通过其容量主干-餐厅/酒吧-以及开放空间的美学清晰度而更加突出，在一个封闭的周边，将所有其他功能都表达了出来。

“It becomes solid as it rips through the shadows with dramatic intensity and personifies the twisting motion of the main axis in the foyer. The composition is subsequently accentuated by its volumetric backbone - the restaurant/bar - and by the aesthetic clarity of the open space, articulating all other functions in an enclosed perimeter. 

“游客们终于和天空团聚了，就像一个庭院开辟了通向外面的路，指引他们到礼堂，最后到达阿罕布拉广场。”整个土方工程作为一个祭坛，为规范但独特的庭院结构，其中建筑师尊重自然与建筑艺术的结合。伊斯兰实践中的轨迹是通过水的概念来表示的，水是一个无限重复的连续循环。这个几乎神圣的概念在新的中庭中被接连的水塘引导，以增强空间流动的感觉。这些干预措施象征着阿罕布拉人永远存在的综合。“

“The visitors are at last reunited with the sky as a courtyard carves out their way to the outside and directs them to the auditorium and finally to the Alhambra square. The whole earthwork reveals itself as an altar to the normative yet distinct patio structure where the architect pays his respects to the bonding of nature with the art of building. The locus in Islamic practice is represented through the notion of water as a continuous cycle of infinite repetition. This almost sacred concept is channelled throughout the new atrium by successive water ponds in order to enhance the sensation of flow between spaces. These interventions symbolize the ever-living synthesis of the Alhambra.”

 Topographical Architecture. Image © António Choupina

地形建筑。图像(António Choupina)

 Wood model of the Alhambra territory by Álvaro Negrello, Dimension 1:500. Image © Alvaro Siza Vieira + Juan Domingo Santos; Rendering by LT Studios

阿罕布拉地区的木材模型由一个́lvaro Negrello，维数1：500。图像(阿尔瓦罗·西扎·维埃拉·胡安·多明戈·桑托斯；由LT工作室绘制)

了解更多关于如何查看新大门的设计在埃德斯建筑论坛，柏林，这里。

Learn more about how to see the new gate’s design on view at Aedes Architecture Forum Berlin, here.

建筑师Alvaro Siza，Juan Domingo Santos，地址1066 Granada，18009 Granada，西班牙类别文化中心工程GOP Engenharia工业工程算盘工程师技术建筑师何塞·纳瓦罗农业学家和林业拉斐尔·纳瓦罗·M.恩里克·德克勒渲染LT工作室面积5700.0平方米照片阿尔瓦罗·西扎·维埃拉胡安·多明戈·桑托斯；由安托·尼奥·乔皮纳的LT工作室绘制

Architects Alvaro Siza, Juan Domingo Santos Location 1066 Granada massacre, 18009 Granada, Spain Category Cultural Center Engineering GOP Engenharia Industrial Engineering Abacus Engineers Technical Architects Jose Navarro Navarro Agronomist and Forestry Rafael Navarro M., Enrique Deckler Renderings LT Studios Area 5700.0 sqm Photographs Alvaro Siza Vieira + Juan Domingo Santos; Rendering by LT Studios, António Choupina